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Rambler Weekly Playlist & Blog: October 19th

Hey Y’all!

I’ve compiled a mix of chill pop songs to kick off your weekend! Check back next week for a playlist full of fresh Halloween beats. If you’re as into Halloween as I am, then you won’t wanna miss these Halloween events happening all around Lexington, some of which include haunted houses, cornfields, and even a zombie parade!

Jacobsen Park will be having their annual Fright Nights every Friday, Saturday, and Sunday! They’ve added a new Candy land show in addition to Dark Forest and 13 Doors, so get ready to be spooked.

Next Sunday, October 28th from 2pm-11pm is the annual Thriller parade where crowds of zombies will take over downtown Lexington, with the actual parade starting at 8:30pm. The crowd comprised of several hundred zombies will reenact Michael Jackson’s iconic Thriller music video all through Main Street!

As for events on campus, we have two that feature the visiting Sufi musician, Latif Bolat!

Tuesday, October 23rd @7:30pm in MFA Carrick Theater

Join Latif Bolat, a Sufi musician and poet, to experience a night full of Turkish Sufi music, dance, images, and poetry!

Wednesday, October 24th @10:30am in MFA Carrick Theater

There’s a will be a talk with Sufi musician and poet, Latif Bolat. Bolat will be giving a lecture on 1000 years of Turkish Sufi practices: philosophy, music, poetry, dance and rituals.


Te’Asia Martin hired as new Assistant Director of Diversity and Campus Engagement

Te’Asia Martin, the new Assistant Director of Diversity and Campus Engagement, is originally from Michigan. Her hometown is about 30 minutes west of Grand Rapids, which is her favorite city in her home state. When I asked if it had been difficult to adjust to the southern culture of Kentucky, her answer was simple, yet nuanced.

“It’s actually been a really nice blend of some Southern culture and still some Midwest tendencies,” she said. Martin  explained that her sorority included Kentucky within their Midwest conferences, while most definitions include Kentucky as a southern state.

Martin joined Sigma Gamma Rho, a historically black sorority, in 2011 while she was getting her undergraduate degree at Grand Valley State University. While she wasn’t able to pay the dues of her sorority in her last three years of her undergraduate years due to financial difficulties, she has been able to pay her dues in the four years after graduating.

After earning her Bachelor’s degree in vocal music with an African American Studies minor, along with pieces of experience in education working as a preschool teacher’s assistant, she took a gap year to work at the Michigan College Access Network. Working there, she said realized she needed to go to graduate school, and continued on to earn her Master’s degree in higher education at Grand Valley State University.

Photo by Dorri Wilson

The road to Transylvania began after finishing graduate school in April. She moved to Virginia to work at Hampton University’s Talent Search program, to make sure that high school students have the resources they need to go to college. While she was there, she saw an open position at Transylvania University.

Martin explained that she has a few goals for campus, and detailed one of them. While fraternities and sororities are still finalizing their members, Martin said she is doing her best to introduce historically black and multicultural Greek life to campus. She hopes to teach students, faculty, and staff about other experiences that they should keep in mind as they interact with people inside and outside campus.

Martin was happy to share the ups and downs of her college experience, such as immediate family deaths, juggling full-time jobs with full-time classes, and maintaining friendships. At the time, she had a great support group willing to help her through whatever she needed, and said she she hopes to act as a pillar of support for Transy students.

“That’s the kind of resource that I want to make sure that I am to the students that I interact with,” she said with a smile.

Martin recognized that Transylvania has many ways to check on their students. To properly become a part of that community, she said she has opened her office to any student who may need support. She has not only a comfortable couch, but also snacks, open ears, and wise advice.


Correction: An earlier version of this article misstated the timeline related to Ms. Martin’s membership in Sigma Gamma Rho. The article has been updated to reflect the correct timeline. 

The Student Handbook has been substantially revised. Here’s what you need to know.

Changes in the student handbook are bound to happen year by year. However, after a student was targeted online last year and her case received national attention, the handbook was substantially revised.

Dean of Students Dr. Michael Covert said that this year’s update to the student handbook was one of the more substantial edits, although the handbook is reviewed before each academic year and then periodically updated on an ongoing basis.

