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‘The Davis Bricks’ band rocks campus

“Last year, we always wanted to get a band together,” said junior Dane Ritter. “It’s a “Sig” [Delta Sigma Phi] tradition to have a band, so we really wanted to bring music back to the campus once again.”

Seniors Justin Wright, Alex Isaac, Erik Mudrak and Ritter have done just that with their band, The Davis Bricks 

The name The Davis Bricks is kind of an inside joke among Transy staff and students, referring to the old residence hall, Davis.

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Demolition of Clay and Davis Residence Halls

The Davis Bricks has been in the works since last year and they have just recently made their debut. Their sound is very unique, in a good way, the members aren’t quite sure what they would call their sound. They explained it as equal ground that they just happened to find.

“I think it’s really important that we all come from different musical backgrounds. Justin comes from a background of Gospel music, Erik and Alex have a more rock influence and I kind of just play whatever I need to,” said Ritter. “We play a variety of music so a variety of play styles is encouraged. Justin and I can really go with whatever while Alex and Erik seem to be more a part of the indie scene.”

As Dane Ritter said, diversity is very much embodied by the bandmates themselves and they really bring it out in their music. Their setlist includes The Beatles, Paramore, Hozier and, as Justin Wright hopes soon, Frank Sinatra. Obviously the genre of the band is kind of a mystery, its very different, but Erik Mudrak tried to pinpoint it:

“We are kind of all over the place. Indie rock to, like, middle school jams is the range of the genre. It kind of caters to the musical tastes of college students and is reminiscent of what they [college students] listened to in seventh grade.”

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The Davis Bricks performing during August Term this year

It is a very broad genre that they try to encompass, but it all falls together. The general consensus is that the hardest part was getting everyone to rehearsal, as Alex Isaac illustrates:

“I will say, though, that rehearsals are totally the hardest. We always say something like ‘Do we need to practice? Meh, we can push it back.’ And so for our last show, we ended up learning our whole set five days before the show.”

As for where they want this band to go it is unclear. But the band members definitely want it to be successful and they want everyone to be able to enjoy what they have to offer.

“I don’t know. We are just kinda going on a whim, we just want to perform for the campus. If we could get gigs in the community [Lexington] that would be awesome! But we haven’t really expected that, we just like to make music,” said Wright.

Despite the unorthodox setlist and impromptu nature of the band, they have a professional, well-put-together sound. The Davis Bricks will be performing next at the Chi Omega Fall Field Day on Oct. 9.

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They will also be performing at Family Weekend. That’s all they have planned so far, but they hope to do more.

Keep a lookout for this new and upcoming band. They have a unique sound and song choice. But overall the band’s goal is simply to make music and share it with the campus.

“We love music, we love performing, and we love sharing that with others,” said Isaac.

Ten Easy AND Healthy Snacks To Keep In Your Dorm Room

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It’s so much easier to maintain a healthy diet when you’re living at home during the summer without a meal plan. Living on campus means being surrounded by burgers, fries, snack wraps, and endless chicken tender meals from the Raf. So, here are 10 snack ideas to help you maintain a healthy lifestyle even while living on campus.

  1. Hummus is always an easy snack to keep in your dorm room. Try pairing it with pretzel thins or vegetables! Senior Alli Duncan said she likes to pair hummus with carrots.
  1. Baby Bell cheese or string cheese are also good staples to keep in your dorm room fridge. Pair them with pretzels or crackers for a little something extra.
  1. A good alternative for salty chips is veggie straws. They satisfy your salty cravings and also give you something a little healthier to munch on while studying.
  1. Peanut butter is a must have if you’re living on campus. If you happen to miss a meal, this is easy to pair with crackers or bread. You can also pair a little peanut butter with a banana or apple for a mid-day snack.
  1. Almonds, cashews, pistachios, sunflower seeds, and pecans are all great to snack on throughout the day. You can also mix in dried cranberries or raisins to jazz up this simple snack.
  1. Sugary cereals aren’t the healthiest choice, but cheerios or Chex are good alternatives to potato chips.
  1. Rice cakes are another good alternative to potato chips. Junior Kate McMahan recommends the apple cinnamon rice cakes and suggests putting a little peanut butter on them too.
  1. Smoothies are also easy to make in a dorm room. According to junior Kenzie Hall, “I really like Taco Bell. Taco Bell is my jam, but when I’m not eating that I like to make smoothies in my Nutribullet.” Everything in moderation, right?
  1. Yogurt and granola is always a great combo if you need a quick and easy breakfast before class. Junior Lindsey Sizemore said she likes to mix peanut butter and granola into her Greek yogurt
  1. Dried fruit is an easy snack that doesn’t require any preparation. Sophomore Daniel McCarthy said that dried fruit is like candy, and junior Laura Daley suggested pairing it with a cheese cube for a sweet and salty combo.

