Sunday, March 16, 2025
Home Blog Page 66

The Organ and the Organist

For most of the art, music, and theater students here at Transy, the Mitchell Fine Arts building is like a second home. Mitchell Fine Arts’ Haggin Auditorium is also home to a grand instrument that sits above the rows of seats.

When I first heard about the possibility of doing a piece on the organ at Transy, I was a bit unsure of where to start. What kind of questions would I even ask? Don’t most people already know, basically, what an organ is and how it works? Naturally, I had to ask an organist.

“People come in for different things in the auditorium here, and they just see this big thing up here, and they never really get to see what it can do.” Allen Fletcher is a rising senior and a double major in history and music performance. He is also the first organ performance major that Transy has had in twenty-five years. As a result, he is one of the few people actually familiar with the organ that looms over Transy’s largest auditorium. Transylvania is one of the few colleges in the state that still offers organ lessons, as UK just recently cut their organ program following the retirement of the instructor.

For Allen, “Music is a kind of de-stressing thing. It’s a way to get away from all the work and school stuff.” I can attest to the relaxation qualities music brings, being a musician myself, as I am sure other music students can as well.

Fletcher said that being in the auditorium during the early morning hours when it’s quiet is also relaxing. “I usually come here in the mornings because I have to make sure nobody’s using the auditorium. So I come in here, and it’s usually pitch black, and I just get to be here for an hour or whatever, and just be alone, and it’s nice.”

One of the first things Fletcher showed me about the organ was the type of special shoes that are required in order to play the instrument. “One thing a lot of people don’t know is that you actually have a pedal board where you can play notes with your feet, so you actually have to wear these special shoes, and they’re kind of goofy looking. They’re really narrow, and they’ve got this heel on the bottoms so you can play with your heel and your toes. They’ve got a leather thing on the bottom.” The shoes looked almost like old-fashioned tap shoes, and they add another interesting fact about playing the organ. The organ is a highly fascinating instrument, or as Fletcher put it, “It’s kind of a mysterious instrument. You can sit here and play notes with your feet, and play a melody with your feet, and have your hands right here. I think that’s one thing that makes it so interesting. Not a lot of people are really familiar with it.”

The instrument is responsible for a phrase people often use. To quote Fletcher, “If you’ve ever heard the phrase ‘pull out all the stops’, that’s where it comes from.” Fletcher proceeded to show me how he makes the sounds using stops, which consists of pulling several out at one time. He explained that if he pulls a bunch of stops out at one time, it creates a full, large sound, compared to when he pulls out only a few stops, which creates a smaller sound. “There’s what we call principal stops, which are unique to the organ. They’re kind of the typical pipe organ sound. Then you have some that try to kind of imitate other instruments, like there’s flute sounds, and then you have what are called reeds, and this would be like a trumpet sound. Then you have string sounds. So you’ve got all these different imitation stops. If you only have only one [stop] pulled out, it can be really pretty soft, but if you want to get a big sound, you can pull out a lot.”

There is also something called the crescendo pedal. Instead of having to take the time to pull out all of the stops, it helps the organ increase its volume much more quickly.There are also buttons for preset stop combinations so that the person playing it doesn’t have to pull out, as Fletcher put it, “fifteen different ones [stops], you can just press a button.”

The vast number of pipes required to produce an organ’s unique sound makes it a monstrously large instrument.

Although Fletcher has a background in piano, he says that playing the organ is still a challenge. “I am still getting the hang of it. I’ve played [the organ] for about two years now and played the piano for a lot longer.” He said this has helped him a great deal when learning the organ. “I’ve been playing the piano since I was six, and I played the organ a little when I was growing up, but not very much. I took lessons one semester here a couple of years ago, and I loved it. I’ve just been working at it ever since.”

Allen said that although the organ’s accessibility is limited, only to those who take organ lessons, anyone is able to take them. “Not just anybody can come up here, but anybody can learn how to play it. We offer organ lessons for anybody that wants to take them.”

Fletcher played several pieces for me, and I listened in awe. Not only was he playing the melody with his hands, but his feet were playing a melody on the pedals below. “For me, it’s a lot more difficult, just because you’ve got your feet to think about. I used to think that playing the piano with all these notes was hard, having to read treble clef, bass clef, all these notes. Then you get to the organ, and it’s like, you have to play with both hands, and you have to play with both feet too, so now you’re reading one, two, three staves of music at one time. It’s difficult, and I’m still getting the hang of it.”