Dr. Covert said that this year, the handbook reviewing team added a student forum where students could come and read over the handbook, then tell administrators what they thought needed changing. “The students helped to make it more user-friendly,” says Dr. Covert. He added that from now on there will be a student forum every year to look for updates that might be needed.

Core Values

The student conduct system has been radically restructured. In previous versions of the handbook, the conduct system divided offenses into Level 1 and Level 2. Smaller offenses such as disorderly conduct or minor vandalism would have been categorized as Level 1, while more serious issues like sexual harassment or possessing alcohol while under 21 would have been classified as Level 2.

Dr. Covert said this system worked well for a while, but needed revamping. Over time, some offenses did not fall directly into a specific category laid out in the handbook. “The old system did not communicate what we [Transylvania] valued. We need to treat each other like we are trying to develop a community and keep up expectations around that.” Dr. Covert says this was part of the reason for the major change.

The new system is based on the core values that Transy wants every student to possess. These are Integrity, Community, Social Justice, Respect, and Responsibility. Every student must uphold these values, and by doing so will not break any conduct rules.

Dr. Covert says the new system is meant to show the University’s intention to keep everyone safe and to protect the interests of the entire community, not merely to punish.

Student Conduct Board

The Student Judicial Board, now referred to as the Student Conduct Board, has been changed to track with the new Core Values. Previously, the Board could hear only cases for Level 1 violations. Since that system is gone, the Board will now hear more cases, as Dr. Covert deems appropriate.

The text is now easier to understand, Dr. Covert said. He added that there are better descriptions of the roles the members play, and that words such as “shall” have been switched to the more modernized “will.”

The qualifications to be on the Conduct Board have not changed, nor has the number of students on it. The new handbook says that students who want to join the board must have completed 15 credits, have at least a 2.0 grade point average, good conduct records, and have gone through University training.

Protest Policies

In the previous student handbook, the rules about student protests were short and unspecific, Dr. Covert said. Protests were prohibited outright, and it was broadly defined.

The new subsection, found on page 32 and entitled “Free Speech, Activism & Demonstrations,” explains that the University promotes free speech and the exchange of opinions among those who might not share the same ideas. Dr. Covert says that he views that as the main purpose of a university. It adds that with this freedom comes a responsibility to act civilly to those who do not share the same beliefs, and to remember that the right to protest does not mean the right to engage in any activity that hurts another person.

Alumni Plaza, located behind Old Morrison, is now the designated area where students can stage demonstrations. Students who want to protest must contact the Dean of Students and explain the event, their security needs, the time they plan on having it, and anything else that would be important for the administration to know in advance.

Dr. Covert said that “this system was put into place to help students have a safe and successful protest about issues important to them. It’s like forming a partnership.”

The handbook says demonstrations also must not interfere with academics or another campus event in any way. If a disruption does occur, the Department of Public Safety will get involved.

Dr. Covert said he hopes to create a workshop this year, where students can come to learn how to properly hold a protest.

Bullying

This year’s handbook added a detailed section on bullying, cyber and otherwise. Previously, prohibitions on bullying were implied throughout the handbook, in sections like the code of conduct and the nondiscrimination policy. Dr. Covert says that while the new section seems small for such an important issue, the paragraph gets straight to the point and leaves no room for interpretation.

“The changes in this section were mainly for clarification purposes,” says Dr. Covert. The section makes it clear that bullying speech or actions will not be tolerated, and are not protected as freedom of speech.

New ‘Diversity & Dialogue’ series starts on campus

Transylvania’s Diversity and Inclusion Office kicked off a new initiative last Friday to expand understanding of diversity on campus.

Taran McZee, the new Associate Vice President of Diversity and Inclusion, discusses recent events that have challenged views about acceptance and diversity. Photo by Gabby Crooks

Hosted by Associate Vice President for Diversity and Inclusion, Taran McZee, the Diversity & Dialogue luncheons are a new, “hopefully monthly” event to be held in the President’s Room in Forrer. Students, staff, and faculty will all come together to discuss issues relating to diversity and understanding of all forms.

The event is part of the Project One initiative, Transylvania’s mission to foster an “environment of understanding, ethical compassion, and social responsibility.”

This week’s subject was the controversy surrounding Colin Kaepernick’s Nike endorsement. In 2016, 49ers player Colin Kaepernick protested police brutality against African-Americans by kneeling during the National Anthem. Although many claimed he was disrespecting the American flag, Kaepernick insisted this was not his intention.

