Thursday, October 24, 2024
Home Blog Page 15

An In-Depth Look at Darkened Doorsteps

*Trigger Warning: Discussion of sexual assault and suicide is present during this piece and the show*

This weekend, February 24-27th, plunge yourself into the world of Darkened Doorsteps. A play written by Transy junior, Scottie Gussler. I was lucky enough to get an interview with Scottie and talk about the writing process they went through as well as the process of seeing the show go from pen to paper and from paper to performance.

I started by asking Scottie how they went about beginning the writing process for Darkened Doorsteps. Scottie explained to me how they began writing plays in high school and discovered their passion for it. However, with Covid and stress on the rise, inspiration ran dry. 

Over this past summer, however, inspiration struck. Scottie explained to me how writer’s block was never really a problem for them since the show was free-flowing and inspiring. After countless, long nights clacking keyboard keys and spamming the space bar as well as the backspace key, a show was born. This show needed a name however, and Scottie was fresh out of ideas.

Scottie would show the play to close, trusted friends and colleagues looking for constructive criticism. Then, Transy Alumni, Eileen Bunch, read the show and stated after reading, “Don’t darken this doorstep.” An idiom that means that you do not want to see someone ever again. Scottie adapted this idiom and came up with the title, Darkened Doorsteps.

This show is completely student-made and performed. Scottie stated that the Theatre Guild was very helpful in making this show come to life. The show will also include an original soundtrack composed by Tammy Ray ‘23 and Ben Sexton ‘22.

Darkened Doorsteps is a surreal, emotional, captivating, and nostalgic feeling show. The theme of escapism is one of the main focuses the show was designed around. Escapism in the form of being able to leave a world of pain for just one second. This show allows the viewer to find a home in those who have had experiences and are willing to provide guidance to get you back on your feet. Scottie gave a very heartwarming quote, “Never let the harsh winter deter you from making it to summer. There is always more to live for.” Stating that if you are looking for your own escape then come see the show, Darkened Doorsteps.

In closing remarks, Scottie wanted to leave some words of advice for anyone wanting or even thinking of writing their own show: “No idea is a bad idea. It’s what makes your style yours. Draw from other sources but remember to be true to who you are. Send it to others who you trust and get their constructive criticism. And do not be afraid of opposition, everyone has their own opinions. You are allowed to take some critiques and not others. If they don’t help you, pitch them.” Scottie and everyone involved with Darkened Doorsteps are very excited to share this captivating theatre experience with you and can’t wait to see you there.

Showtimes Thursday – Saturday, Feb. 24-26 at 7:30 p.m. Sunday, Feb. 27 at 2 p.m. in Little Theater.

 

The Kissing Tree: Transy’s Most Romantic Tradition

0

It’s that time of year, fellow Pioneers. Love is in the air here on campus, but nowhere more prevalent than at the one and only Kissing Tree.

What is it about this tree that holds such a charm on lovers? Well, it all dates back to an old campus tradition. There was a time when PDA was much more frowned upon, especially by the faculty and staff. Virginia Bell, a Transylvania graduate of the 1944 class, recalls the tree as having “a spirit that gave permission for it to be okay to kiss in public.” Students would use this permission often, making the Kissing Tree a romantic hotspot. Miss Bell added, “The Kissing Tree experience must have worked well. I was married to Wayne Bell for 73 years,” referring to her Transy sweetheart Wayne Bell ‘40.

The tradition of the Kissing Tree is a sweet one, but over time it has lost its significance amongst the student body. As PDA has become more accepted by society, the need to use the kissing tree as a smooch-stop has begun to vanish altogether. 

That didn’t stop Bill Bowden from trying to revive the legend of a beloved landmark. Bill did not attend Transylvania, but Murray State University. He did not have any experience with the Kissing Tree as a student. However, in his time working as publications editor here at Transy from 1997-2013, he inevitably learned about the history of the tree. In 2006, he covered the new bench that was to be placed around the tree. It was during that time that he became a sucker for what the tree represented.

In order to preserve the tradition of the Kissing Tree, Bill pushed for a plaque to be placed by the tree, commemorating its story. Many trees on campus have plaques dedicated to alumni, professors, and other figures that deserved commemoration. However, the Kissing tree was missing any sort of dedication. “The Kissing Tree deserves a plaque,” said Bowden, and decided to make a change. Since he couldn’t receive funding from the school, Bowden paid for and wrote the version of the plaque that still resides by the tree. 

