Saturday, March 22, 2025
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Review of New Morlan Gallery Exhibit Eco:Flux

This past week, I had the pleasure of visiting the Morlan Art Gallery’s latest art exhibition: “Eco:Flux,” featuring works from an eclectic and talented group of artists, including two faculty members, Transy’s own Zoe Strecker and Anthony Mead.

Upon entry, one is immediately greeted by the dueling sounds of Rowe Moser’s digital video installation, There is a Fault in the System— soothing, serene nature tones, undercut by an increasingly unnerving droning noise bubbling up underneath, like a creeping panic attack. 

In her artist’s statement, Moser briefs us on the chanting techniques of the Gyume monks, suggesting that the droning voices, gongs, wildlife, etc. played over the footage of nature landscapes are meant to lull the viewer into a place of calm, only to be brought out of it by jarring image distortions and pixelations. The message is clear — we are living in what Rowe refers to as a “glitched wasteland.”

There is a Fault in the System, digital video by Rowe Moser 

This just about perfectly sums up what the exhibit is doing as a whole. The Morlan web page describes the work on display here as highlighting “specific issues that are in immediate need of attention,” while others take a more abstract route, laying out “future potentialities that exist on the cusp between science fact and science fiction.” It’s a theme rife with possibilities for an exploration of the dystopian landscape we live in / face living in very soon (and yes, I know it’s cliche to say so).

As far as dystopian landscapes go, no one artist crafted a work as fleshed-out and dystopian as Emily Ritter’s Polyflora 1 – 3. Ritter’s series of meticulously crafted sculptures come with a sci-fi novel background — Ritter describes a “possible future” wherein plastics have fused with organic matter, creating a new hybrid lifeform that has “replaced the life we know today.” These future landscapes pose questions for the viewer about everyday consumption / waste and the role it has on the environment (as well as the role they might play in this overconsumption).    

Polyflora 1 – 3, sculpture series by Emily Ritter

As previously mentioned, gallery director Anthony Mead has also contributed a piece of his own to the exhibit, with his striking wall mural, Planting a garden with Prometheus; tree canopy growth pattern in idealized conditions washed with charcoal and earth. Even without Mead’s direct allusions to Greek Myth, this work could still read as a promethean garden of Eden; an elemental stencil print composed of charcoal, soil and carbonaceous rock meditating on the contextual relationship between human, nature, and fire.

Mead writes in his artist’s statement that the piece’s distinct, repeating orb-like pattern is “influenced by the repetitive forms or patterns found throughout human cultures and natural environments in everything from camouflage, to spirit ritual, to cultural adornment.” It’s a sprawling piece both in physical size and in its array of interconnected themes it seeks to tackle. 

Planting a garden with Prometheus; tree canopy growth pattern in idealized conditions washed with charcoal and earth, stencil print by Anthony Mead

The exhibit will run through February 25th at regular gallery hours (Monday-Friday 12-5 pm) and is free to the public. One can also attend a zoom conference (register here) hosted by featured gallery artist Marilee Salvator on Thursday Feb 17th from 6-7 pm. 

The Untimely Construction on the Steps of Old Morrison: The Senior Perspective and an Interview with President Lewis

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The 2022 senior class here at Transy has yet to have a year that even hints at normality. With nearly a year and a half online, three different cafeterias, never having a full year with an open campus center (until we began moving off campus), one and a half years without music or theater, two and a half years without study abroad possibilities, a year without a May term, and never mind the detrimental effects of the online year which we all know created real problems connecting with professors and administration. Now, despite our stunted Transy experience, the class of 2022 has apprehensively begun to be excited about graduation, albeit through compulsory rose-colored glasses.

However, in late November, rumors began to circle about upcoming construction on the steps of Old Morrison. This looming construction could mean that the 2022 commencement ceremony may very likely be moved from its traditional place on the steps of Old Morrison.

The class of 2022 has demonstrated its ability to endure many things, but to simply allow the individuals in charge to remove this final rite of passage while feeling justified in doing so, is both a shock and extremely disappointing.

For me, the decision to come to Transy came with a sense of excitement and a promise of adventure. However, it also came with a guarantee of rather severe student debt. But, when you’re 18, student loans seem far away and really only a problem for the college educated versions of ourselves, who we imagine making millions in a passion-filled career. Now that I have reached the end of my time in college, I regret to inform myself that I’m probably not going to be making millions.

The year online brought a lot of misfortunes, one of which is that it put a halt in my search for a discipline I am passionate about. Furthermore, not being on campus also induced the loss of connections to other students. This, along with not having a campus center for half of our freshman and all of our sophomore year, has hurt the “sense of community” Transy boasts. Therefore, you can imagine our sustained disappointment at finding out that our graduation, our final chance to say goodbye to our ragtag nontraditional class, could be altered too.