In the next season, Kaepernick went unsigned by any NFL team. But Nike recently featured Kaepernick in an ad campaign, reigniting the controversy.

McZee made clear beforehand that all respectful viewpoints were welcome, and while there was little disagreement, what difference in opinion there was during the discussion was always civil, in keeping with this year’s theme. McZee brought in historical influences on Kaepernick’s protest, as well as the inspiration and meaning behind his act of kneeling during the Pledge, illuminating the true issues behind his message.

According to McZee, the goal of these discussions is to raise awareness and promote discussion of diversity issues on campus. He said everyone is who is associated with Transylvania University is welcome to the events. He said that at his previous institutions, he has organized these events before with great success. He encourages everyone to keep an eye out for future initiatives from the Diversity office.

Diversity still proves to be a popular topic among those on college campuses. Photo by Gabby Crooks.

Student Ashley Chindo expressed that she initially had concern with diversity on Transy’s campus. Asked why she was drawn to the event, she said she “didn’t expect Transy to have anything for diversity, and not care for students of color. And I wanted to see what this event was about.”

When asked why she was interested in the event and discussing diversity overall, Chindo said that she was interested in “making an impact” on campus to change Transy for the better.

The next two Diversity & Dialogue events will be on October 19th and November 30th. McZee said he would like future events held on a monthly basis, and also to include a partnership with UK’s LGBTQ+ organization.

October’s discussion will be on costume appropriation as Transylvania gears up to celebrate Halloween. Once again, everyone is encouraged to come out and join in the discussion to learn more about diversity and how it affects us and our campus family as a whole.

Gallery Review: Trevor Martin’s “Lake Effect” at the Morlan Gallery

Lake Effect, the first exhibit of the Morlan Gallery’s 2018-2019 season, is a product of both the Transy-specific space and the curatorial mind of a Transy graduate.

Transy 1992 alum and Executive Director of Exhibitions at the School of the Art Institute of Chicago Trevor Martin is the curator for Lake Effect. The show was installed over the period of two days in the middle of August, which forced Martin to make decisions as the curator based on the his intuition and quick thinking with the artists in the room. “I have to admit, I’ve never installed a show in two days so I was racking my brain thinking ‘is this possible’?”

Transy alum showing his passion for art. Photo by Gabby Crooks

Lake Effect was inspired by an invitation from Transy art professor, Jack Girard who “made me understand the power of art and power of creative force” said Martin, who studied with Girard during his years as a student at Transy. “He invited me to think about an exhibition here. The invitation was really about makers, particularly painters who were dealing with scale, with layers, with texture, with surface.” The pieces in the exhibit are not tied to any strict definition of art form. Some pieces are sculptures while others are distorted pictures, paintings, and even a silent video.

Lake Effect is not a traditional exhibit and the way the works are displayed is meant to plays with dimension and the viewers’ perception of the art. “We installed them purposefully kind of defying the typical rules of gallery installation that everything is hung at a certain eye level. A lot of these pieces are hung down in the corner or next to the floor or up top near the ceiling to draw attention to the architecture of the room.” Every space and relationship between the works was intentional. Martin explained, “As we were installing these works, we were conscious of relations between the works and what distance or space or pause of a blank section of a wall might be and the dialogues.”

He had all four artists, Claire Ashley, Susanna Coffey, Jaclyn Mednicov, and Maryam Taghavi, think about how to use the space of Morlan Gallery as inspiration and the exhibition opportunity.Martin says that he wanted “to mention that they’re all women, which I feel very proud about, because the history of lots of museum collections are dominated by men and historically, women have not gotten their fair share of representations.”

Susanna Coffey, the F.H. Sellers Professor in Painting at SAIC contributed a suite of portraits to the exhibit. “I specifically asked for a suite of portraits and in one of them I can literally see her face and the others are very abstract images that are almost like visual puzzles to me. If I am to interpret these as portraits, they have a psychological charge.”

Coffey’s method of creating her art is unconventional and began when she taught a figurative painting class a few years ago. She wanted to understand how figurative painting works and what that means in order to better teach her students. “As a new faculty member with limited, modest funds who couldn’t necessarily hire models or pay model fees to pose for her, she turned to herself. She set the mirror in front of her and started painting her own image.”