Ben and Chelsea after their graduation, 2015

Bowden’s efforts to preserve this tradition paid off, too. Ben and Chelsea Crosier, class of 2015, ended their first date at the Kissing Tree. The rest was history. They are still together to this day, and the Kissing Tree is still an important landmark of their relationship. They still visit the tree any time they’re on campus! Chelsea recalls part of the tradition being, “If you share your first kiss under the Kissing Tree, you’re destined to get married. It worked for us!” When asked if the Kissing Tree was a good spot for a date, Ben and Chelsea said it was great for sharing coffee, having a kiss, and making memories.

So, lovebirds, as you walk around campus, remember the magic that many have experienced at the kissing tree. Perhaps you can make a memory of your own!

Women’s Basketball Dominating Their Season: A Recap of Their Recent Game Against Manchester

0

Transylvania’s women’s basketball team played Hanover college last Wednesday afternoon. Our bats won that game with a 64-36 score and dominated the court the entire game.

Another game where the women’s basketball team dominated was against Manchester. The Manchester game was scheduled for January 2nd at Manchester but got rescheduled here in our home court.

Our lady Pioneers had full court control of the ball the entire game which helped lead them to a 15 game winning streak for the 2021-2022 season. In the first quarter, they racked up 20 points with Manchester trailing with 11 points.

In the second quarter, the Pioneers were still leading and scored 16 points while Manchester still followed behind with 11. Coming back from halftime into the third quarter, the Pioneers still dominated scoring another 13 points with Manchester still behind.

Finally, we end the game scoring another 15 points, the defense applied pressure this quarter only allowing Manchester to get 4 points.

Our women’s Basketball team has played Manchester 12 times since 2016 and during that stretch we’ve only lost one game. That one game was lost by only 4 points. Apart from that one off-game, our ladies have dominated Manchester winning those other 11 games by at least 15 points.

One of the star players from this game was number 10 Grace Shope, a senior from Leesburg Ohio. In this game, Shope scored our Pioneers 13 points, 4 rebounds, and 1 assist. Our next star player is number 32 Laken Ball, a junior from Beckley, West Virginia. Ball dominated the court with 18 points, 9 rebounds, and 2 assists.

Our Pioneers look like they are on their way to dominating their next game on February 2nd against Franklin College on our home court.

Tickets are always free to students so make sure to keep your eye on their schedule because this is not a team you want to miss.

A New “It’s On Us” Chapter Forms on Campus

0

*A quick disclaimer: trigger warnings for discussion of sexual assault and domestic abuse*

It’s On Us is an organization founded in 2014 as an initiative of the Obama-Biden White House. The mission of this group is to prevent sexual assault as well as to communicate that it is on all of us to have important conversations with one another on serious issues. Because its main target audience is college students, the initiative has presently been rejuvenated at Transy with the group’s sponsorship of a book club.

The It’s On Us book club will be holding meetings on the second Tuesday of every month. The spotlight of these meetings is about the novel, In the Dreamhouse, by Carmen Maria Machado. The book will be given to all members complimentary of joining the club. However, you do not have to join the club to receive a copy of the book. If you would like to read the novel, the It’s On Us book club just ask that you attend at least one meeting. Mainly because the goal of this club is to spread awareness as well as provide education for topics needing to be discussed.

This beautiful memoir follows Carmen, as she recalls her experience in an abusive same-sex relationship. Written in a very poetic way, this piece shines a light on the gremlin of abuse. This astounding piece of literature opens the mind to see that domestic abuse doesn’t just happen between a man and a woman. It can happen to anyone by anyone and that is why such a serious topic must be discussed.

The It’s On Us book club will allow students to openly discuss problems and issues revolving around sexual assault and domestic abuse while also having the necessary resources available to them if need be. One example of these resources will take the form of staff being at each meeting to assist with anything that arises. The book club will meet on the second Tuesday of every month with its first meeting being held on February 8th in the Hearth room located in the campus center. A last little note that I was told to include is that at every meeting there will be mandatory reporters present.

To further elaborate: It’s On Us to make tomorrow better, today.

Coming to Terms with the Closure of Gratz Perk

Welcome back to campus everyone!

I’m sure we are all excited to get back to doing what we all love to do at Transy. Like the in-person classes that we missed so much last year, creating strong relationships with faculty, staff and students, athletic practices, musical rehearsals, getting started on the winter theater production, hanging out with your friends in Gratz Perk… 

Wait, it seems that Gratz Perk will be closed for the entire semester. This closing came with severe disappointment from a lot of students on campus. For me, this means that I will no longer get the chance to see my friends during the day. Gratz Perk was the only place on campus where we could see each other after class and take a breather before our next one. 