Graduation does not belong on the steps of Beck or in a campus center the class of 2022 hasn’t known. In addition, the class of 2022 rightfully has hang-ups about the ceremony taking place in front of a big chain-link fence and caution tape even if it were possible to keep graduation near Old Morrison. The inconsistency of the information being provided to students about the timeline is frustrating and simply unfair.

We chose to spend these four years at Transylvania University. Many of us, including myself, have chosen to go into extreme debt just to experience everything that made Transy stand out when choosing a college all those years ago. I want to introduce the caveat that I do not want to come off as some spoiled college student who is just so upset that graduation might be altered. I fully understand, and have seen first hand, that there are factions of our society that were hurt and abandoned much more holistically by the pandemic than a bunch of privileged college students. However, I think it is important that in the realm of our own university our voices and struggles matter. So instead of a juvenile college student, I want to be understood as a severely indebted adult who was shocked at the lack of consideration that came from the administration I chose to guide me through arguably some of the most formative moments in my life, when we asked them to hear us.

While it is true that the steps need some work, the structural issues do not need immediate attention. To the class of 2022, it seems obvious that the construction can and should be postponed until after we have taken our rightful place on the steps of Old Morrison clad in caps and gowns.

The sheer disappointment and anger the seniors are feeling is justified. Therefore, to answer some of our questions and hopefully put our minds at ease, I sat down with President Brien Lewis to learn more about this untimely construction.

Lewis’s office, located on the second floor of Old Morrison, felt prestigious and decadent with its overwhelming presence of chocolate brown surfaces and Transy publications. I was equally as excited as I was nervous to query the head of our university and have our most pressing concerns for graduation cleared up.

My first question aimed to straighten out the timeline on which the construction is running. I felt this was an important starting place amongst the varied information about the projected completion time. President Lewis explained that when arranging the schedule for the project their “overriding imperative [was] to have the Old Morrison front steps ready for graduation. The first question on everyone’s mind was graduation.” President Lewis explained to me that there are many more facets of this construction than meets the eye. In totality, the construction on the steps of Old Morrison will most likely not be finished until July. However, the portion of the construction that would affect the graduation ceremony is on schedule to be finished in time to keep with tradition.

The biggest issue that could affect the timetable of the construction is inclement weather. For this reason, beginning the construction during the coldest part of the year seems like a strange choice.

The administration has also heard our concerns about the alternative locations mentioned, such as the stairs of the Beck Center, the back of the new campus center, or the steps of the Carpenter Academic Center, and have agreed that in the case of inclement weather affecting the timeline, graduation will continue to be held in front of Old Morrison and the construction site will be covered and the space made elegant.

While most of our concerns were answered by this information, I still wanted to learn more about the decision to do the construction now amongst so many other projects and secondly to better understand why our demonstration was so easily ignored.

I learned from President Lewis that the construction on the steps has been a project under consideration for the better part of a decade and while President Lewis has only been a part of two of those years, he was still eager to get the project underway. While I jested that couldn’t they have waited a few more years in order to give the non-traditional classes affected by construction and COVID-19 a traditional graduation, after all, what’s a few more years amongst a decade? I was met with the answer that there would really never be a perfect time. The construction would always either affect graduation, pumpkin mania, or the July 4th concert. While to me, graduation seems a bit more important than a summer concert I have never heard of, I can understand the desire to keep pumpkin mania a priority as it has become a Lexington staple that directs a lot of attention to our university.

Be that as it may, the main reason to not push construction until after the class of 2022’s graduation is that it would be difficult, time consuming, and potentially expensive to rearrange contractors, material, and supply chains. However, in the end, President Lewis did assure me that he understood the plight of current college students saying, “I certainly get that [the current classes have struggled greatly in these unprecedented times], and especially the senior class, has had disruption after disruption after disruption and I am very sensitive to it. I have two kids in college myself … and I’ve been on that journey with them.”

Broadening our viewpoint however, because of all of the other construction sites on campus, it is plausible for someone to wonder how taking on yet another project makes any sense at all. Especially when there are so many other, and arguably more important, buildings on campus that may need work more than steps we hardly use. For example, I’d argue that making the Mitchell Fine Arts Center (MFA) more compliant with the Americans with Disabilities Act (ADA) is more valuable than touching up the steps. It would also be really wonderful to see MFA or the Shearer Art Building get renovated to show the Transy community that we are just as dedicated to the arts as we say we are. MFA and Shearer both are very architecturally interesting buildings that have been neglected and I’d love to see them used to their full potential.

Furthermore, why take on the steps project when construction on Strickland, the 4th st apartments, the Bourbon st. in totality, and Hazelrigg Hall are still under construction? President Lewis explained to me that the decision was warranted because Hazelrigg Hall and the Bourbon st. area are both at a bit of a standstill. They can not proceed without more funding and proper planning. Now, why couldn’t the funds that are being used on the stairs go towards these projects? I’m not sure. However, the Old Morrison steps project has begun and students have once again been faced with one of Transy’s all too familiar trademark construction fence banners, this one, no longer urging us to “pursue bold paths”, but instead features the cheeky slogan “improving our campus one step at a time.” All while the silhouettes of the leftover tape from our protest signs are still vaguely visible behind the thin red banner.