Some of Coffey’s paintings hang on the wall behind Martin. Photo by Gabby Crooks.

“They’re not flattering self portraits. It’s her image, it’s often her face, but sometimes she’s in these glasses, in a weird hat, she looks like she’s sunburned, she has volcanoes going off behind her. A lot of it is about the study of technique and material.” Coffey’s paintings, shown in the featured image, all invite the viewers to interpret her work.

Another one of the talented artists, Claire Ashley, is an adjunct associate professor at SAIC. Ashley “creates a lot of these inflatables as costumes that people can wear and dance in. Claire talks a lot about inspirations for her work that includes having children, growing up, and the

Vibrant colors and interesting masterpieces, this is Lake Effect. Photo by Gabby Crooks

“They have this relationship to the human body. She [Ashley] embraces humor a lot and humor is valuable. They invite us to touch them and we want to touch them and interact with them because they’re so fun.”

Martin, pointing to one of Ashley’s pieces near the gallery’s air duct, laughs, “I think this might be one of the first moments where that air duct has actually become a part of an installation piece in the show.”

Ashley doesn’t just create large inflatables. She also integrated some smaller, plaster sculptures into the exhibit that are “sprinkled throughout the exhibition” said Martin, “It kind of adds a hide-and-seek quality” to the exhibit. Some of her pieces intertwine with artist Jaclyn Mednicov’s art pieces. Mednicov is a Chicago-based artists who creates unique pieces by using distorted images. “Jaclyn does these amazing pieces that are all about surface. She often takes photographs of things she find in the world will print those photos sometimes printing them oversize and then she has this process in which she covers the surface of that photographic image with hand sanitizer with alcohol and then prints them, usually oversized and then she coats the image with hand sanitizer and the alcohol and the ink react react so it creates this release of the ink onto another surface so they become a mono-print.”

Photo by Gabby Crooks. Now open the Morlan Gallery exhibit Lake Effect.

Martin said that Mednicov’s work is all about “layering, challenging ideas of representation.” Jaclyn Mednicov created a new wallpaper piece for Morlan that covers the entire wall using images she captured from Instagram in addition to images she took herself, Martin explained. “She was taking and scanning and manipulating them, printing them, and distressing that image. A lot of that is about challenging ideas of representation and scale and form. The moths are as big as the birds or the ants or the beetles.”

The last artist, Maryam Taghavi, who is from Tehran just received New Artist Society Scholarship to complete her MFA at SAIC in performance. Taghavi’s contribution to the exhibit is in the form of a silent video in which she carries a mirror the size of her body through the Art Institute of Chicago. “She had to get special permission to carry this through this museum, did it early in the morning before anybody else was there to avoid any hazards of breaking or bumping into public, and in some ways, it’s the study of the space because she was there carrying the mirror, there’s a camera person with her, there’s a guard escorting them. It’s this visual study of the building before it’s entirely awake before visitors come.” said Martin. “I debate, what we’re seeing here, is this video the work or was the work the actual performance of carrying this object through that collection and really to experience the original work, would we have to be there at 8:30 in the morning and watch her do it? Is it documentation of the performance, is it performance for camera intended in that way, like what is the elemental quality of how we position this work.”

Bursting with life and color. Photo by Gabby Crooks

“Everything that we see reflected in the mirror is equalized, it’s all of equal value.The corner of the ceiling is just as valuable as the Monet painting, so it’s all it’s all kind of breaking open and questioning ‘what is our visual field?’ I think it’s important that we note that She’s carrying this through the art institute which is referred to as an encylopedic museum meaning that it collects work not of one specific genre but of representing many different cultures. Institutions of this sort are often dominated as is the art institute is by male artists. We think about the history of the absence of women and it’s often western art that is focused on. So what does it mean for Mariam who is a non-western female artists to be carrying this mirror through a museum? She’s hidden behind the mirror. We see her feet, hands, legs, she’s intentionally absented herself from this space that proclaims to represent many cultures and many artistic practices. It has embedded in it this institutional critique of what museums say they do and what they do.”

https://transyrambler.com/wp-content/uploads/2018/10/Trevor-Martin-Lake-Effect.mp3

“I find this piece meditative. It’s silent, it doesn’t have a soundtrack on top of it, it allows us to insert our own imaginary narrative on what we’re seeing.”