I know a lot of people held this ceremony as well. Without that miniature study hall, I would imagine students will have trouble keeping up with their classes, especially if they have trouble doing homework in their dorm and don’t want to venture out in the cold to get to the library after classes or work.

Also, this closure means that there is now no coffee, I repeat, no coffee on the academic side of campus. While I totally understand that our campus is really only about two square blocks, and I’ve found that to walk to the other side takes no more than (on average) 10 minutes from Cowgil to the Campus Center. This is still an inconvenience for those students who have classes back to back and can’t make it to the campus center to grab a cup beforehand. Furthermore, the canned coffees that are intermittently in the vending machines in Cowgil and the Library cost real out-of-pocket money, and are not available in sugar-free options. The Starbucks coffee bottles and cans have about 30 grams of sugar in each, which is about as much as many sodas.

The post in Tnotes says the change is meant to “increase offerings to students and maintain safe distancing because of COVID”. Now I don’t know about you, but it doesn’t make much sense to me, that having us all eat in one building instead of two, would increase distancing. Especially since the seating options in Gratz Perk were a lot more spread out than the little concentration of chairs and tables in the grab-and-go area.

However, on the complete other side of this argument, I am very thankful to now have access to coffee and grab-and-go meals until 10 pm. I am sure this will come in handy for me at many points in the semester. I can’t tell you how many times I’ve needed coffee at 3:05 pm and Gratz Perk had just closed.

The only things that this change really hurts are that there is no longer the cozy coffee shop atmosphere to study and decompress in that we all have come to know and love, there is no way to get coffee on the academic side of campus that does not cost out-of-pocket money (or not full of sugar), and that the remodel that was done at the beginning of the school year has become a bit pointless.

While I am severely disappointed that my favorite place on campus is no longer available to me for my last year at Transy, I suppose the grab-and-go will be an okay compromise. I was just excited to return to my little booth each day and keep on my class – study/lunch – class schedule that I missed so much during our year online. 

Comment below your favorite places to hang out and study on campus, because I’m gonna need a new one.

Review of New Morlan Gallery Exhibit Eco:Flux

This past week, I had the pleasure of visiting the Morlan Art Gallery’s latest art exhibition: “Eco:Flux,” featuring works from an eclectic and talented group of artists, including two faculty members, Transy’s own Zoe Strecker and Anthony Mead.

Upon entry, one is immediately greeted by the dueling sounds of Rowe Moser’s digital video installation, There is a Fault in the System— soothing, serene nature tones, undercut by an increasingly unnerving droning noise bubbling up underneath, like a creeping panic attack. 

In her artist’s statement, Moser briefs us on the chanting techniques of the Gyume monks, suggesting that the droning voices, gongs, wildlife, etc. played over the footage of nature landscapes are meant to lull the viewer into a place of calm, only to be brought out of it by jarring image distortions and pixelations. The message is clear — we are living in what Rowe refers to as a “glitched wasteland.”

There is a Fault in the System, digital video by Rowe Moser 

This just about perfectly sums up what the exhibit is doing as a whole. The Morlan web page describes the work on display here as highlighting “specific issues that are in immediate need of attention,” while others take a more abstract route, laying out “future potentialities that exist on the cusp between science fact and science fiction.” It’s a theme rife with possibilities for an exploration of the dystopian landscape we live in / face living in very soon (and yes, I know it’s cliche to say so).

As far as dystopian landscapes go, no one artist crafted a work as fleshed-out and dystopian as Emily Ritter’s Polyflora 1 – 3. Ritter’s series of meticulously crafted sculptures come with a sci-fi novel background — Ritter describes a “possible future” wherein plastics have fused with organic matter, creating a new hybrid lifeform that has “replaced the life we know today.” These future landscapes pose questions for the viewer about everyday consumption / waste and the role it has on the environment (as well as the role they might play in this overconsumption).    

Polyflora 1 – 3, sculpture series by Emily Ritter

As previously mentioned, gallery director Anthony Mead has also contributed a piece of his own to the exhibit, with his striking wall mural, Planting a garden with Prometheus; tree canopy growth pattern in idealized conditions washed with charcoal and earth. Even without Mead’s direct allusions to Greek Myth, this work could still read as a promethean garden of Eden; an elemental stencil print composed of charcoal, soil and carbonaceous rock meditating on the contextual relationship between human, nature, and fire.