As for beginning construction on MFA in order to make it more ADA compliant, President Lewis assured me that Amber Morgan (Title IX Coordinator) and Deidra Dennie (Vice President for Diversity and Inclusion) have begun a comprehensive disability audit to take inventory of the places on campus that need more attention and thought.

Another point in our collective concern that I was eager to bring up was the sheer lack of attention and so called “sensitivity” that was given to the demonstration held by the student government association (SGA) to have our frustration and opinions of the construction heard. To put this disregard into perspective,
the day of our demonstrationwas the day the construction fence went up. The tone of our protest reflected this frustration, as Dalton Teegarden (SGA senator) mentioned in his address, we feel like children nagging our parents to listen to us when we are the ones they are supposed to care about most.

While I agree with the point made by Teegarden and I remember the collective chuckle I took part in at this comment during his speech, I want to remind all of you of something that I needed reminded of myself: the administration works for us and should have our best interests at heart. It feels so counterintuitive to begin construction now, and not during the summer when students are off campus to allow for at least one year without a construction site obstructing our campus. Ever since rumors began in November, I can not for the life of me figure out the rationale behind this. Through my discussion with PresidentLewis, many of my questions were answered. I understand that they couldn’t change the construction timeline to accommodate our concerns. I just don’t understand why they scheduled it this way in the first place.

When I asked President Lewis how a school like Transy, one that preaches to us to fight for what we believe in and that our opinions matter, could be so blind to these opinions when they are put into practice, he explained how he encourages student voice saying, “I take very seriously the ideas of students and student input. Have I been involved in protests myself? Yes I have!” He goes on, however, to explain how his position makes it difficult toaccommodate only one side of a debate, “where you stand depends on where you sit. If I were a senior I would be expressing those concerns and making sure they are heard. But in my role, I have to factor in everything we have talked about, economic elements, impact on other constituencies, impacts on other events like pumpkin mania, etcetera, etcetera, and try to find the best possible solution.” This brief yet powerful moment in our conversation explained well how the administration is trying to keep with promises of solidarity with the students.

Finishing this portion of our discussion, President Lewis quotes George Bernard Shaw, “the biggest problem in communication is the belief that it has taken place”. To the senior class and to those who stood with us at the demonstration, I’d imagine we’d argue wecommunicated quite thoroughly, yet no one was willing to listen. While in the end, our graduation ceremony should be alright and contingency plans have been put into place to make sure of it, the demonstration and petitioning felt unheard and I think that hurt the morale of the senior students.

I realize the above may seem a bit harsh, but we are only willing to listen to inconsistencies and disregard for so long. President Lewis answered all of my questions thoroughly and thoughtfully and I greatly appreciate that. He also mentioned quite often that his door is always open to a student needing to feel heard. Dialogue and conversation is the best way to move forward on debates according to President Lewis and I have to agree. Thanks to SGA President Lindsey Steffen and all those who helped draft her and President Lewis’ conversation last November, the construction on the steps will not end up affecting our graduation to the point of relocation.

Though I, and those at our demonstration, felt demoralized and juvenilized, our voices were heard and accommodated. Now all we have to do is cross our fingers for sunny skies and no rain this May because after all this I’d be rather disappointed to have our ceremony moved inside. However, I don’t know about you, but at this point, I think I’d rather just get wet.

Transy Alum to Be New York Yankees Hitting Coach

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There have been many notable alumni throughout Transy’s vast history, from US Senators to actual members of the Lewis and Clark Expedition. However, today I want to recognize perhaps one of the coolest alums yet in our modern history. Our very own Dillon Lawson. 

Dillon Lawson, Transy class of 2007, has officially been named the Director of Hitting and the Major-League Hitting Coach for the New York Yankees. (Like the MLB team with the most World Series wins, the New York Yankees). Since 2018 Lawson has served as the Minor-League Hitting Coordinator for the Yankees’ entire minor-league system in Florida but has recently accepted the position over the major-league team in New York. At Transy, Lawson majored in exercise science and received his Master’s in education with an emphasis on strength and conditioning from Lindenwood University. Since then he’s coached in many university baseball programs including Lindenwood University, Morehead State, Southeast Missouri State, and the University of Missouri. Before and after coaching at the University of Missouri, Lawson was a minor-league coach under the Houston Astros, before officially moving to the Yankees in 2018. 