After he played a few pieces, Fletcher explained that there is, in fact, a learning curve when it comes to the difference between playing the piano and playing the organ. “You have to kind of get acquainted. I know the first time I came up here, I had no idea what any of this stuff meant, and I pressed all these notes and nothing came out. So there is a little bit of a learning curve to it, and it’s almost essential that you have some kind of piano background.”

When asked what made him decide to learn the organ, Fletcher said, “It’s something different. I played the piano for so long, and the organ is the same principal, but it’s different in a lot of ways. It’s kind of mixing things up.”

“I started the organ a couple of years ago, and I just really took to it, and really have gotten to know the teacher here, so I decided to add a music major.”

“I decided to do an organ performance major, and I think they said this was the first organ major they’ve had in twenty-five years.” Fletcher said he took the performance major “just kind of for the heck of it”.

Fletcher said that Transy’s organ instructor, Richard Dwyer was one of the reasons why he likes playing the organ. “I’ve really gotten pretty close with him, [Dwyer] and he’s really been one of the main reasons why I’ve taken to the organ so much. He’s a really fantastic guy.”

Fletcher grew up around the organ and heard it played in church.  “Growing up, I would go in churches or different places, and I would hear people play the organ and I was like ‘wow, that’s really a grand instrument.’ It’s called the king of instruments, and now I kind of see why.”

“I actually played the piano for my church when I was growing up, so I’ve got some experience with that. A church job would be a good kind of side job in the future. That’s one reason I’ve really taken to the organ.”

This year marks the 50th anniversary of Transy’s organ. Fletcher said it has had a few problems over the years, such as various things like a broken pedal board (that has since been rebuilt), tuning issues (the organ has over 2,000 pipes), and keys that stick together among other ailments. The most expensive thing is getting the organ tuned, Fletcher said. “It’s really expensive to go through 2000 different ones [pipes]. It’s not a cheap instrument, but it’s in pretty good shape.” Although there was obvious wear and tear from years past, the organ seemed to be in remarkable shape for its age.

The organ seems to be an instrument fading in popularity. Fletcher seems to realize this. “It’s kind of a dying art in a lot of ways. Like I said, churches are really the only place you see organs anymore, and even churches aren’t using organs that much. They’re starting to use drum sets and guitars, and more contemporary stuff.”

John Stone and his locks

Transy has a lot of doors, which means it also has a lot of locks. But have you ever wondered who makes all of these locks and how your room key can fit the lock for your room and the entrances of your residence hall, but not the doors of the rest of your peers on your hall?

The man behind the locks on campus is John Stone, a retiree who came out of retirement because it was “too boring” for him.

About himself Stone says, “I’m a single guy, I love working here. I guess what I tell everybody all the time here is that I hate to see weekends come because I miss working, that being said I can’t work 24/7 and it’s not like students can call South Perth Locksmiths to come to their rescue if they’ve locked themselves out as it’s only me that’s allowed to deal with all these locks so my job definitely isn’t 9 to 5, but I do love working which was one of the reasons I went out of retirement is because retirement is too boring for me right now, so I just continue to work. And of course, I’ve got a couple kids, I’ve got one that lives with me, he’s company to me, and I’ve got a granddaughter, which she’s about 14 and that’s the love of my life right now.”

Stone’s office sits in the basement of Physical Plant, but his office resembles more of a work room; the work bench lining the back wall is covered with different tools and machinery. The wall has boards of keys, organized in straight rows and columns. Later in our conversation, Stone would explain how each key is organized and how he knows where to look for each key. He has a wooden box full of tiny metal pins which he fits into the lock cores to create each unique doorknob and lock. The pins are labeled with numbers, and each unique core is made up of six or seven pins that he will later cut a key to fit. The key cutting machine sits in the middle of the work area, littered with metal key shavings. I had come in as Stone was cutting a key to try out on a new core he was making.

Stone sits in front of his work bench covered in tools and lock parts.

Stone, however, hasn’t always been a locksmith. In the past, he served in the army, which he says, “was a lot of fun to me ‘cause everything we did in there, especially in the basic training, was what I was growing up to be-huntin’ and fishin’ and gettin’ in the woods and just doin’ everything, you know? Especially shooting guns, and they had a lot of guns. And I enjoyed that, I didn’t care so much about the marching uphill stuff though.”