Mead writes in his artist’s statement that the piece’s distinct, repeating orb-like pattern is “influenced by the repetitive forms or patterns found throughout human cultures and natural environments in everything from camouflage, to spirit ritual, to cultural adornment.” It’s a sprawling piece both in physical size and in its array of interconnected themes it seeks to tackle. 

Planting a garden with Prometheus; tree canopy growth pattern in idealized conditions washed with charcoal and earth, stencil print by Anthony Mead

The exhibit will run through February 25th at regular gallery hours (Monday-Friday 12-5 pm) and is free to the public. One can also attend a zoom conference (register here) hosted by featured gallery artist Marilee Salvator on Thursday Feb 17th from 6-7 pm. 

The Untimely Construction on the Steps of Old Morrison: The Senior Perspective and an Interview with President Lewis

0

The 2022 senior class here at Transy has yet to have a year that even hints at normality. With nearly a year and a half online, three different cafeterias, never having a full year with an open campus center (until we began moving off campus), one and a half years without music or theater, two and a half years without study abroad possibilities, a year without a May term, and never mind the detrimental effects of the online year which we all know created real problems connecting with professors and administration. Now, despite our stunted Transy experience, the class of 2022 has apprehensively begun to be excited about graduation, albeit through compulsory rose-colored glasses.

However, in late November, rumors began to circle about upcoming construction on the steps of Old Morrison. This looming construction could mean that the 2022 commencement ceremony may very likely be moved from its traditional place on the steps of Old Morrison.

The class of 2022 has demonstrated its ability to endure many things, but to simply allow the individuals in charge to remove this final rite of passage while feeling justified in doing so, is both a shock and extremely disappointing.

For me, the decision to come to Transy came with a sense of excitement and a promise of adventure. However, it also came with a guarantee of rather severe student debt. But, when you’re 18, student loans seem far away and really only a problem for the college educated versions of ourselves, who we imagine making millions in a passion-filled career. Now that I have reached the end of my time in college, I regret to inform myself that I’m probably not going to be making millions.

The year online brought a lot of misfortunes, one of which is that it put a halt in my search for a discipline I am passionate about. Furthermore, not being on campus also induced the loss of connections to other students. This, along with not having a campus center for half of our freshman and all of our sophomore year, has hurt the “sense of community” Transy boasts. Therefore, you can imagine our sustained disappointment at finding out that our graduation, our final chance to say goodbye to our ragtag nontraditional class, could be altered too.

Graduation does not belong on the steps of Beck or in a campus center the class of 2022 hasn’t known. In addition, the class of 2022 rightfully has hang-ups about the ceremony taking place in front of a big chain-link fence and caution tape even if it were possible to keep graduation near Old Morrison. The inconsistency of the information being provided to students about the timeline is frustrating and simply unfair.

We chose to spend these four years at Transylvania University. Many of us, including myself, have chosen to go into extreme debt just to experience everything that made Transy stand out when choosing a college all those years ago. I want to introduce the caveat that I do not want to come off as some spoiled college student who is just so upset that graduation might be altered. I fully understand, and have seen first hand, that there are factions of our society that were hurt and abandoned much more holistically by the pandemic than a bunch of privileged college students. However, I think it is important that in the realm of our own university our voices and struggles matter. So instead of a juvenile college student, I want to be understood as a severely indebted adult who was shocked at the lack of consideration that came from the administration I chose to guide me through arguably some of the most formative moments in my life, when we asked them to hear us.

While it is true that the steps need some work, the structural issues do not need immediate attention. To the class of 2022, it seems obvious that the construction can and should be postponed until after we have taken our rightful place on the steps of Old Morrison clad in caps and gowns.

The sheer disappointment and anger the seniors are feeling is justified. Therefore, to answer some of our questions and hopefully put our minds at ease, I sat down with President Brien Lewis to learn more about this untimely construction.

Lewis’s office, located on the second floor of Old Morrison, felt prestigious and decadent with its overwhelming presence of chocolate brown surfaces and Transy publications. I was equally as excited as I was nervous to query the head of our university and have our most pressing concerns for graduation cleared up.

My first question aimed to straighten out the timeline on which the construction is running. I felt this was an important starting place amongst the varied information about the projected completion time. President Lewis explained that when arranging the schedule for the project their “overriding imperative [was] to have the Old Morrison front steps ready for graduation. The first question on everyone’s mind was graduation.” President Lewis explained to me that there are many more facets of this construction than meets the eye. In totality, the construction on the steps of Old Morrison will most likely not be finished until July. However, the portion of the construction that would affect the graduation ceremony is on schedule to be finished in time to keep with tradition.