Lawson is extremely excited to be a part of the Major-League organization and even more excited to be a part of the team that will bring the New York Yankees their 28th World Series Title. Dillon and his wife Amanda were both born and raised in Kentucky and are currently raising their three young boys (ages seven, two, and two months) in Tampa, Florida. Off-season training for all Yankees teams takes place in Florida, meaning they’ll still be living in Florida half the year, but are super excited to spend their summers all together in New York. He believes that this will be a once in a lifetime opportunity for his family and truly can’t wait to be in one of the greatest cities on Earth. 

“Prints Not Dead”: An Interview With Allison Spivey, Editor-in-Chief

Meeting Allison Spivey at Gratz Perk for coffee during the chaos that is finals week, what seemed to be most on her mind was the fate of printed journalism. Perhaps this was because as Editor-in-Chief she’s overseeing a printed version of The Rambler, Transylvania University’s student-run newspaper; and for context, The Rambler went entirely online in 2017. This switch is obviously not just a Transy thing: the internet has been compared to the Printing Press in regard to how it has revolutionized human life. When was the last time you picked up a newspaper and read an article or two from it? If you can answer that question, you’re better than me. Podcasts, online magazines, YouTube, Tik Tok; our senses are bombarded with an endless stream of stimulation. On top of that, we use technology from morning till night. An iPhone (our “pocket-sized God”, as Spivey calls them) even directly contributed to the writing of this article.  Because I was worried about forgetting something important after the interview was over, I recorded the whole thing using the Voice Recorder app. Before the iPhone I would’ve had to use a tape recorder, and before that I would’ve had to learn to take notes fast or in shorthand. Oh, how times have changed! 

If you ask Spivey, the change is not necessarily for the better. “This is just me being a baby,” she tells me, “But I don’t want to look at my phone for too long. It hurts my head. It hurts my eyes. It makes me feel like I’m missing something looking that far down…I like the written word. There’s something final about it. There’s something honest about it. You can’t go back and be like ‘oh, I missed a comma, let me fix it’. I mean, who cares?” Over the course of our conversation, what could not fail to strike you is how much The Rambler means to Spivey. To say The Rambler is important to her would be an understatement. She’s not doing this as a favor to Transy or just to pad her resume. She has found a real passion, and her mission is to spread that passion. “I want to go around and ask ten people I see and eight of them to be like ‘oh yeah, The Rambler.’ I don’t care about the other two. That’s fine. But I just want the majority of students on campus to at least know that we have a paper.” The concern is not unwarranted since the paper currently lacks a certain presence on campus that you would think a student-run newspaper would have at a school with roughly a thousand students. How did we get here and how did Spivey become the person keeping the paper alive?

When Spivey came to Transy in the fall of 2018 she, like freshmen from time immemorial, wanted campus involvement. But not “hav[ing] the money or the means” to join Greek Life and not being “musically inclined or athletic in any way”, writing for The Rambler seemed like the best option and a creative outlet that her high school had lacked. Back then contributors got paid to write their stories and the advisor was a “big New York Times style guy” with strict journalistic standards (Spivey hesitates to use the word “tyranny”). The paper had an important presence on campus, and students kept up to date with it.

“It felt very prestigious when I started,” Spivey recalled, “and it got to my head.” In her sophomore year, she rose in the ranks to News Editor, which at the time was the first step in the common trajectory for someone wanting to become Editor-in-Chief. “It used to be you got to be an editor sophomore year…a copy editor junior year and then you’d be Editor-in-Chief senior year, so I was on the right track.” She was one of the few freshmen to join and stay with the paper that year, so it made sense to think that she might be at the helm one day. But her trajectory would deviate from the norm for as John Lennon says, ‘Life is what happens when you’re making other plans.’ In January and February 2020, a new virus, COVID-19, began to spread, and by March 2020 the World Health Organization declared a global pandemic. As the death toll rose schools closed, businesses shut down, and our lives were driven to a halt. It was one of those moments after which your life is never quite the same afterward. 

Most universities opened up again by the fall of 2020, but it was anything but a normal year. In the hopes of minimizing complications if everything shut down again, Transy’s administration decided to switch out the semester system with the module system. Instead of four classes for around three months, there were two seven-week periods in which the students took two classes. For this reason, the editor at the time, Abby Stone, decided that the paper should take a hiatus. This was not an uncontroversial decision, and to this day Spivey wonders if The Rambler would have kept its readership if the work had continued. But the module system was hard on students and professors alike–it even sparked an organized student protest–so it seemed like the best decision at the time. As the world returned to semi-normalcy by the Fall of 2021 Spivey brought The Rambler back to life. So after a very unexpected detour, Spivey’s trajectory with The Rambler got back on track. 

Now a senior in the class of ‘22 double majoring in Education and Social change and Psychology, Spivey is aiming to usher in a “Rambler Renaissance” and turn The Rambler into a “dorm-hold” name again. Spivey, like a lot of us post-pandemic, is operating on a gnawing sense of lost time. “I don’t know if this is true, but I always felt like the senior class and all the classes affected by Covid–including yours, including everybody else’s–just don’t have that same sense of small campus community that Transy always advertised. And I don’t know if that’s just because they have false advertising and you’re always gonna have your little cliques, or if it’s because we’ve spent years stunted by a pandemic. But for whatever reason, I think it’s important to share student experience, especially in the student-run media.”