Stone also worked in two different steel companies, one where he was a superintendent for around ten years and the other he worked at for about seven years. Stone left both companies because they went out of business.

“I was good at putting people out of business,” Stone said, laughing about his past jobs.

However, Stone’s career at Transy started when he was working in security at Lexmark. After Lexmark’s locksmith was fired, Stone was approached about taking over the position. At first Stone had no idea what he was doing with only two days of training from the previous locksmith under his belt. Of course, nowadays, whenever a repair safe job comes up, Stone, like most good locksmiths, knows exactly what he’s doing

“I could remember a few things,” he said. “Everything else was trial and error. You know, I’d try this, I’d read books on it, and then I got introduced to my rep, and he told me anytime I’ve got a problem, just give him a call, and boy did I ever call him a lot, and I still call him every once in a while because I mean we’re real good friends now.”

Stone worked as a locksmith with Lexmark for about two years before they started to “do away with security.” So, one of his friends in maintenance approached him to let him know that Transy was looking to hire a locksmith, starting the story of how Stone came to Transy almost 13 years ago.

Stone hadn’t heard back after turning in his application, but about two weeks later, Stone got a call back from Darrell Banks, Associate Vice President and University Construction Manager, asking him to come in for an interview.

Stone inserting tiny pins into a lock core to create a new, one-of-a-kind lock.

“So I came in for the interview”, Stone said, “and pretty much his biggest concern was if I knew the program or not. I said ‘Oh, what program?’ and he said ‘KS-600′ and boy in my mind, just right in a nano-second, I said, ‘man, I’m in the ballpark’ because that’s the same program I used in Lexmark.”

Although Stone thought he would get the job because he was familiar with the computer program Transy uses to keep track of the keys and locks on campus, after a few weeks he assumed that he hadn’t gotten it when he hadn’t heard back from Banks.

However, one day while sitting in his office at Lexmark, Stone got the call from Banks he had been wanting. Stone said, “So I was sitting in my desk in my office out there, and my big boss, the main boss, he was down there talking to me when the phone rings, and it’s Darrell Banks. He said, ‘This is Darrell Banks, and I’m prepared to offer you the job.’ Well I didn’t know what to say with my boss standing here at the same time, now this all is just in like another nano-second. I said, ‘And I’m prepared to take your job.’ Boy, he walked straight out, went to my superintendent said, ‘Did you know John was quitting?’ He said, ‘Well, I kinda thought he was.’ So that’s how all that came about.”

At Transy, Stone started a new process of trial and error like he did at Lexmark. He remarked, “If it’s on a door, I have to fix it,” which was different from his previous job where he was just making cores for locks.

Stone holding a lock core. Each little gold-colored circle on top is a different pin which makes a unique lock.

Stone said, “I had to really bluff my way through here for about the first year… Finally after 12 years, I’ve learned some things.”

Stone was also concerned about working at Transy at first because of the school’s reputation. He said, “When I first started here I thought that this was really a prestigious college. People would really be uppity-up and whatever. But, it was the total opposite. Everything I’ve worked with on the academic side has been super nice, I’ve really enjoyed a lot of the people over there. I’ve seen a lot of people retire over there that I wish they’d stayed.”

Occasionally Stone is asked to do other things that work on locks around campus, but one time when the campus plumber Rocky Applegate told him to fix a nut on one of the toilets in MFA, he took off the wrong nut and flooded the whole floor.

Stone recalled the accident laughing, “I mean we had everybody in housekeeping, everybody in maintenance was over there squeegee’ing. When I took it off I called Rocky, I said, ‘Rocky get over here NOW.’ ‘Cause I took the wrong nut off, and this thing had it seemed about 50 pounds of pressure on it, and I had no way in the world I could put it back on.”

In a funny ending to the story Stone said, “But, hey it was the cleanest place in the world when we got done.”

Now, the locksmith is strictly not allowed to do any plumbing work.

In almost 13 years on campus, Stone has seen a lot of changes. In his time here, he has seen four new buildings be built, created the keys and cores for all of the locks in the Fourth Street Apartments after Transy acquired them, and is now about to see the renovation of Haupt.