The biggest issue that could affect the timetable of the construction is inclement weather. For this reason, beginning the construction during the coldest part of the year seems like a strange choice.

The administration has also heard our concerns about the alternative locations mentioned, such as the stairs of the Beck Center, the back of the new campus center, or the steps of the Carpenter Academic Center, and have agreed that in the case of inclement weather affecting the timeline, graduation will continue to be held in front of Old Morrison and the construction site will be covered and the space made elegant.

While most of our concerns were answered by this information, I still wanted to learn more about the decision to do the construction now amongst so many other projects and secondly to better understand why our demonstration was so easily ignored.

I learned from President Lewis that the construction on the steps has been a project under consideration for the better part of a decade and while President Lewis has only been a part of two of those years, he was still eager to get the project underway. While I jested that couldn’t they have waited a few more years in order to give the non-traditional classes affected by construction and COVID-19 a traditional graduation, after all, what’s a few more years amongst a decade? I was met with the answer that there would really never be a perfect time. The construction would always either affect graduation, pumpkin mania, or the July 4th concert. While to me, graduation seems a bit more important than a summer concert I have never heard of, I can understand the desire to keep pumpkin mania a priority as it has become a Lexington staple that directs a lot of attention to our university.

Be that as it may, the main reason to not push construction until after the class of 2022’s graduation is that it would be difficult, time consuming, and potentially expensive to rearrange contractors, material, and supply chains. However, in the end, President Lewis did assure me that he understood the plight of current college students saying, “I certainly get that [the current classes have struggled greatly in these unprecedented times], and especially the senior class, has had disruption after disruption after disruption and I am very sensitive to it. I have two kids in college myself … and I’ve been on that journey with them.”

Broadening our viewpoint however, because of all of the other construction sites on campus, it is plausible for someone to wonder how taking on yet another project makes any sense at all. Especially when there are so many other, and arguably more important, buildings on campus that may need work more than steps we hardly use. For example, I’d argue that making the Mitchell Fine Arts Center (MFA) more compliant with the Americans with Disabilities Act (ADA) is more valuable than touching up the steps. It would also be really wonderful to see MFA or the Shearer Art Building get renovated to show the Transy community that we are just as dedicated to the arts as we say we are. MFA and Shearer both are very architecturally interesting buildings that have been neglected and I’d love to see them used to their full potential.

Furthermore, why take on the steps project when construction on Strickland, the 4th st apartments, the Bourbon st. in totality, and Hazelrigg Hall are still under construction? President Lewis explained to me that the decision was warranted because Hazelrigg Hall and the Bourbon st. area are both at a bit of a standstill. They can not proceed without more funding and proper planning. Now, why couldn’t the funds that are being used on the stairs go towards these projects? I’m not sure. However, the Old Morrison steps project has begun and students have once again been faced with one of Transy’s all too familiar trademark construction fence banners, this one, no longer urging us to “pursue bold paths”, but instead features the cheeky slogan “improving our campus one step at a time.” All while the silhouettes of the leftover tape from our protest signs are still vaguely visible behind the thin red banner.

As for beginning construction on MFA in order to make it more ADA compliant, President Lewis assured me that Amber Morgan (Title IX Coordinator) and Deidra Dennie (Vice President for Diversity and Inclusion) have begun a comprehensive disability audit to take inventory of the places on campus that need more attention and thought.

Another point in our collective concern that I was eager to bring up was the sheer lack of attention and so called “sensitivity” that was given to the demonstration held by the student government association (SGA) to have our frustration and opinions of the construction heard. To put this disregard into perspective,
the day of our demonstrationwas the day the construction fence went up. The tone of our protest reflected this frustration, as Dalton Teegarden (SGA senator) mentioned in his address, we feel like children nagging our parents to listen to us when we are the ones they are supposed to care about most.

While I agree with the point made by Teegarden and I remember the collective chuckle I took part in at this comment during his speech, I want to remind all of you of something that I needed reminded of myself: the administration works for us and should have our best interests at heart. It feels so counterintuitive to begin construction now, and not during the summer when students are off campus to allow for at least one year without a construction site obstructing our campus. Ever since rumors began in November, I can not for the life of me figure out the rationale behind this. Through my discussion with PresidentLewis, many of my questions were answered. I understand that they couldn’t change the construction timeline to accommodate our concerns. I just don’t understand why they scheduled it this way in the first place.