Scanning through the archive on the website, the student experience definitely shines through. The various voices and the breadth of subject matters covered in the paper are impressive: everything from baseball superstitions to the importance of mathematics education to theatre, gallery, and food reviews. As well as campus, local, and international news. The Rambler website has articles dating back to August 2016, although you can find older issues on the Kentucky Digital library website or in the special collections section of the university’s library.

Ask Spivey if she’s aiming for a career in journalism, and she seems unsure. “That’s a good question.” She says. “…out of all of my classes all I want to do is work on The Rambler stuff. Whether it’s the layout of the physical copy or writing pieces about student opinions or whatever. I have found a love for journalism, and I would definitely look into a career along those lines. I’ve looked at some grad programs at different schools and they’re all really fascinating except they tend to require a journalism major in undergrad. I just wish I wasn’t living in a time where everything is Buzzfeed…[But] Print’s not dead, and I hate that people think it could be…” Spivey’s voice trails off. But the passion quickly resurfaces. “Yeah, okay, I’m gonna be a journalist. I am.” 

For now, at least being Editor-in-Chief at The Rambler will suffice, and Spivey is already bubbling with ideas. “My main focus next semester [will be] an app. We need a way for someone to just click on it and [have it] pop up. They need to get notifications that a story was posted.” 

“Using technology to help rather than hurt!” I replied. It’s a clever idea. Build up a digital readership, and then maybe a printed version would be more viable. But as always, the question of money comes up. The paper would need more members. Someone for layout, someone for copyediting, someone for stocking the paper all across campus, and not to mention the expenses. And the Rambler would need more stories to fill a physical copy each week. The goal just seems to get more and more complex the longer you think about it. 

Having said that, The Rambler may not be what it was, but things are looking up. “You know, not to toot my own horn but the Rambler began this year as just myself,” Spivey explains with (in my opinion) undo modesty. “And now we have almost fifteen writers which is awesome. And if we could end next semester with twenty and go into next year with twenty and then by the end of that year have twenty-five. And then we could have stories posted at least three times a week!” This is what she wants to leave behind after graduation. Only time will tell. But regardless, on behalf of all the staff at The Rambler and on behalf of all people who would rather read a book bought from a second-hand bookstore than on a Kindle I want to say to Allison Spivey thank you.

Review of Reflection Refraction Reaction

After recent events in Texas, this reviewer has been nervous about what the future holds for women in this country, not to mention minorities and LGBTQ+ individuals. Morlan Gallery’s current exhibition Reflection Refraction Reaction is a celebration of womanhood, femininity, and queerness that couldn’t come at a better time. 

Visitors to Morlan are greeted by a pink wall with white text that introduces the artists
(Courtney Kessel, Cayla Skillin-Brauchle, and Danielle Wyckoff) and the vision for the exhibit: “…the artists offer exhibition participants moments of consideration and conversation, moments of directional shifts, and moments mutual action to create something new: reflection, refraction, reaction.” In addition to the forward facing wall, two pink walls flank the double glass doors, mimicking certain aspects of female anatomy that suggest the viewer is entering a womb. Once inside, the viewer is invited to sit and peruse a wall of zines that are housed in the “Reproductive Media Zine Library” The space also features fragmented pieces of clothing bearing phrases such as, “If you like it, then its [sic] stylish.” The entire piece is Reproductive Media’s Mobile Zine Library by Danielle C. Wyckhoff and Cayla Skillin-Brauchle.

Featured throughout the gallery are several copper wire mobiles, whose skeletal forms are eerie, yet nostalgic for a bygone childhood. I Put a Spell on You (Fertility) by Courtney Kessel features dried fruit, sage bones, citrine, and a glittery condom, because who doesn’t need a little sparkle in their love life? Moving around the corner, the viewer encounters a collaborative performance short film by Courtney Kessel, Natailie Wetzel, Josephine Wyckoff-Lareau, and Danielle C. Wyckoff. The piece is composed of layered videos of the artists and their children walking across a yard. The scene is a relatively normal one. There is a pickup truck and a swing set in the background, but the double imaging of the film creates something less than a comforting vision of suburban family life. Not to mention the pregnant belly and breast mold one of the artists holds against her body. This reviewer always enjoys Morlan’s films, and Le Streghe (the witches) was no exception. 

My favorite piece is an installation by Courtney Kessel entitled Enchante. It is centered in the back of the gallery, and features a fascinating conglomeration of materials, each of which gives the piece texture and reflection (literally, there are rainbows and stencils of light on the wall). The sculpture emanates these shards and slices of intangibility from reflective objects, including a disco ball, aluminum foil, and a mirror. The impermanence of the reflections ties the piece together, and by extension, the exhibit as a whole. 