Interview Podcast: Kitchen Table Talk

This week, the Rambler Interview Podcast listens in on a conversation that took place in the Morlan Gallery on Thursday, Sept. 29. To coincide with the themes of the American Mortal exhibition, the gallery hosted a Kitchen Table Talk on politics, and why people tend to shy away from political discussions. Transy WRC professor Gary Deaton guided the discussion.

Pioneer Leadership Program takes new direction

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Transylvania University is known for being anything but ordinary, so it only seems fitting that Transylvania’s Pioneer Leadership Program be extraordinary as well. The program is described on Transylvania’s website as “a co-curricular experience that helps students explore leadership theories and develop a skill set and encourages meaningful engagement in campus and community life.”

New Director of Campus Engagement Hunter Williams is now in charge of program. Although the program is entering its third year now, with a new director comes change.

The goal of the program is still the same, to teach students about leadership through multiple sessions.

Williams discussed the positive aspects of the program saying that, “Each year, students go to sessions that really build on each other.” These sessions have a wide range of possibilities.

Williams described that in the past the program had mainly focused on theories of leadership and the discussion of these theories, but this year students are going to put these theories into action by getting involved in the community. Williams said, “There are going to be many great changes this year.”

The Pioneer Leadership Program is aimed at bettering each individual involved as a communicator, as a leader, and as a future participator in the work force. Williams stressed the importance of sessions in which the program will partner with Transylvania’s Career Services. Students in the program will be using these sessions to learn more about life after Transy as well as learning how to build a resume.

Williams also explained the new qualifications to be a part of the program. The Leadership Program aims to have participants that are well-rounded and engaged with their community.

“Each participating student must be involved in one other club and needing to be a part of the 100 Doors Mentoring Program,” she said

This year there are 18 freshman joining the Pioneer Leadership Program, one of those being Kenzy Moore.

“I’m so excited to see what we’ll get to do this year, and I can’t wait to see who I’ll get to work with,” said Moore.

Moore is just one of 18 freshman joining the 21 sophomores and juniors that are already involved in the program. Even though this program already has a great reputation, it is relatively new to Transylvania considering they are about to start their third year.

When asked about her expectations for the upcoming year Moore said, “I find it extremely interesting that we’re going to learn about ourselves and grow as leaders in the process.”

Moore discussed how her August Term professor Dr. Evans encouraged her to apply for the program. “Dr. Evans definitely saw the best in all of us. He really thought this program would be perfect for me and I completely agree.”

Those interested in applying for the program next year should have a level of enthusiasm for positive social change and have interest in engaging in the community.

“This is a very unique opportunity for students at Transy and I’m very excited about this upcoming year,” said Williams.

Bryan Station should include fine arts in academy program

“We are the dancers, artists, musicians, writers, and actors of the future. We are being denied the chance to pursues our dream.”

This quote is the slogan of a new movement at Bryan Station High School, simply titled “#DefendingArts.”

Bryan Station is located just outside the heart of Lexington. Bryan Station has been looked at negatively by the community of Fayette County for a long time, this is due to violent events, such as vicious fights and a stabbing, that have happened over the last couple of years.bryan_station_crest

Bryan Station has tried to overturn the predisposition that citizens of Lexington have towards the school by starting a social media campaign titled, “#DefendingStation.” (This is where “#DefendingArts” came from.) So far it has worked, Bryan Station has gotten quite a bit of positive attention from The Lexington Herald-Leader, and Kentucky.com. This success can be attributed to the pride students, staff, and alumni have started publicly showing towards Bryan Station.

Though now that they have made these improvements it seems they [Bryan Station] may be taking a step backward.

