Nothing But Thieves returned to the indie rock scene with sophomore album Broken Machine, containing consistent and enticing guitar and vocal surges and lyrics that may reflect the consciousness of both the band and their listeners.
The band, consisting of singer Conor Mason, guitarist Joe Langridge-Brown, guitarist Dominic Craik, bassist Philip Blake, and drummer James Price, appeared in 2015 with their self titled debut album. Their single “Trip Switch” earned a number one spot on Billboard’s Alternative Songs Chart, and gathered over 26 million plays on Spotify.
In September of 2017, Nothing But Thieves returned with Broken Machine, similar to their first album in its heavy, saturated guitar presence and rippling vocals. Broken Machine, however, is consistent not only in sound but in meaning; the album was stitched with intention, rather than their debut which acted as a sculpting piece into the alternative rock genre.
Most prominently in Broken Machine, Mason’s vocals carve through the firm guitar presence and riffs from both Langridge-Brown and Craik; often switching between soft isolation, with Mason’s rooted and smooth voice dominating the audio, and billowing screams concurrent with the guitar and drums.
“It’s Not Made By Design” encompasses these vocal transitions, with Mason’s rippling voice resonating past the music. The album’s top hits “Amsterdam” and “Sorry” follow the same suit, though an acoustic version of “Sorry” is included towards the end of the deluxe album that is far superior to its earlier counterpart; the acoustic highlights Mason’s voice in a romantic and mesmerizing fashion, contrasting the clean vocals that exist simultaneous with the instruments in the standard set of the track.
The same set up occurs in “Particles,” which has a piano version that concludes the album. The piano’s presence is simple and sets up a balancing act with Mason’s voice, which vibrates either between or above the chords. Mason truly extends his vocal reach in the piano version and bridges the longing and desperation present in the lyrics with his execution.
Broken Machine is connected track by track through a suture of emotion that seemingly reflects Mason’s fragmented self awareness, as if he is a broken machine. “Particles” hints at this theme: “And I’m a shadow of a ghost / It’s feeling as if somebody has taken host /Babe, I don’t wanna make a scene / But I get self-destructive / And it’s driving you away.” Other lyrics reference this awareness, though becomes depressive, such as in “Soda:” “I don’t wanna be myself / Just wanna be someone else.”
Nothing But Thieves also exposes their global consciousness. From an interview on The Independent with Nothing But Thieves, Langridge-Brown included that “‘All the songs on the album are things that we’ve gone through or spoken about: Trump, religion, bigotry…’”
This is evident in “Reset Me,” which demonstrates a critical paranoia of American politics: “Don’t you dare protest / Red and white and blue / We’ll look after you / ‘Cause we know what’s best.” Similarly, “Live Like Animals” presents societal commentary, claiming “The TV tells us to be scared / We’d make a difference if we cared / We put our lives all up for sale / We get our truth in the Daily Mail.”
Broken Machine peaked at #46 on Billboard’s Top Rock Album Chart the week it was released, and Nothing But Thieves total monthly listeners on Spotify has grown to 2,300,007, a significant shift resulting from their evolving respect in the alternative/indie rock genre.
Their second album marked a shift in Nothing But Thieves, not in quality, but in craft. Broken Machine is fastened with resounding vocals, crisp and growling guitar riffs, and an established theme of crippled humanity that captivated listeners and critics into stable consumption of their music.
The lack of gender-neutral bathrooms on campus is unacceptable. Here’s why.
I’m sure we’ve all been in that situation at one point or another: you’re going along your daily business, shopping, going to class, or a meeting when all of a sudden you realize you have to go to the bathroom. You look around; you’re sure you remembered a bathroom around here somewhere. You wander around for what feels like hours, and finally, you find a toilet, only to have the sign on the door advertise the wrong gender.
For me, that’s every toilet. See, I’m agender, meaning I’m neither a man nor a woman. I don’t have a gender, and I don’t feel comfortable in gendered spaces such as bathrooms. Every day, I make sure to keep a mental map of all the gender neutral bathrooms on campus; it’s much easier than one might think. There are only two of them. Neither restroom is very easy to find, tucked into corners that no one goes to. There’s one on the first floor of BSC, all the way at the end of the hallway, past the door to Cowgill. It’s a unisex bathroom, a red door with a yellow laminated paper sign saying “lock the door for your privacy” which I always do. It’s generally a nice bathroom, two stalls, two urinals, two hand sinks. This is the only bathroom on campus I’m comfortable using outside of my own dorm room’s bathroom. The issue all comes down to accessibility. If you suffer from poor mobility then you are provided with things like washing facilities such as AHM wet rooms that can accommodate you. For people who are agender, the same principles of accommodation seem non-existent.
Just last week, I actually found a second gender-neutral bathroom on campus, this one in Beck. The third floor of Beck is the track, and in the turn with the exercise bikes, there’s a little cubbyhole with two water fountains and a door for the stairs. There is also a door marked with the little triangle people, point at the top for women, point at the bottom for men. I haven’t had the opportunity to use this restroom so I can’t speculate on the quality of it, other than the door, which looks more like a storage closet than a room I’d want to enter. There was a gender-neutral bathroom in Haupt, and I am sincerely hoping that remains the case with the new Carpenter Academic Center and every other building that we renovate or build from here out.
I have had many people ask me “what’s the big deal about bathrooms? Just use the one you feel more comfortable in.” For most people (almost all of them cisgender people), using the bathroom is just that easy. For trans people, it’s a much different story. As a trans person, so much thought goes into which bathroom you should use: how well you pass as the gender marked on the bathroom door, what other people could be in the bathroom, how friendly the people outside seem, what time of day it is, how badly you actually have to use the bathroom and whether or not you could actually make it home without using the bathroom here.
As a non-binary person (someone outside the gender binary of man and woman), I almost never see a bathroom that matches with my gender identity. On more than one occasion, I’ve had people ask me, directly after I came out to them as non-binary, where I use the restroom. I tell them I will only use a gender neutral or unisex bathroom. Apparently, that’s not an acceptable answer as many will then ask me which bathroom I use if there isn’t a gender-neutral bathroom. If there isn’t a gender-neutral bathroom, I don’t go to the bathroom. Which often leads to me being uncomfortable for much of the day and has lead to some medical consequences in the past too.
To me, that’s unacceptable. There are two bathrooms on this campus that I am comfortable using. And one of them is in my own dorm room. I deserve at least one public, gender-neutral bathroom in every building. I deserve access to spaces where I feel comfortable and safe.