The other notable installation takes on the appearance of a ghostly grotto, called Mirror Pools. It is by far the most interactive piece in the gallery, as the viewer can essentially become part of the art. Standing outside or inside provides a different perspective on belonging and connection. The delicate wires and draping of pink is a fitting exit from the womb of Reflection Refraction Reaction, sending visitors out with enough mysticism and femininity to last until someone else hangs a glittery condom from a wire.

Transy Speaks: Is it Time to Say “Goodbye” to the Pioneers?

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On October 28th, the inaugural meeting of Transy Speaks was held in the Campus Center. The question that was to be debated was whether Transylvania University should retire its current moniker, the Pioneer.

In recent years, there has been pushback against mascots that present disparaging portrayals of indigenous groups. The Washington Football team recently retired their long-standing controversial mascot, and Cleveland’s major league baseball team officially changed their name to the Guardians at the end of the 2021 baseball season. There have also been calls for teams such as the Kansas City Chiefs and the Atlanta Braves to change names. Amid these calls for change, some have questioned Transylvania’s mascot. Despite the athletic mascot being Raf the bat since 2017, Transy’s sports teams still go by the name “Pioneers.” Some have argued that this moniker is disrespectful to indigenous groups, as it signifies a group of people who forcibly removed Native Americans from their homes in the name of “Manifest Destiny.” Thus Transy Speaks, a new student-run organization aimed at promoting debate between students, decided to take up the topic.

To open the debate, a sophomore student who wished to remain unnamed argued that the mascot should remain unchanged, as the term “pioneer” does not necessarily have to refer to the settler colonialists of our country’s past. The student said, “We work and attend Transylvania to deepen our knowledge and understanding of the world, so we may share it with the larger community around us. Transylvania produces educated students to contribute to and change society. One might observe that we are pioneers.” The student argued that Transylvania has a long history of pioneering, specifically citing the fact that Transylvania was the first college west of the Alleghenies. They admitted that the actions of the pioneers who expanded west were wrong, but argued that their actions should not taint the word pioneer itself. The student claimed that by keeping the moniker of Pioneer, Transylvania could, as they put it, “show what a term like this should stand for.”

Next, sophomore Ysa Leon, while agreeing with the previous student that the term pioneer was not necessarily a bad one, the historical context of America’s westward expansion makes the mascot insensitive towards indigenous groups. They said, “I think that the campus community would benefit from a statement from the university’s administration considering the past connotations of being a pioneer.” They noted that while pioneers don’t necessarily have to be linked to America’s westward expansion, up until recent years the university used a logo that prominently featured an archetypal image of a pioneer, irreversibly linking Transylvania’s mascot to that time period.

Leon supported changing the mascot for this reason, saying that “it would go a long way for indigenous people and people of color on campus.” 

Pro and anti pioneer arguments largely fell along these lines for the rest of the meeting, with those in favor of keeping the mascot arguing that the word pioneer could be broadly applied as people that are the first to do something, and those in favor of changing the mascot arguing that it was impossible to separate the pioneer from America’s past abuses of indigenous groups. 

Many in attendance, including alumni Seth Wyatt, argued that it was difficult to use a pioneer as a Transylvania mascot without idealizing America’s westward expansion, as Transylvania was the first university west of the Allegheny mountains and was very purposefully built on indigenous land, as well as the existence of the old pioneer logo. The majority of people in the room agreed that the old logo, as well as the idealization of manifest destiny in general, was inappropriate and that changing the athletic mascot to Raf the bat was the correct decision. Some argued even further that having a bat in the athletic logo and the Transylvania mascot not matching it didn’t make sense, and that the university should fully commit to a bat mascot. 

This is not the first time the question of the Transylvania mascot has been discussed. In March of 2016, Transylvania announced a vote to decide between two new mascots to replace the pioneer logo, a horse named Cassius and a bear named Boone. The move was met with significant pushback by alumni who wished to keep the pioneer logo, and neither choice was able to gain a majority of votes. The logo would later be changed to Raf the bat in 2017, which remains the athletic mascot to this day. 

There has been no word from the Transylvania administration that they plan to change the mascot anytime soon. 

Despite likely not leading to any definitive action, the founder of Transy Speaks was proud of the discussion that the organization was able to facilitate. He said, “higher education is all about thinking critically and being willing to challenge your own views and assumptions, and that’s what Transy Speaks is here to promote.”

John Hinckley Joins Social Media: Reformed, Putting up a Front, or Using His Checkered Past as a Way to Revive His Failed Dreams?

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On September 27th 2021, Mr. John Warnock Hinckley Jr. was given only one more year before all federal restrictions are completely lifted. You may remember him from his attempted assassination of 40th U.S President Ronald Reagan, for which he was found not guilty by reason of insanity and sent to St. Elizabeths Hospital in Washington D.C.  “If he hadn’t tried to kill the president, he would have been unconditionally released a long, long, long time ago,” says U.S. District Court Judge Paul L. Friedman, though that seems like a pretty big “if.” 