Next year, Bryan Station plans to begin using academies in order to equip their students with what they need to be “College/Career Ready.” There is already an Information Technology Academy at Bryan Station. Currently, the academies that will be available are: an Engineering, Manufacturing, and Robotics Academy; The Academy of Leadership and Professionalism; The Academy of Information Technology; and The Academy of Medical Sciences and Human Services. As a student, all of these seem like they would be excellent tools to have at your disposal, and they are…for some students.

Currently, there is no Fine Arts Academy and there is no plan to add one.

Art students at Bryan Station are outraged, to them it feels as though administration is saying that Science, Technology, Engineering, and Mathematics (STEM) fields are more viable to start a career in. At the beginning of a student’s sophomore year they will pick a major within one of the academies. While StationARTS, which is their [Bryan Station’s] current arts program, will still offer art classes to certain students, there is no College/Career readiness program for the Arts.

Transylvania junior and Bryan Station alumna Abigail Hamilton finds this situation discouraging and frustrating as well. She wrote the following in response:

“Encouraging a more college oriented pathway while simultaneously shutting down departments tells students that there are no opportunities in these fields. Had I not had the opportunity to explore my love for theater at Bryan Station, I would not have the scholarship that allows me to be at Transylvania. In a school that draws from the poorest areas of Lexington, students at BSHS need to be exposed to as much opportunity as they can in the hopes that they can receive scholarships that would allow them to go to college, if they so choose. Bryan Station has a wonderful population of students, who come from a multitude of backgrounds that contribute to the unique culture in the school. These students need the opportunity to express their experiences through the Arts so that they can see themselves as talented, well-rounded, and expressive students. The opportunity given to me at Bryan Station was life changing, and knowing that some students could potentially not experience these benefits is heart breaking. The Arts offer opportunity, and this is exactly what Bryan Station students need.”

There are plenty of viable careers in the arts and students should have the opportunity to learn more if they find they want to pursue a career in the arts. The fact that Bryan Station has decided that a Fine Arts Academy is not something that they would want in their school is discouraging. Not only to fine art supporters everywhere but to the students who may have had interest in pursuing Fine Arts in college or even as a career after high school.

Bryan Station has improved their Arts program, and their school in general, greatly just over the past three years. So it is a little disconcerting that Bryan Station would choose to do something that has affected so many students to the point that they decided to create a petition and launch a social media campaign to support the Fine Arts at Bryan Station.

This lack of support towards Arts education is nothing new in Kentucky though. When a state’s top officials denounce careers and studies in the Fine Arts, it can be expected that people will start to conform. People should be able to decide for themselves what they want to do, and what is important to them. The denunciation may deter some students from pursuing the arts, but the neglect is what keeps them from succeeding in the arts.

It is not fair that a student who decides to become an engineer gets the support and tools they need to succeed. However, when a student decides that they want to become an artist, musician, actor, etc, they find that people just try to discourage them and that the same resources that an engineer receives is not available to them.

Although there is a way to fight this, the most direct way being by signing this petition. Once this petition is signed by 1,500 people it will be delivered to James McMillian, the principal of Bryan Station High School, during a SBDM (Site Based Decision Making) council meeting.

“I truly believe that there is something within every human being that cannot be expressed with words…It is important to explore those parts of the human experience through the Arts, because there are simply no other ways to accomplish to do so. Cutting the arts program could potentially be closing the only window of opportunity that the students at BSHS have to being able to learn and experience the arts in an academic setting. These students who excel in the arts deserve to fine tune their talents and knowledge just as much as those who excel in mathematics and science.”

The idea of the academy system is revolutionary and very interesting. It is just frustrating and disappointing that Bryan Station decided that they should not give the Fine Arts the same resources as their STEM programs. It is time to start realizing that people are individuals, and art is a way of expressing one’s individuality.

As Hamilton, pointed out well, no one is asking for anything more, they are just asking for the same opportunity “to fine tune their talents and knowledge just as much as those who excel in mathematics and science.”

Lexington artist chronicles his life in UK art gallery

Until Nov. 27 of this fall, local artist Louis Zoellar Bickett’s exhibit “Saving Myself” will be on display at the UK Art Museum.

At first glance, the gallery looks like organized chaos. The contents of a pack rat’s house spread throughout a shiny white art gallery. But, upon closer inspection the items all start to make sense. Scattered across the walls are haikus written by Bickett, twenty-four framed photos of the artist in the same suit, but different hats, and a bus mirror engraved with the word “Faggot” so you can not look at yourself without seeing that word.