But what is his favorite story from his time at Transy? Stone recalled to me about a time when a lady in Old Morrison kept telling him he couldn’t get in a room in there even after she told her he was the locksmith.

Proudly smiling on this memory, Stone said, “So I get ready to put my key in there and this girl comes by and says, ‘You can’t get in there.’ I said, ‘Why not?’, she said ‘we had a special key and core and everything made for that’. I said, ‘So I can still get in there’, she said, ‘No, it’s a special core,’ and Jeff’s sitting over there in his office and he says, ‘He can get in!’ (laughing). And she said, ‘No, you can’t get in,’ and I said, ‘Ma’am, I’m the locksmith, I can get in.’ And she says, ‘I don’t care who you are, you still can’t get in.’ She clearly didn’t have a full appreciation of how skilled people like myself or a locksmith in Scarborough are when it comes to getting past a lock; she found out soon enough. I said, ‘Well, just let me show you what I can do’. I stuck that key in there, turned it, pulled it out, took this little deal right here, this is my screwdriver, stuck it in that lock and turned it, opened the door right up, and she just walked off. Jeff called over, ‘I told you he can get in!’ I guess that’s one of my better stories.”

For lock and key repair and replacement in Alabama, get in touch with locksmiths Birmingham.

Derby Day 2017: Everything You Need to Know for the Races

The 143rd running of the Kentucky Derby is today at 6:46 p.m. Eastern Time. This first leg of the elusive three-race Triple Crown, the Derby is run at Churchill Downs race course in Louisville, KY every year, without fail, on the first Saturday in May. Since 1875, the best three-year-old colts (and occasionally a filly) in the world have come together for what has become known as the most exciting two minutes in sports. It’s time for us all to start looking at form and things like Professional Horse Racing Tips ahead of the big race. The purse is a whopping $2 million, and the fees for being in the race alone include a $25,000 entry fee and a $25,000 starting fee. That’s why they call this “the sport of kings”. Anyway, whether you’re watching from home, from a Derby party, or from Churchill Downs, here’s who to watch:

1. Lookin at Lee
Trainer: Steve Asmussen Jockey: Corey Lanerie Current Odds: 20-1
The lowdown: The 1 post is pretty terrible. In a race with this many horses, breaking from the position all the way on the inside means things don’t look so good—Lookin at you, Lee.
2. Thunder Snow
Trainer: Saeed bin Suroor Jockey: Christophe Soumillon Current Odds: 20-1
The lowdown: Thunder Snow won the U.A.E. Derby on a muddy track—similar to how it’s going to be at Churchill today. However, he’s just shipped all the way from Dubai, which is a lot to overcome, even for an exceptional racehorse.
3. Fast and Accurate
Trainer: Mike Maker Jockey: Channing Hill Current Odds: 50-1
The lowdown: Very pretty, and 3 is my lucky number, but that’s about all there is to this guy.
4. Untrapped
Trainer: Steve Asmussen Jockey: Ricardo Santana Jr. Current Odds: 30-1
The lowdown: Untrapped is one of two horses trainer Steve Asmussen has in the Derby this year—in the six races he’s run in he’s only won once— although his one win has been at Churchill Downs. Probably running with Fast and Accurate.
5. Always Dreaming
Trainer: Todd Pletcher Jockey: John Velazquez Current Odds: 5-1
The lowdown: Always Dreaming had a big win at the Florida Derby, but has apparently been hard to handle since he arrived at Churchill. If he looks cool, calm, and collected closer to post time, bet on him.
6. State of Honor
Trainer: Mark Casse Jockey: Jose Lezcano Current Odds: 30-1
The lowdown: Came in second in the Florida Derby, and tends to come to the front of the pack early on. Trained by the same person as Derby favorite Classic Empire, but is a very different horse—seems unlikely.
7. Girvin
Trainer: Joe Sharp Jockey: Mike Smith Current Odds: 15-1
The lowdown: The Louisiana Derby winner, and a fantastic horse with a fantastic jockey to boot. But that’s the problem, prior to the Derby Girvin has developed a foot problem and will be running in special shoes to protect his hoof. Would not be surprised if closer to post time he is scratched.
8. Hence
Trainer: Steve Asmussen Jockey: Florent Geroux Current Odds: 15-1
The lowdown: Another Asmussen horse, Hence won the Sunland Derby in March, has raced well on sloppy tracks, and came in a close second in a race at Churchill in 2016. Wild card.
9. Irap
Trainer: Doug O’Neill Jockey: Mario Gutierrez Current Odds: 20-1
The lowdown: If you were at Keeneland opening weekend, you might’ve seen Irap win the Bluegrass Stakes in a huge upset victory. However, that huge upset was also his first career win. Still, his trainer Doug O’Neil is no stranger to producing Derby winners—don’t count him out.
10. Gunnevera
Trainer: Antonio Sano Jockey: Javier Castellano Current Odds: 15-1
The lowdown: A consistent horse—with only four wins he has made over $1 million. Not looking like a potential win, but worth a shot in a bet with multiple horses, if that’s your thing.
11. Battle of Midway
Trainer: Jerry Hollendorfer Jockey: Flavien Prat Current Odds: 30-1
The lowdown: Battle of Midway has a Hall of Fame trainer in Jerry Hollendorfer, and ran a respectable second in the Santa Anita Derby—but he’s not a standout.
12. Sonneteer
Trainer: Keith Desormeaux Jockey: Kent Desormeaux Current Odds: 50-1
The lowdown: No wins in ten starts. That’s all. If you want to bet a long shot, this is your guy.
13. J Boys Echo
Trainer: Dale Romans Jockey: Luis Saez Current Odds: 20-1
The lowdown: Potentially worth a shot in finishing second or third—doesn’t have a great track record recently. In all fairness, he has a fantastic trainer, but losing his usual rider Robby Albarado isn’t the best thing that could’ve happened for him—could come from behind at the end.
14. Classic Empire
Trainer: Mark Casse Jockey: Julien Leparoux Current Odds: 4-1
The lowdown: Awesome horse, one of this year’s Derby favorites—two-year-old champion, winner of the Breeder’s Cup Juvenile, has won in both of his starts at Churchill. Has been hurt leading up to the Derby, but most recently bounced back in a hard fought victory in the Arkansas Derby—should be on the board.
15. McCraken
Trainer: Ian Wilkes Jockey: Brian Hernandez Jr. Current Odds: 5-1
The lowdown: Another major Derby contender, has won four of his five starts, with his one loss being because he’d just come back after an injury. This horse is a machine, bet on him.
16. Tapwrit
Trainer: Todd Pletcher Jockey: Jose Ortiz Current Odds: 20-1
The lowdown: One to watch, winner of the Tampa Bay Derby in March, and has reportedly been training really well since. Tends to come from behind, meaning he’s able to conserve energy and explode toward the end, which is only a plus in a race like the Kentucky Derby.
17. Irish War Cry
Trainer: Graham Motion Jockey: Rajiv Maragh Current Odds: 6-1
The lowdown: Irish War Cry has won two derby prep races (Holy Bull and Wood Memorial Stakes), and has beaten both Gunnevera and Classic Empire. It’s rough being out in the 17 post, but this guy could do it.
18. Gormley
Trainer: John Shirreffs Jockey: Victor Espinoza Current Odds: 15-1
The lowdown: So Gormley isn’t the best horse in the race, but he definitely has the best team. Trainer John Shirreffs trained Zenyatta, one of the most famous race fillies ever, and in case you’ve forgotten—the rider of Triple Crown winner American Pharoah? Victor Espinoza.
19. Practical Joke
Trainer: Chad Brown Jockey: Joel Rosario Current Odds: 20-1
The lowdown: Runner-up in the Bluegrass Stakes at Keeneland, not looking so hot.
20. Patch
Trainer: Todd Pletcher Jockey: Tyler Gaffalione Odds: 30-1
The lowdown: So firstly, Patch is freaking rock star because he’s running in this Grade 1 race with only one eye—but as far as win place or showing—he’s not gonna do it.

May your hats be big, your juleps fine, your burgoo tasty, and your winner a long shot. Happy Derby, y’all.

  • To Watch: NBC coverage beginning at 2:30 p.m.
    *all stats taken from the Daily Racing Form

Introducing: Page Count Playoffs (Winter 2017)

Here at Transy, we all love to complain about how much we have to write. “I would, but I have a twenty page paper due Friday” and other such remarks are just part of our culture. And there’s nothing wrong with that! But who actually has the most bragging rights in regards to how much they wrote last semester? The Rambler wants to find out.