Maybe it’s the intensive studies conducted on Hinckley over the past four decades that led to this, or maybe it’s the recent creation of a YouTube channel (launched November 2nd, 2020) and the even more recent Twitter account (first tweeted October 19th, 2021) that influenced the ruling.

These accounts almost exclusively consist of Hinckley talking about / singing / promoting his own original songs, with a few covers here and there as well. Surprisingly so, it often comes off as much more charming than unsettling — the 720p iPhone-recorded YouTube videos of him strumming away at a guitar and belting out his original songs against a beige wall feel like something your uncle might do in his spare time. 

Not to humanize a murderer in any way (and one with extremely questionable motives, as the attempted assassination was inspired by Martin Scorsese’s 1976 film Taxi Driver to impress a very young Jodie Foster), but this is such a strange development in the story of someone who, for the past few decades, was only really mentioned in passing. The comparison could easily be made to O.J Simpson’s bizarre return to the public eye with his release from prison in October of 2017 and the subsequent creation of his own Twitter account. This is creating a pretty strange trend of “guys being released from federal restrictions in one way or another and then returning to the public eye via social media but refusing to acknowledge their past.”

However, the strangest development came when, on October 24th, 2021, Hinckley claimed to have co-written a song by popular 80’s synth-pop band, DEVO, complaining that the song, titled “I Desire” was featured on a hit album and he has yet to see any royalties from it. The “co-writing” Hinckley is referring to here is actually an obsessive love poem that he wrote to Jodi Foster back in ‘82 during a period when he was stalking her, which became public after Hinckley’s arrest.

DEVO’s Gerald Casale was apparently floored by the pure sociopathy on display in Hinckley’s poem and is quoted saying that “I saw it and I showed it to (fellow band member) Mark Mothersbaugh. We couldn’t believe how inspired and pathological the poetry was, given what he had done.” Casale also claims that Hinckley gave the band permission to use the poem and that the distribution of royalties was the job of the record companies, not the band members themselves. 

All in all, Hinckley’s social media arrival has just raised more questions about his case and the effect of social media in general — is he truly “reformed” and just trying to live a normal life? Is he putting up a front? Is he using his checkered past as a way to revive his failed dreams of being a successful singer/songwriter? Who knows! But his songs aren’t half bad… 

Podcasts From Transylvania University

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Podcasts have skyrocketed in popularity over the past few years, mostly due to their convenience. Listeners can have a podcast playing in the background as they do other work without being tied to a location by a TV show. Here on Transy’s campus, we are lucky to have an entire studio to record podcasts through the Digital Arts and Media Initiative. In the basement of Cowgill Center, a small room near the DArt 2 Lab is designed for and dedicated to recording podcasts with the best equipment possible. This room has been host to many podcasts made by students and faculty here at Transylvania, and today we will look into 5 of them.

1. The Rambler

As recently as 2019, The Rambler has hosted episodes of podcasts on various subjects around campus. The Rambler podcast focused on topics ranging from interviews with professors and students, to sports, and even to students’ reactions to the recent construction surrounding the new campus center. The Rambler podcast covered all things Transy. This was a great and easy way to get news from campus, and there have been some talks behind the scenes about starting up podcast episodes again. 

2. Transy Music Tech Podcast

Transy’s Music Technology program rests under the Digital Liberal Arts Initiative, in which podcasting skills are included. The work-study program overseeing the labs uses our podcast studio to record their own podcast, the TMT Podcast. In this podcast, Leigh Kostenbader interviews other students about their work in the Digital Arts and Technology labs. With episodes highlighting Transy musician Annahelen Croce and discussing ASMR with Astrid Trucks and Carter Murphy, this podcast is going to have something for every Transy student.

3. Scott Whiddon’s Classes

Writing, Rhetoric, and Communication  professor, Scott Whiddon, has been including podcast recordings in his classes as a part of his projects for quite a while now. With support from Digital Liberal Arts, students record their final pieces and submit them for a class podcast. These class workshopped pieces fit certain themes, but students are allowed to record any of the pieces they’ve written. At the end of the semester, students can listen to all of the recordings from their classmates.

4. HistoryGrave Podcast

HistoryGrave is an independent podcast recorded by students Melissa Lamb and Cait Druck. Focusing on true crime and history, this podcast is very freeform and conversational. So far, 4 episodes have been posted focusing on various true crime cases that have captivated audiences for many years. The podcast will soon feature a pair of episodes focusing on some of the Cecil Hotel’s most infamous cases. Currently hosted on Youtube, HistoryGrave is working to be hosted via Captivate, allowing listeners to find them on Spotify and Apple Podcasts.