This exhibit will run through October 18th. The gallery will be closed October 15th and 16th for Fall Break.

Further Reading: 4 Questions to Ask When Comparing Midterm Candidates

This article is republished from ProPublica under a Creative Commons license. Read the original article. The original article was written by Cynthia Gordy Giwa. ProPublica is a Pulitzer Prize-winning investigative newsroom. Sign up for their newsletter.


This year’s midterms are getting more attention than usual, with high stakes for both parties. You’ve probably seen a fair amount of “horse race” coverage focusing on competition between rival candidates while downplaying policies and platforms. But if you know how to read these stories, it helps you understand what’s at stake for you and can even inform your own political participation. (Get more information like this by signing up for ProPublica’s User’s Guide to Democracy.)

Think about it this way: The campaigns themselves are constantly watching certain signals — polls, fundraising, public opinion — to understand what’s going on in their races. They want to know, “What should we do next if we want to win this election?” And they adjust their tactics accordingly.

You have the power to adjust your actions, too.

See below for the important questions you should be asking yourself as we get closer to the midterms.

1. How competitive is your district?

The Cook Political Report provides real-time analysis on whether your current representative will have an easy time hanging onto their seat or if a challenger has a shot at defeating them.

The Cook Report is a nonpartisan newsletter that analyzes federal elections and campaigns — watching polls, tracking fundraising and outside spending, and talking to the campaigns and candidates — in order to assign a daily rating on the competitiveness of each race:

  • Solid (Republican or Democrat): These races are not considered competitive and are not likely to become closely contested.
  • Likely (Republican or Democrat): These seats are not considered competitive at this point, but they have the potential to become engaged.
  • Lean (Republican or Democrat): These are considered competitive races, but one party has an advantage.
  • Toss-Up: These are the most competitive; either party has a good chance of winning.

These ratings are updated daily, all based on what’s happening on the campaign trail. Look up where your district is for the:

2. Where’s the money?

Political organizations and nonprofit committees have spent hundreds of millions of dollars influencing the midterm elections, so tracking your candidates’ campaign finances is another insightful metric. Where did they get all that money, and how are they spending it?

One detail that can help you determine the strength of a campaign is the percentage of funds raised from individuals vs. PACs, or political action committees. A PAC is simply a collection of individuals who have pooled their money to donate to candidates. The best funded PACs are affiliated with corporations and interest groups — the NRA, Planned Parenthood and labor unions all have PACs — but they can also be funded by civically engaged folks who aren’t political operators.

A reliance on PACs, versus individual donors, can tell you something about a candidate’s institutional support versus grassroots support. A higher percentage of funds from PACs means a candidate’s donor money comes mostly in fairly large checks, as opposed to donations from individuals. A higher percentage of individual donations, on the other hand, is a sign of grassroots enthusiasm about the campaign.

To look up specific campaign fundraising details by candidate OR race type, check out ProPublica’s Election Databot.

3. But what do the numbers mean?

Most political fundraising amounts sound like a LOT of money to the average person. So, how do you know what those numbers mean?

Campaigns need cash to get their messages out, and in a competitive race it can be hard to be on television or to organize rallies if you’re not raising a ton of money.

That’s where the Cook Report ranking numbers come in handy: More competitive races typically attract more money. A toss-up race is likely to have two candidates who have raised more money than many other candidates in less competitive contests.

You can also look at the money gap between two candidates. If a candidate is at the lower end of the fundraising scale, particularly against a well-funded competitor, that usually indicates their chances are not great. (But there are exceptions — see June’s Democratic primary race in New York’s 14th Congressional District, in which 28-year-old challenger Alexandria Ocasio-Cortez defeated the highly funded incumbent congressman Joe Crowley in a major upset. So don’t stop believin’ if your candidate of choice is outspent. Money is important, but it’s not the only factor in getting elected.)

4. What about the issues?

Back in 2016 the Google trends team worked with journalists to identify a list of the issues and topics that voters might be interested in ahead of the election. The Google Trends team ranks search interest in those topics at the congressional district level. Sign up for the User’s Guide to Democracy newsletter to get the most-searched election issues in your district.

Another way to look into your candidates’ issues is to look up your candidates’ press releases on ProPublica’s Represent database. Done well, press releases are a way for candidates to tell voters who they are and set their positions on issues. (These can also conveniently double as venue for trash-talking their opponents.)