Introducing Page Count Playoffs! Here’s how it works: email The Rambler (rambler@transy.edu) all of the required writing assignments you had last semester, and the “lucky” winner will get a mystery prize, as well as campus-wide recognition, and indisputable bragging rights.

The rules are that only the lower bound of the writing assignment will count toward your total, and all submitted assignments must have been mandatory (sorry, no extra credit!) The winner’s submissions will be verified with their professors.

When submitting your entry, for each paper, you should include:

Your professor’s name

Pictured: a great deal of paper

The name of the class

The page or word requirement

If the paper was single- or double-spaced

 

 

And that’s it! All papers will be converted fairly into double-spaced page counts, and then compared to everyone else. The deadline for submissions is Friday, May 12, so be sure you get them in before then! Tell your friends to submit as well! The winner will be announced the following Monday, May 15.

Sarah Schaaf: Meaning Through Music

“It’s a way of expressing myself. I’m a really quiet person usually, so it’s a way for me to portray my emotions and speak.”

Sarah Schaaf is a rising junior and saxophone player, as well as a member of Transy’s concert band and jazz ensemble. Tonight, she’ll perform at the Transylvania Honors Recital, where a selection of music students perform their most virtuosic work. It’s the latest step in what she describes as a long learning process.

Schaaf said that being a member of concert band and the jazz ensemble has helped her grow as a musician.

“I’ve always had a very diverse taste in music. My mom and dad always encouraged me to like classical music. I think as far as what I like to perform, when I was younger, I always preferred to play slower pieces because they’re more lyrical. But coming to Transy, and having Doug [Drewek] as my teacher, I’ve really branched out into faster pieces and become a lot better at that, so that’s something I’ve been proud of, and really helped me expand my repertoire of music here.”

Some of the pieces Schaaf plays as a part of her repertoire are chosen by her instructor, but others she finds on her own. She also adapts pieces that weren’t necessarily designed for her instrument. She says that that cello pieces are what she most enjoys adapting because they sound similar to the saxophone.

That’s because the saxophone has a remarkably versatile range. “People always think of saxophone as like a jazz instrument, and I’m really not that good at jazz. I’ve always preferred classical, so people have always thought that’s kind of odd,” Schaaf says.

As the performance approaches, Schaaf begins to anticipate the experience.  “I’m excited. I always love going and listening to the other players too. You get to hear them play every year, and you get to see how they improve too,” she said.

However, her preparation process is not without its share of nervous energy. She insists that she is, as she says, “terrible with performances. Like, I get really nervous beforehand, but you have to get in the zone when you go and play.” She says she doesn’t focus on the nerves, but instead “you just do what you learned and practiced.”

Today, the day leading up to the performance, is the worst for her. While she “always get[s] nervous… the whole day beforehand, it’s really tense” as a performer. However, all that tension will evaporate.

“As soon as it’s over and you walk off the stage, it’s like, ‘oh my god, that feels so good’ because you have all of that pressure released,” she said.

A lot of this performance will come down to the particular piece she’s performing. Schaaf really connects personally with this piece, by the Baroque composer Tomaso Albinoni, and says that “it kind of just comes to me. You have to listen to a lot of other people play, and sometimes mimic the way they played it before, but I think if you really love a piece of music, it just comes to you. Like, other pieces, you have to think, put a decrescendo here, or make this shorter bit. When I really love a piece, it just comes to me.”


Schaaf will be playing the Oboe Concerto in D minor, Opus 9, No. 2 – Mvt. III, Allegro by Tomaso Albinoni on soprano saxophone. The Honors Recital is on Tuesday, May 2nd, at 7:30p.m. in the Mitchell Fine Arts Carrick Theater.

Transy attacker, former student, had troubled past

After a knife attack on the campus of Transylvania University today that injured two women, the name of the attacker has been released. According to the Lexington Herald-Leader, Mitchell Adkins, a former student at Transylvania, has been identified as the suspect.

Material written by Adkins has surfaced, and may shed some light on his possible motivations related to today´s alleged attack.