When I asked President Lewis how a school like Transy, one that preaches to us to fight for what we believe in and that our opinions matter, could be so blind to these opinions when they are put into practice, he explained how he encourages student voice saying, “I take very seriously the ideas of students and student input. Have I been involved in protests myself? Yes I have!” He goes on, however, to explain how his position makes it difficult toaccommodate only one side of a debate, “where you stand depends on where you sit. If I were a senior I would be expressing those concerns and making sure they are heard. But in my role, I have to factor in everything we have talked about, economic elements, impact on other constituencies, impacts on other events like pumpkin mania, etcetera, etcetera, and try to find the best possible solution.” This brief yet powerful moment in our conversation explained well how the administration is trying to keep with promises of solidarity with the students.

Finishing this portion of our discussion, President Lewis quotes George Bernard Shaw, “the biggest problem in communication is the belief that it has taken place”. To the senior class and to those who stood with us at the demonstration, I’d imagine we’d argue wecommunicated quite thoroughly, yet no one was willing to listen. While in the end, our graduation ceremony should be alright and contingency plans have been put into place to make sure of it, the demonstration and petitioning felt unheard and I think that hurt the morale of the senior students.

I realize the above may seem a bit harsh, but we are only willing to listen to inconsistencies and disregard for so long. President Lewis answered all of my questions thoroughly and thoughtfully and I greatly appreciate that. He also mentioned quite often that his door is always open to a student needing to feel heard. Dialogue and conversation is the best way to move forward on debates according to President Lewis and I have to agree. Thanks to SGA President Lindsey Steffen and all those who helped draft her and President Lewis’ conversation last November, the construction on the steps will not end up affecting our graduation to the point of relocation.

Though I, and those at our demonstration, felt demoralized and juvenilized, our voices were heard and accommodated. Now all we have to do is cross our fingers for sunny skies and no rain this May because after all this I’d be rather disappointed to have our ceremony moved inside. However, I don’t know about you, but at this point, I think I’d rather just get wet.

Transy Alum to Be New York Yankees Hitting Coach

0

There have been many notable alumni throughout Transy’s vast history, from US Senators to actual members of the Lewis and Clark Expedition. However, today I want to recognize perhaps one of the coolest alums yet in our modern history. Our very own Dillon Lawson. 

Dillon Lawson, Transy class of 2007, has officially been named the Director of Hitting and the Major-League Hitting Coach for the New York Yankees. (Like the MLB team with the most World Series wins, the New York Yankees). Since 2018 Lawson has served as the Minor-League Hitting Coordinator for the Yankees’ entire minor-league system in Florida but has recently accepted the position over the major-league team in New York. At Transy, Lawson majored in exercise science and received his Master’s in education with an emphasis on strength and conditioning from Lindenwood University. Since then he’s coached in many university baseball programs including Lindenwood University, Morehead State, Southeast Missouri State, and the University of Missouri. Before and after coaching at the University of Missouri, Lawson was a minor-league coach under the Houston Astros, before officially moving to the Yankees in 2018. 

Lawson is extremely excited to be a part of the Major-League organization and even more excited to be a part of the team that will bring the New York Yankees their 28th World Series Title. Dillon and his wife Amanda were both born and raised in Kentucky and are currently raising their three young boys (ages seven, two, and two months) in Tampa, Florida. Off-season training for all Yankees teams takes place in Florida, meaning they’ll still be living in Florida half the year, but are super excited to spend their summers all together in New York. He believes that this will be a once in a lifetime opportunity for his family and truly can’t wait to be in one of the greatest cities on Earth. 

“Prints Not Dead”: An Interview With Allison Spivey, Editor-in-Chief

Meeting Allison Spivey at Gratz Perk for coffee during the chaos that is finals week, what seemed to be most on her mind was the fate of printed journalism. Perhaps this was because as Editor-in-Chief she’s overseeing a printed version of The Rambler, Transylvania University’s student-run newspaper; and for context, The Rambler went entirely online in 2017. This switch is obviously not just a Transy thing: the internet has been compared to the Printing Press in regard to how it has revolutionized human life. When was the last time you picked up a newspaper and read an article or two from it? If you can answer that question, you’re better than me. Podcasts, online magazines, YouTube, Tik Tok; our senses are bombarded with an endless stream of stimulation. On top of that, we use technology from morning till night. An iPhone (our “pocket-sized God”, as Spivey calls them) even directly contributed to the writing of this article.  Because I was worried about forgetting something important after the interview was over, I recorded the whole thing using the Voice Recorder app. Before the iPhone I would’ve had to use a tape recorder, and before that I would’ve had to learn to take notes fast or in shorthand. Oh, how times have changed! 