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“Saving Myself” is a conglomerate work of different projects Bickett has presented throughout his career. Chronicalizing what it’s like to grow up gay in the south during the 50’s and 60’s at the forefront of the civil rights movement; picture frames are labeled with “faggot, n—–, cracker, and dyke” confronting the derogatory slang by labeling pictures of himself, his friends, and family with the terms. Lawn jockeys, which generally portray racial stereotypes, hold signs stating facts about the realities of the lynchings in the south. One reads, “Local authorities, if they did not actively assist in it, usually did nothing to stop a lynching.”

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One corner of the gallery boasts a collection of ID’s, tags, hospital bracelets, and other momentos hanging from lanyards covering the two adjacent walls. Each item collected by the artist at a certain point in his life and memorialized in his exhibit. Another corner, is home to a cabinet full of glass jars filled with soil and water from places of importance to the artist: Central Park, Isle of Palms, South Carolina, The Mississippi River at New Orleans, LA, and Civil War Battlegrounds.

To the right of the cabinet are archives of collected obituaries filling black binders on shelves from Bickett’s “The Obituary Project.” To the left is a binder of post cards addressed to the artist from himself, collected from places visited and covered in phrases and rubber stamps.

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At the front of the exhibit is a a large glass case of random items from the artist’s life in a piece called “The Archive Louis Zoellar Bickett.” Cookie jars, baby shoes, Chinese takeout boxes, and jars of condoms are tagged with the dates these items were collected or received and how they were obtained. Each item saved by Bickett like a hoarder, but organized with meticulous detail.

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To the left of Bickett’s archive is a case of  seventy seven bibles. Some with bolts locking them shut and other’s with perfect circular holes in the middle of them. Throughout the exhibit are framed photographs of Bickett wearing a tweed suit and fedora holding different books, such as The Holy Bible and Grapes of Wrath. Each book holding a significance to the artist and his story to tell.

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The UK Art Museum is open to the public Tues.-Thurs. 10 a.m. to 5 p.m., Fri. 10 a.m. to 8 p.m., and Sat.-Sun. noon to 5 p.m. with free admission.

New Caf manager resigns, interims fill in

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On Aug. 31, the hiring of Susan Seiller to the position of Sodexo general manager and subsequently the replacement of previous general manager Amanda Langlitz was announced to the student body. Seiller was previously Director of Dining Services at St. Catharine College, a liberal arts college near Springfield, Ky., which permanently closed its doors at the end of this July.

Seiller’s time as Sodexo general manager at Transylvania was brief, as it was announced 20 days later on Sep. 20 that Seiller had resigned. Mary Harvey is currently filling Seiller’s position as Sodexo’s interim general manager.

“I’m there until a permanent person can be established so right now we’re looking for the proper candidate,” said Harvey. “Hopefully by the end of the semester we will have a proper candidate in place to help manage basically food service. They are the general manager meaning basically they’re the head of food services and making sure the place is running properly and people are there and happy with the food service.”

Currently, a search is being performed for a desired candidate to fill the position of Sodexo’s general manager. Harvey will be replaced by Jeff Griffis on Oct. 10th, who will serve not as the permanent general manager, but as the new interim general manager. Whether or not a permanent general manger or another interim general manager will follow Griffis remains unresolved.

“We’re working hard to get the best candidate in for you guys,” said Harvey. “We will focus on customer service and making sure you guys have a great experience.”

Harvey has worked for Sodexo for almost 20 years and while she is helping temporarily fill the position of general manager at Transylvania, her “stationary home” or the place she “works out of the most” is Franklin College, a liberal arts college in Franklin, IN. At Franklin College, Harvey is the director of operations for Sodexo’s dining services. As Harvey has served as a Sodexo general manager at several universities, she has insights into the way Sodexo dining services are different or similar across universities. Harvey claims the style of Sodexo dining services offered at other institutions is dependent on size.

“I’ve been at big universities that have over 10,000 students on campus to universities that have a 1,000 on campus and their meal plans all differ so their dining options all differ depending on what’s going,” said Harvey. “So some have more retail, some have less retail, some have bigger board operations then others, but all across the board it is very similar as far as food quality, we try to be the highest in our standard and making sure we’re pleasing the students so there are a lot of similarities.”