Adkins had previously published materials related to his political opinions, most prominently in a 2015 Buzzfeed post. In the post, he characterized himself as a ¨proud Republican¨ and a conservative who was upset by a liberal attitude at the University. In explicit language, he denounced ¨a transvestite that was prancing around campus,¨ and other liberal and progressive issues, I guess he wouldn’t like to see a shemalehd related site then. He also characterized himself as a part of a persecuted conservative minority, writing that he was ¨scared of the repercussions from the student body¨ that he believed would come from voicing his political opinions. Multiple reports today have noted that Adkins questioned several people about their political beliefs in the moments leading up to the alleged attack.

Adkins also discussed his mental health. In an update to the same post, he notes that he has had multiple stays in mental hospitals, as well as one drug overdose. While nothing has been released on Adkins´ current mental state, he has been taken into custody, and will most likely be evaluated for mental competence to stand trial for today´s alleged attack.

Rambler Statement on Recent Attack

Most of you are likely aware of the recent stabbing attack on campus. Excellent reporting work on the event itself has been done by other local outlets, and we encourage you to read that coverage. We at the Rambler urge everyone at Transy to take advantage of the available counseling services, and remain in contact with your family, friends, and others at this time.

Transy alums to speak on public defense work

Written by Transy alum Pyra Murad.

I came to Transylvania University at 17 years old with big dreams of doing bioethics or health policy and no clue what a public defender was. Ten years later, I have found myself fighting for people accused of crimes who would not have lawyers if it was not for my colleagues and me.

Now that I am teetering on the edge of being a grown-up, I know a lot of other grown-ups. (I know it may be difficult to fathom, but one day all of the people on “the hall” are going to be real life humans with real jobs and you will not have access to waffles from The Caf every Sunday; it is incredibly destabilizing.) I do not know a lot of people who love what they do every single day as much as I do and the people I work with do. In my not-so-humble opinion, being a public defender is the best job ever, second perhaps only to literally being Beyoncé.

Forget what is written down about the presumption of innocence and fairness and justice. Here’s what’s up: the Government spends more money trying to prosecute and convict people than it does supporting the defenses to which they are entitled.  Moreover, poor people and people of color are arrested and prosecuted at disproportionately high rates. Make no mistake – our criminal courts project a façade that is not matched by what happens in those courtrooms every day.

When people are accused of crimes, they walk into court cloaked in a presumption of guilt. They are scared and often alone. Many are shackled in chains. They have one advocate – their attorney. As public defenders, we stand between the accused individual and all of the resources of the Government. And it is a privilege to do this work every day.

I hope you will take the time on April 13 at 3:30pm to join me and my great friend, fellow Transylvanian, and fellow public defender, Jessica Beard. We are eager to share our stories and whatever advice we can make up between now and then with you.

***

I will leave you with one of my favorite recent reflections on being a public defender, in hopes that it inspires to come and find out more about this great profession.

“…let us remember that we are the ones who preserve, protect and defend the Constitution of the United States. Remember that winning doesn’t make you great. Standing for something does. Remember that we don’t quit and we can’t be bought…When injustice begins to roll down we are the ones who try to stop the flood, to turn back the tide. We don’t do it because we think it can be done, we do it because it is the right thing to do. We don’t do it because we will win; we do it because there are more important things than winning. We don’t do it because it will make us rich; we do it because we know others are poor.” – Professor John Gross, University of Alabama School of Law

15 Songs of the Week 3/29

  1. “Japanese Denim” by Daniel Caesar
  2. “Dang” by Mac Miller ft. Anderson .Paak
  3. “Go Solo” by Tom Rosenthal
  4. “The One” by The Chainsmokers
  5. “Angel” by The Weeknd
  6. “Jolene” by Ray LaMontagne
  7. “Fever To The Form” by Nick Mulvey
  8. “Lorelai” by Fleet Foxes
  9. “Come Away With Me” by Norah Jones
  10. “Feeling Good” by Nina Simone
  11. “Breathe (2AM)” by Anna Nalick
  12. “My Funny Valentine” by Chet Baker
  13. “Claire De Lune” by Claude Debussy
  14. “Moonlight Sonata” by Ludwig Von Beethoven
  15. “Face Like Thunder” by The Japanese House

Art, Music, and Theater Events April 1st-13th

Art and Music Events April 1st-April 13th

Transy Theater Guild: Festivus

March 30th–April 1st @ 7:30 p.m. in Little Theater. Free admission!