Look up your candidates. Are they speaking to issues that actually concern people in your district?

For your local races, the League of Women Voters has the goods

There’s only so much ProPublica can track with our data on federal candidates — which is why we’ve partnered with the League of Women Voters, which has a trove of information all the way down your ballot. The League is nonpartisan and works to arm citizens with the information they need to confidently vote.

For its Vote411.org project, the League reached out to every single candidate running for local and state office and asked each one a set of identical questions, like:

  • What experiences qualify you to represent the citizens living in your district?
  • What would be your top three priorities if elected?
  • How will you work to increase job opportunities for your constituents?

Because the League has so much juice in the political space, the majority of candidates actually answered, in their own words, allowing you to see where those running for office in your community stand on the issues.

You can get a list of all the information that the League of Women Voters has on local, state and federal candidates and ballot measures by searching for your address or state here.

Homework

Now that you can put race ratings, campaign statements and fundraising into context, use the Election DataBot to look up the latest information in your own House and Senate races.

You can also sign up for DataBot email alerts on changes in your races.

Rambler Weekly Playlist & Blog October 12th

Hey Y’all!

Happy Fall Break! This week’s playlist is filled with some mellow lo-fi beats and a couple of smooth R&B hits for a relaxing break away from the chaos midterms have caused throughout campus.

This week has been packed with exciting arts events, from the emotional choral drama, Considering Matthew Shepard to the interesting talk with podcast star, Dylan Marron.

Stay chill,

Taylor

Tuesday, October 16th @6:30pm-9:30pm, MFA Carrick Theater

Join Mayor Jim Gray, Linda Blackford, and Maurice Manning for a discussion on journalism and politics, “Democracy & the Informed Citizen.” This panel will include a scholar, mayor, and journalist.

This event is brought to students by Kentucky Humanities, the Andrew W. Mellon Foundation, Transylvania University, and the National Endowment for the Humanities. The conversation will be moderated by Dr. Michael Cairo.

Thursday, October 18th @4:30pm, MFA Carrick Theater

Transy will be hosting author James Mustich who wrote the book, “1,000 Books to Read Before You Die: A Life-Changing List.” Come join the conversation for a chance to discuss civility! The event is part of Transylvania’s Creative Intelligence Series and New Frontiers season.


New State Dept. regulations won’t affect May Term travel

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The U.S. Department of State (USDOS) has revised the categories of safety for international travel. Instead of just two categories, Travel Alerts and Travel Warnings, State has now created four levels. Level 1: Exercise normal precautions, Level 2: Exercise increased cautions, Level 3: Reconsider travel, and Level 4: Do not travel.

Transylvania’s International Travel and Response Advisory Committee (ITRAC) reviews safety protocols and policies for University-supported international travel, and has revised those protocols to reflect the new system. Transy students can now travel to Level 1 and 2 countries without review, unless there are parts of that country ranked Level 3 or 4.

This May Term, Dr. Paul Jones and Dr. Frank Russell will be teaching “Journey Through The Bible,” a travel course through Egypt, Jordan, and Israel. These countries all have Level 2 advisories, so increased cautions are highly recommended. But because Egypt and Israel have areas that are ranked as Level 4, some parts of each country are prohibited for travel.

If there are Level 3 or 4 areas within Level 1 and 2 countries, faculty are prohibited from taking students to those areas. To travel to Level 3 countries, faculty must have prior approval through a recommendation to Transylvania’s president from ITRAC. Travel to Level 4 areas, on the other hand, is strictly prohibited. 

The new system is intended to give more detailed information about safety while traveling. Safety hazards such as crime, terrorism, civil unrest, health, natural disasters, and time-limited events are all represented, according to the State Department.

“Without question these rules are essential for the safety of everyone,” says Dr. Jones.

But Dr. Jones says that Journey Through The Bible” will be perfectly safe. “In fact, the Egypt and Israel travel advisory levels have improved vis-à-vis the former security system. I was in Israel this summer with a group of adults, and no one voiced security concerns.”

Transylvania recommends all students study abroad at least once. “I firmly believe a liberal education includes the realization that we are all global citizens,” says Dr. Jones. “Travel abroad is a proven path to this goal.”