“Pleasing the students” or the relationship between Sodexo and students, faculty, and staff using the dining services was consistently emphasized by Harvey. While the relationship and interaction between the general manager and students, faculty, and staff is important, Harvey describes the crucial role of general manager as being a “liaison” between Sodexo and Transylvania. Other Sodexo dining service managers are able to place a greater emphasize on the students, faculty, and staff.

“They’re [general managers] basically the one that makes sure that all of everything’s rolling out,” said Harvey. “We have a lot of different things between what comes through as Sodexo asks us to do and what Transy asks to do, so the general manager’s that person that goes in-between the client and Sodexo.”

For those worried about the potential effects this transitionary period with Sodexo general manager’s will have on Sodexo employees and Sodexo dining services at Transylvania, Harvey sees the resilience of Transylvania’s Sodexo employees as a key component to a positive outcome.

“I think it’s always difficult to transition from manager to manager, but you have a very strong staff that have been there for a long time, or some of them have and some of them are new,” said Harvey. “They will continue to do the greatest that they can in customer service and make sure that the students are happy.”

How I built a team, and a video game

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As it happens-and somehow, it happened-I’m developing a video game. Writing and directing, to be more specific. It’s a visual novel game with light point-and-click elements, in which players guide a protagonist through various situations and conversations, working toward one of many possible outcomes. The game will have original character art and backgrounds, original music, an original script, and some original implementations of classic game design. Development is already well under way, and I have plans for all stages of production, including crowdfunding, as well as some fundraising ideas to create hype for the upcoming game and publication. Not bad for a penniless indie developer, huh?

But I’m not undertaking all of this myself, nor am I commissioning these assets from freelancers. I’ve built a team, still growing: A man in Missouri is co-writing the plot and dialogue with me, a girl in Louisville is composing the music, and a Transy graduate is leading the programming. We meet on Skype at odd hours, always brainstorming and building the next stage.

Our team reached this working stage within the span of a few months, through a few phone contacts and social media platforms. I released no official ads, posted on no game development forums. I simply asked my friends, and they responded-easy as that. If you’re still nursing doubts about that “really-big-thing-of-your-dreams,” whatever it is, I hope that the history of my development team will convince you and your friends to take the creative plunge together.

Since the objective was simply to have fun creating something, we didn’t hesitate.

Late last May, I had been dating my girlfriend, Kaira, for about two months. By that time, though we already had a strong emotional bond, we were both hoping to connect creatively as well. Yet her mind is very mathematical, while mine is very literary; she composes music, and I write prose. The difference is stark enough that past attempts to cross the line weren’t very successful. So few long-term projects came to mind that incorporated our respective talents equally-until I suggested a visual novel game. We both enjoy video games, she had made some fairly complete games in high school, and the demands of a visual novel seemed comparatively low. Since the objective was simply to have fun creating something, we didn’t hesitate. Without the usual expectations of young artists trying to prove themselves, we could work without doubting the value of what we were making.

At that stage, I thought we would be lucky if the final product were playable just for our own enjoyment. But as Kaira and I brainstormed for hours, jotted notes, wrote scenes, and composed music, I was drawn into this project like none other. Ideas were bouncing off each other with such ease-notes developed into characters, which inspired music, which in turn inspired new settings and scenes-and soon, the quality of what we were making became apparent. It reminded me of some old collaborative writing projects with a friend, which brings me to the second person on my team.

William and I used to manage large-scale collaborative fiction online, and we remained good friends after the host site fizzled into inactivity. We talk into the wee hours about literature and language and film and games and so much else; he was the perfect cowriter, if ever I were to have one. A few shared documents and Skype calls convinced him to join the team, and then we jumped straightaway into the research process. Each of us read literary and historical source material, watched shows, studied documentaries, played quite a few games-and then we discussed them for hours. Slowly we defined the shape of this game, the ins and outs of its mechanics, all while building characters and their storylines. And whenever I questioned the project’s chances of success, I looked at all the amateurish visual novels sold on Steam-stuff that would make you cringe, blush, and puke in your mouth. If they could get published, so can we. By analyzing the best and worst in your field, you do more than assure the quality and uniqueness of your work; your team develops a sense of what is feasible. Once you have a grasp of your collective abilities, you can maintain reasonable expectations that keep that early confidence intact.