Capstone Creative Work:  Senior Theater Majors Jared Auton, Justin Wright, Mollie LaFavers, Katie Brewer-Calvert, Haberlin Roberts, and Storytelling Major Christopher Perez present their final creative works. Ten-Minute Plays: Concert readings of new plays by W’17 Playwriting students.

My Mother#*!^%#! College Life: In 40 monologues and a few choruses, this ensemble questions everything they encounter:  social justice and sexual identity, self-awareness and relationship boundaries, future prospects and roommate etiquette.  What emerges is a humorous and heartbreaking portrait of a new generation struggling with higher ed’s promise of “personal transformation.”  This world premiere reading features dramatic monologues written by 17 Transy student poets and playwrights and will be published by Dramatic Publishing.

Choir Concert

Sunday, April 2nd @ 3pm in MFA Carrick Theater

Come watch the Transylvania Choir and Transylvania Singers perform the entire Gospel Mass by Robert Ray!

Cheer and Dance National Showcase

Sunday, April 2nd @ 6:30pm in Beck Center

Come watch and support the cheer and dance teams perform their national dance routine before leaving for their national competition!

General Student Recital #2

Tuesday, April 4th @ 12:30pm in MFA Carrick Theater

General Student Recital #2. Come watch the music students perform in the second round of general student recitals!

 

Morlan Gallery: Senior Seminar Exhibition

Thursday, April 6th @ 12pm-5pm in MFA Morlan Gallery

Morlan Gallery: Senior Seminar Exhibition. Come see Transylvania University’s art majors showcase their best work in this culminating exhibition!

 

Opera/Musical Theater Showcase

Thursday, April 6th @ 7:30pm in MFA Carrick Theater

Opera and Musical Theater Showcase. Come support students, and see their hard work in Opera Workshop and Musical Theater!

 

Transylvania Theater Guild: MUCH ADO ABOUT NOTHING

Friday, April 7th @ 7:30 PM in Little Theater

One of Shakespeare’s best comedies, Much Ado About Nothing, is filled with mistaken identity, love, wit, humor, and drama. This completely student-run production has been updated to be set in the late 60s, early 70s of the Vietnam War Era, bringing a slightly different take on the classic tale. Come support the Theater Guild, and see this exciting play! Tickets are free, but must be reserved online.

TU Concert Band Concert
Friday, April 7th @ 7:30pm in MFA Haggin Auditorium

Come support Transylvania’s Concert Band and hear some wonderful music!

Transylvania Theater Guild: MUCH ADO ABOUT NOTHING

Saturday, April 8th @ 2pm in Little Theater

Saturday, April 8th @ 7:30pm in Little Theater

Sunday, April 9th @ 2pm in Little Theater

Chris Roseland: Classical Guitar Concert

Sunday, April 9th @ 3pm in Old Morrison Chapel

An all Italian program with works from these composers: J.S. Bach, Barrios Mangoré, Tárrega, Giuliani, Barrios, Domeniconi, and Santorsola; performed by classical guitarist and Transylvania University adjunct music instructor, Chris Roseland. Admission is free and open to the public!

General Student Recital #3

Tuesday, April 11th @ 7:30pm in MFA Carrick Theater

Come watch the third round of music students perform their music!

General Student Recital #4

Thursday, April 13th @ 12:30pm in MFA Carrick Theater

Come and support the music students in the fourth round of their GSRs!

 

Saturday, APRIL 15 @ 2:00PM & 7:30PM, Lexington Opera House. Cinderella: Presented by The Lexington Ballet. The Lexington Ballet performs this beautiful two act masterpiece under the artistic direction of Luis Dominguez. Buy your tickets now at www.lexingtoncenter.com!

Friday, April 21 @8:00PM, Lexington Opera House.

The Midtown Men: Presented by Broadway Live & The Opera House Fund. THE MIDTOWN MEN are bringing their magic to audiences everywhere, singing their favorite “Sixties Hits” from The Beatles, The Rascals, Motown, The Four Seasons, and more, back to life! Buy your tickets now at www.lexingtoncenter.com!

 

 

 

Weather

Lexington
overcast clouds
58.6 ° F
60.8 °
56.9 °
87 %
0.6mph
100 %
Sun
59 °
Mon
50 °
Tue
65 °
Wed
64 °
Thu
60 °