If you ask Spivey, the change is not necessarily for the better. “This is just me being a baby,” she tells me, “But I don’t want to look at my phone for too long. It hurts my head. It hurts my eyes. It makes me feel like I’m missing something looking that far down…I like the written word. There’s something final about it. There’s something honest about it. You can’t go back and be like ‘oh, I missed a comma, let me fix it’. I mean, who cares?” Over the course of our conversation, what could not fail to strike you is how much The Rambler means to Spivey. To say The Rambler is important to her would be an understatement. She’s not doing this as a favor to Transy or just to pad her resume. She has found a real passion, and her mission is to spread that passion. “I want to go around and ask ten people I see and eight of them to be like ‘oh yeah, The Rambler.’ I don’t care about the other two. That’s fine. But I just want the majority of students on campus to at least know that we have a paper.” The concern is not unwarranted since the paper currently lacks a certain presence on campus that you would think a student-run newspaper would have at a school with roughly a thousand students. How did we get here and how did Spivey become the person keeping the paper alive?

When Spivey came to Transy in the fall of 2018 she, like freshmen from time immemorial, wanted campus involvement. But not “hav[ing] the money or the means” to join Greek Life and not being “musically inclined or athletic in any way”, writing for The Rambler seemed like the best option and a creative outlet that her high school had lacked. Back then contributors got paid to write their stories and the advisor was a “big New York Times style guy” with strict journalistic standards (Spivey hesitates to use the word “tyranny”). The paper had an important presence on campus, and students kept up to date with it.

“It felt very prestigious when I started,” Spivey recalled, “and it got to my head.” In her sophomore year, she rose in the ranks to News Editor, which at the time was the first step in the common trajectory for someone wanting to become Editor-in-Chief. “It used to be you got to be an editor sophomore year…a copy editor junior year and then you’d be Editor-in-Chief senior year, so I was on the right track.” She was one of the few freshmen to join and stay with the paper that year, so it made sense to think that she might be at the helm one day. But her trajectory would deviate from the norm for as John Lennon says, ‘Life is what happens when you’re making other plans.’ In January and February 2020, a new virus, COVID-19, began to spread, and by March 2020 the World Health Organization declared a global pandemic. As the death toll rose schools closed, businesses shut down, and our lives were driven to a halt. It was one of those moments after which your life is never quite the same afterward. 

Most universities opened up again by the fall of 2020, but it was anything but a normal year. In the hopes of minimizing complications if everything shut down again, Transy’s administration decided to switch out the semester system with the module system. Instead of four classes for around three months, there were two seven-week periods in which the students took two classes. For this reason, the editor at the time, Abby Stone, decided that the paper should take a hiatus. This was not an uncontroversial decision, and to this day Spivey wonders if The Rambler would have kept its readership if the work had continued. But the module system was hard on students and professors alike–it even sparked an organized student protest–so it seemed like the best decision at the time. As the world returned to semi-normalcy by the Fall of 2021 Spivey brought The Rambler back to life. So after a very unexpected detour, Spivey’s trajectory with The Rambler got back on track. 

Now a senior in the class of ‘22 double majoring in Education and Social change and Psychology, Spivey is aiming to usher in a “Rambler Renaissance” and turn The Rambler into a “dorm-hold” name again. Spivey, like a lot of us post-pandemic, is operating on a gnawing sense of lost time. “I don’t know if this is true, but I always felt like the senior class and all the classes affected by Covid–including yours, including everybody else’s–just don’t have that same sense of small campus community that Transy always advertised. And I don’t know if that’s just because they have false advertising and you’re always gonna have your little cliques, or if it’s because we’ve spent years stunted by a pandemic. But for whatever reason, I think it’s important to share student experience, especially in the student-run media.”

Scanning through the archive on the website, the student experience definitely shines through. The various voices and the breadth of subject matters covered in the paper are impressive: everything from baseball superstitions to the importance of mathematics education to theatre, gallery, and food reviews. As well as campus, local, and international news. The Rambler website has articles dating back to August 2016, although you can find older issues on the Kentucky Digital library website or in the special collections section of the university’s library.

Ask Spivey if she’s aiming for a career in journalism, and she seems unsure. “That’s a good question.” She says. “…out of all of my classes all I want to do is work on The Rambler stuff. Whether it’s the layout of the physical copy or writing pieces about student opinions or whatever. I have found a love for journalism, and I would definitely look into a career along those lines. I’ve looked at some grad programs at different schools and they’re all really fascinating except they tend to require a journalism major in undergrad. I just wish I wasn’t living in a time where everything is Buzzfeed…[But] Print’s not dead, and I hate that people think it could be…” Spivey’s voice trails off. But the passion quickly resurfaces. “Yeah, okay, I’m gonna be a journalist. I am.” 