Rebecca Blankenship contributed reporting for this article.

New scholarships promised to Bryan Station students

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Starting in 2019, Transy will guarantee admitted graduates from Bryan Station High School’s Academy of Information Technology (AIT) a minimum of $18,000 in scholarships.

Transy has been developing this scholarship program with Bryan Station High School for about three years now. “There are similar agreements between Transy and other high schools in the Lexington area such as Henry Clay, Tates Creek, and Lexington Catholic,” said President Seamus Carey.

“We want qualified students who, in the past, might not have considered Transy for college to take a close look at us.”

AIT is a top school in the Lexington area and the longest-established Academy within Bryan Station. Its main mission is to prepare and educate students in computer programming, video and cinematography, and graphic design.

The average financial aid package Transy offers students is around $27,000 per year. This average amount of financial aid, along with the scholarship program offered at AIT, may appeal to a wider selection of students who may have considered Transy, but could not afford the cost.

“We are excited to welcome a diverse pool of qualified students to apply to Transy,” Carey said.

Craig Hella Johnson on responding musically to Matthew Shepard’s murder

Rambler Media Advisor Tom Martin interviewed Craig Hella Johnson, the composer and conductor of Considering Matthew Shepard, in last week’s edition of Eastern Standard, an NPR radio program offering a weekly “slice of Kentucky life.”

The choral drama is based on the life and death of Matthew Shepard, a gay man who was tortured and murdered in Laramie, Wyoming, in 1998.

Below are excerpts from the interview which have been lightly edited for content and clarity. The full interview is available here.

Considering Matthew Shepard will be performed on campus at 7:30 tonight in Haggin Auditorium. Admission is free.


Tom: So, first, to help us know what to expect when we attend the performance, could you tell us more about the piece? What is its intention?

Craig: Yeah. This is about a 100-minute with no intermission concert linked performance with about 30 singers and 8 instrumentalist. I conduct this piece from the piano and—let’s see, the intention. The name of this piece is Considering Matthew Shepard. And my own purpose, maybe I have a few avenues to mention there, but I think I wanted to bring memory so that we wouldn’t forget Matthew Shepard and his story. And also that we would remember the lessons that we have been learning from his life and his death. I call it a singing meditation where I invite listeners in a performance to experience this work, which as you said, you know, has a variety of musical styles and which is very intentional for me, it’s to invite everyone so that we might be together with almost a communal listening experience for 100 minutes and really contemplate not just this story, but our own journeys in life. And in some ways, people have said it’s kind of a call to return back home to love, to really remembering in our deepest selves what it is to hold each other and love, to love each other, to treat each other well and with great affection and connection. So, it’s a musical framework that kind of serves as a meditation, as an invitation. It’s certainly telling a difficult story on the one hand, but really we often in performing it feel quite connected, and hopeful, and uplifted. It’s a sort of multilevel experience.

Tom: I’m really, curious, Craig, how and when did it occur to you that Matthew’s story could be an appropriate subject for a major musical work like this?

Craig: Well, I mean, my response was really personal and felt like a heart response back in 1998, when Matt was beaten and then when he died five days later. I learned about this from one of the singers in Chanticleer, a group I was the artistic director of at that time. And he shared this news with me and then I learned more of course in the days to follow. And it just pierced me. Like it did so many people around the world. And I knew I felt at that time just an impulse, like I wanna respond to this. I wanna write, whether I write a song or am I gonna create something. So the impulse was very immediate and then it took me a long, long time to become ready to actually do it. So I waited, and waited, and waited in a way maybe kind of wanting to avoid it, you know, and yet it kept calling out to me. And eventually, I said I need do this. It feels like one of the things I’m supposed to express in this life.

Tom: Have you had contact with Matthew’s family and have they heard the piece?

Craig: Yes. Yes. Absolutely. They’ve been incredibly supportive from the beginning. And they have so many requests and they don’t say yes a lot. So to have their blessing has just meant everything to me and they have both heard the work in complete performance. They’ve heard recordings before. But about a year ago, Judy [Matthew’s mother] was in Boston Symphony Hall with us in her first full live performance. And just very recently Dennis [Matthew’s father] was with us, and that was his first full live performance. And we did talk with him, and that was a very moving thing to have him. And a year ago to have Judy in the hall with us, it just shaped our whole performance.


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