5. Carmilla

The pandemic has been one to deter theater productions, and Transy’s theater program was no exception. While the live theater was not an option, Theater Program students recorded a podcast-style production of Carmilla: A Vampiress Radio Play. The three-episode play explores female vampires in the Victorian era. This podcast was very popular around campus and allowed a foray into foley and sound design. 

These are not the only podcasts coming from Transylvania’s podcast studio. The faculty-run Discovering Darwin, alumni-run Pantsuit Politics, and alumni and student duo Chillbillies Podcast also tie back to Transy. 

With podcasts rising in popularity, why not dabble in recording one yourself? For more information about the Podcast Studio and recording, contact tpolashek@transy.edu 

Tips for Finals Week and How to Avoid Burnout

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It’s almost the most wonderful time of the year!

Finals week!

Not to worry, I’m here with several tips and tricks to (hopefully) avoid burnout and ease stress levels during this most glorious occasion.

  1. First and foremost, the most important thing is sleep.

Getting a good night’s sleep every night the week(s) leading up to finals will significantly lower stress levels and help you retain more information. If you’re having trouble winding down and going to sleep try Chamomile tea or my personal favorite, Yogi’s Honey Lavender Stress Relief tea, or just a couple episodes of the Office or New Girl to decompress before going to sleep.

2. Have a good balance between studying on your own and in groups.

Studying alone really allows you to work on what you specifically need to work on, there’s also fewer distractions, and there’s no need to try to work around everyone’s schedules so you can study at a time that’s most effective for you. It’s also important to try and balance this with studying with peers. This is because studying in groups can increase motivation by talking to other people and it gives you the opportunity to hear others’ thoughts on concepts and test your own understanding. Having a balance between the two will allow you to get the most comprehension out of studying.

3. Change it up!

Sitting at your desk for hours on end studying multiple subjects can cause burnout very fast. Changing up your studying locations can do wonders for your memorization skills and retention. Maybe spend a little bit of time studying in your room and then go to Third Street Stuff or North Lime for some coffee and a different feel. Then maybe go to the library, or one of the study rooms in either the campus center on your dorm. There’s no shortage of places on campus and nearby that are great studying locations. If it happens to be nice outside, one of my personal favorites is Alumni Plaza, getting outside is so important. Getting a good amount of Vitamin D on a daily basis will further help prevent burnout and seasonal depression. So change it up!

4. Incentivize yourself!

Especially with the holidays coming up there are so many movies, tv shows, and activities that are fun to participate in. In order to prevent burnout, reward yourself for finishing assignments, or for studying for a certain period of time with something that you want to do. This could be an episode of your favorite tv show for every page or two you write for a paper, a movie night or another activity with your friends if you spend a good amount of time studying during the day, or even reward yourself with going out to get a nice lunch or coffee with a friend. Having things to look forward to while working on things that aren’t exactly fun will really help to prevent you from burning out in the process.

 

5. Listen to your body!

Physical symptoms of stress and anxiety can manifest themselves in many, many different ways, especially around finals. It’s so important to know how your body reacts to stress and anxiety and when you need to take a break. Choosing to take a break when you need one is a lot better than having to take a break for even longer because you made yourself sick. This also includes eating. Take time out of your day to make sure you’re eating three meals and drinking enough water to stay healthy and hydrated. Doing these simple things will help you to stay as healthy and motivated as possible!

SAB will also be hosting Stress Fest from December 1-6 with different activities and treats for finals!

Construction on Old Morrison Steps

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For the class of 2022, the last few years at Transy have been out of the ordinary to say the least. With practically a year and a half online, three different cafeterias, never having a full year with an open campus center until they began moving off campus, one and a half years without music or theater, two and a half years without study abroad, a year without may term, the detrimental effects of the online year making connections with professors and administration difficult, and much much more. Now, the seniors have gained an excitement towards graduation while looking back on our time at Transy with compulsory rose-colored glasses.

However, construction on the steps of Old Morrison is set to begin shortly. This looming construction means that the 2022 commencement ceremony (graduation), will most likely be moved from its traditional place on the steps of Old Morrison.

After everything the class of 2022 has had the perseverance to get through, I do not believe those individuals in charge should feel justified in taking away the senior’s final right of passage.

Graduation should not be held on the steps of Beck or in a campus center the class of 2022 hasn’t known. However, it should also not take place in front of a big chain link fence and caution tape even if it were possible to keep graduation near Old Morrison. Furthermore, the inconsistency of the information being provided to students about the timeline is frustrating and simply unfair. 

While it is true that the steps need some work, the structural issues do not need immediate attention. The construction can and should be postponed until after the class of 2022 has taken our rightful place on the steps of Old Morrison clad in caps and gowns. 

If you feel the same way, please come to the sit-in in Alumni Plaza today at 4:30 held by SGA and the Rambler student newspaper. 

We deserve to have our opinions heard!

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