For now, at least being Editor-in-Chief at The Rambler will suffice, and Spivey is already bubbling with ideas. “My main focus next semester [will be] an app. We need a way for someone to just click on it and [have it] pop up. They need to get notifications that a story was posted.” 

“Using technology to help rather than hurt!” I replied. It’s a clever idea. Build up a digital readership, and then maybe a printed version would be more viable. But as always, the question of money comes up. The paper would need more members. Someone for layout, someone for copyediting, someone for stocking the paper all across campus, and not to mention the expenses. And the Rambler would need more stories to fill a physical copy each week. The goal just seems to get more and more complex the longer you think about it. 

Having said that, The Rambler may not be what it was, but things are looking up. “You know, not to toot my own horn but the Rambler began this year as just myself,” Spivey explains with (in my opinion) undo modesty. “And now we have almost fifteen writers which is awesome. And if we could end next semester with twenty and go into next year with twenty and then by the end of that year have twenty-five. And then we could have stories posted at least three times a week!” This is what she wants to leave behind after graduation. Only time will tell. But regardless, on behalf of all the staff at The Rambler and on behalf of all people who would rather read a book bought from a second-hand bookstore than on a Kindle I want to say to Allison Spivey thank you.

Review of Reflection Refraction Reaction

After recent events in Texas, this reviewer has been nervous about what the future holds for women in this country, not to mention minorities and LGBTQ+ individuals. Morlan Gallery’s current exhibition Reflection Refraction Reaction is a celebration of womanhood, femininity, and queerness that couldn’t come at a better time. 

Visitors to Morlan are greeted by a pink wall with white text that introduces the artists
(Courtney Kessel, Cayla Skillin-Brauchle, and Danielle Wyckoff) and the vision for the exhibit: “…the artists offer exhibition participants moments of consideration and conversation, moments of directional shifts, and moments mutual action to create something new: reflection, refraction, reaction.” In addition to the forward facing wall, two pink walls flank the double glass doors, mimicking certain aspects of female anatomy that suggest the viewer is entering a womb. Once inside, the viewer is invited to sit and peruse a wall of zines that are housed in the “Reproductive Media Zine Library” The space also features fragmented pieces of clothing bearing phrases such as, “If you like it, then its [sic] stylish.” The entire piece is Reproductive Media’s Mobile Zine Library by Danielle C. Wyckhoff and Cayla Skillin-Brauchle.

Featured throughout the gallery are several copper wire mobiles, whose skeletal forms are eerie, yet nostalgic for a bygone childhood. I Put a Spell on You (Fertility) by Courtney Kessel features dried fruit, sage bones, citrine, and a glittery condom, because who doesn’t need a little sparkle in their love life? Moving around the corner, the viewer encounters a collaborative performance short film by Courtney Kessel, Natailie Wetzel, Josephine Wyckoff-Lareau, and Danielle C. Wyckoff. The piece is composed of layered videos of the artists and their children walking across a yard. The scene is a relatively normal one. There is a pickup truck and a swing set in the background, but the double imaging of the film creates something less than a comforting vision of suburban family life. Not to mention the pregnant belly and breast mold one of the artists holds against her body. This reviewer always enjoys Morlan’s films, and Le Streghe (the witches) was no exception. 

My favorite piece is an installation by Courtney Kessel entitled Enchante. It is centered in the back of the gallery, and features a fascinating conglomeration of materials, each of which gives the piece texture and reflection (literally, there are rainbows and stencils of light on the wall). The sculpture emanates these shards and slices of intangibility from reflective objects, including a disco ball, aluminum foil, and a mirror. The impermanence of the reflections ties the piece together, and by extension, the exhibit as a whole. 

The other notable installation takes on the appearance of a ghostly grotto, called Mirror Pools. It is by far the most interactive piece in the gallery, as the viewer can essentially become part of the art. Standing outside or inside provides a different perspective on belonging and connection. The delicate wires and draping of pink is a fitting exit from the womb of Reflection Refraction Reaction, sending visitors out with enough mysticism and femininity to last until someone else hangs a glittery condom from a wire.

Weather

Lexington
clear sky
66.2 ° F
68 °
63.8 °
41 %
1.9mph
0 %
Thu
66 °
Fri
76 °
Sat
68 °
Sun
59 °
Mon
71 °