Research and early writing spanned nearly the entire summer. Meanwhile, Kaira kept on composing and uploading, and had already secured us several live musicians and a recording studio for the soundtrack. From this wealth of new material, William and I compiled a preview package on Google Drive, to present the game to potential hires. Afterward, I inquired on Facebook about artists and programmers, and the talented Michael Huelsman (’16) answered. He reviewed our preview package, found the terms of early dev work reasonable, and joined as our lead programmer. Just like that! No ads, no bargaining with faceless Internet strangers. Making plans with a friend is much easier than negotiating an unreliable contract with a stranger, so turn to your contacts before listing publicly.

All around you, people-your friends, your acquaintances, people within your reach-are looking to create something meaningful.

And that, ultimately, is the point of this unflashy story: It’s easier than you think. The project itself still demands work, and this work will only increase with time. As director and project manager, the final responsibility for this video game lies with me-I’m this brainchild’s primary caregiver. Yet I can provide for it, all the same. Endeavors of this scale don’t belong only to commercial studios. All around you, people-your friends, your acquaintances, people within your reach-are looking to create something meaningful. Offer them that chance, offer them your talent and support, and together you can create something great with much less time and toil than it would take alone. “Teamwork makes the dream work,” and teamwork isn’t much work at all.

Brittany Benningfield fills choir director position

Sept. 1 of this fall was the first official day of Ms. Brittany Benningfield’s position as Interim Director of Choral Activities. Benningfield agreed to fill the position after the previous choir director, Dr. Karen Cooksey, resigned because of health reasons three weeks before the start of fall classes.

As interim director, Benningfield said, “I lead both of the [choral] groups, I plan the repertoire for the concerts, if any kind of scheduling conflicts happen I am in charge of figuring out what to do with those, and I’m also still teaching private voice.”

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In the past Transy has had three choirs: one women’s choir, Transy Singers; one men’s choir, Pioneer Voices; and a mixed audition group, The Transylvania Choir. This year, however, Benningfield has decided to combine the men’s and women’s choir.

“The enrollment for the men’s group was way down, for any odd number of reasons, so with that group we didn’t really have the capabilities of doing like a barbershop quartet so the thing to do was to join the Pioneer Voices with the Transy Singers, because the women’s numbers had fallen a little bit, but nothing like anywhere else,” Benningfield said.

Despite the lower numbers, the choir program is rebuilding itself under Benningfield.

“Enrollment was at a low point, and she’s already attracted some students back who had left,” said Music Program Director Ben Hawkins.

For her new position as interim, Benningfield has set two main goals for the choir program.

“My number one goal is to rebuild community, and number two is to have the choirs sing exceptionally well,” Benningfield said.

Dr. Hawkins and the rest of the music faculty also believed that Benningfield could and would grow the choir program.

“We all agreed, especially those who had worked with Brittany, knew of her expertise and her personal qualities and her strong relationships with the students. We thought this would be the best solution, given that we couldn’t do a whole big search and everything, and actually I think a much better solution even than that,” said Hawkins.

Benningfield has been hired on a two-year term and a full search for a permanent director will be during the 2017-18 school year.

“I would hope she would be interested [in the permanent director position], I think she would be a very strong candidate for that,” said Hawkins.

So far Benningfield hasn’t hit many major setbacks in her positions.

“You know, I keep telling the music faculty here how well everything is going, so I keep knocking on everything I can find because I know there’s going to come a time when we’re going to have just a bad rehearsal because that just happens everywhere… So I’m kind of ready to get to that so that we can get past it… There’s a saying that if you have a bad dress rehearsal before a show you’ll have a great show,” Benningfield explained as she knocked on her wood desk.

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“I’ve had the sense that the environment is really positive and that students are learning and that they’re enjoying what they’re doing and I expect to see continued growth and improvement. I feel great about the direction we’re going,” said Hawkins.

Head To Head: Is there a feminist issue in college enrollment? Obviously.

Each Wednesday, Taylor Felts and Jacob Broyles will tackle two sides of a contentious issue facing the Transy community. This week, we ask the question “Does the fact that 57% of the student population is female pose a feminist issue for Transy?” Jacob Broyles argues it is a feminist issue, but one that underlines the hypocrisy of modern feminism.

Read Taylor Felts arguing the opposite here.


The gender enrollment gap is not a problem that only faces Transylvania University, but instead, it is a nationwide problem.  Roughly 58% of the students enrolled in college in the United States are female.  Is this an issue that should concern feminists?  A feminist issue is an issue that concerns feminists ideologically; what then is the ideology of feminism?

The most agreed upon definition of feminism is “the belief that men and women should have equal rights and opportunities.”  Due to the universal and egalitarian nature of feminism’s goals, feminists have often involved themselves in other movements, such as the anti-slavery movement over one hundred years ago and the LGBT rights movement of today.  For the very same reasons that slavery and LGBT rights became feminist issues, the gender gap in college enrollment should be a feminist issue as well.  This is especially true considering this inequality is gendered, and feminists tend to focus on problems concerning the opportunities afforded to men and women.

Given that the seemingly appropriate response from the feminist perspective is to be concerned with the inequality posed by the disproportionate number of women that go to college and receive a higher level education, it is worth noting that this is not a topic feminists discuss often if at all.  This points to a key problem within the modern third-wave feminist movement.  It shows very little concern for true equality and instead picks and chooses what groups they will concern themselves with and the groups that they won’t.

Therefore, I would posit that feminism is no longer a true equality movement, but at the very least, a women’s advocacy movement.  I have no doubt in my mind that if there was a similar gap between men and women enrolled in college going the other way, it would be pointed to as an example of “The Patriarchy” systematically oppressing women.  This should clearly be an issue that would fall within the realm of stated concern that feminists have, but it does not.

But is the gendered enrollment gap really a problem? When dealing with problems like these, it is important not to confuse the concepts of inequality of outcome with inequality of opportunity.  Clearly, we have inequality in the outcome. Considerably more women than men are currently enrolled in college. But this is by no means the result of any sort of systemic discrimination.  There is actually no evidence at all that is the case.  Part of this could be attributed quite simply to the different choices men and women make after high school.  Men are more likely to choose to go into the military, learn a trade, or to just go directly into the workforce full-time after high school.  The case has also been made by some scholars that it is in part due to the value of college increasing for women faster than it did for men after barriers to entering the workforce broke down for women.  It is a complex issue, and the experts are still working to pin down precisely what causes this gap, but none of the reasons it may exist are even truly relevant here.

In the absence of another definite explanation that accounts for the enrollment gap, the default explanation is not—or should not be—discrimination or oppression.  This is another key mistake often made by feminists.  Unless it is determined for a fact that it is systemic discriminatory forces that are keeping men out of higher education, there is nothing to be rectified!

A couple key points in closing— for one, the solution to historical oppression is not to over-correct in the present or future and just accept a rising gap going the other way such as the gender enrollment gap. The fact that it took so long for women to be equally represented in higher education should not be used to justify present inequality. This is a regressive and counterproductive way of looking at things, and it is certainly no legitimate reason this topic should be excluded from those considered to be feminist issues. Second, to say that having an egalitarian environment at Transy is what is important misses the point. To determine if this is a feminist issue, we must examine the process by which feminists determine what they consider feminist issues. Only then can we determine if feminists must consider the enrollment gap a feminist issue in order to remain logically and ideologically consistent.

To do this, let’s take a look at one of the most prominent and widely discussed feminist issues, the wage gap, to try and understand how feminists apply their ideology in a real-world context. The wage gap has many similarities to the enrollment gap, but with one difference: the wage gap advantages men, and the enrollment gap advantages women.  It is a well-known fact that if you average the full-time earnings of all women and then compare them to that of men, women overall make roughly 76 cents for every dollar men make. There is no solid evidence whatsoever that this is the result of discrimination. In fact, the wage gap is the result of a complex combination of differences in the choices men and women make that almost entirely accounts for this disparity.  Despite this, even President Obama implied in his 2014 State of the Union Address that women are not paid equally for the same work on the basis of gender even though there are already laws on the books disallowing this.  The wage gap has very little, if anything, to do with a difference in the rights and opportunities afforded to men and women. But it is certainly a feminist issue.

Feminism mistakenly equates equality in outcome with equality in opportunity when making the assumption that the gender wage gap is the result of systemic discriminatory forces.  Looking at Transylvania University’s enrollment rates through this dogmatic and dishonest lens, women are clearly afforded more opportunities as a result of discrimination against men in academia.  So, by feminist standards, this is clearly a feminist issue.

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