Saturday, March 22, 2025
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Presidential Candidate Introduction: Mark Sirianno


Managing Editor Aaron Martin interviews SGA Presidential Candidate Mark Sirianno to introduce him to the voters. All three candidates will participate in a debate at 7:30 PM on April 10th. The debate will be held in the Campus Center. Voting will take place from April 12th to April 13th. Read The Rambler’s full coverage here.

Presidential Candidate Introduction: Jocelyn Lucero


Managing Editor Aaron Martin interviews SGA Presidential Candidate Jocelyn Lucero to introduce her to the voters. All three candidates will participate in a debate at 7:30 PM on April 10th. The debate will be held in the Campus Center. Voting will take place from April 12th to April 13th. Read The Rambler’s full coverage here.

Presidential Candidate Introduction: Shelby Lewis


Managing Editor Aaron Martin interviews SGA Presidential Candidate Shelby Lewis to introduce her to the voters. All three candidates will participate in a debate at 7:30 PM on April 10th. The debate will be held in the Campus Center. Voting will take place from April 12th to April 13th. Read The Rambler’s full coverage here.

Cali to Kentucky: the Digital Liberal Arts Initiative at Transy

Several weeks ago on Thursday March 22nd, there was a rather exciting presentation in Cowgill that could impact the future of digital liberal arts on our campus.

This presentation was given by Dr. Jacob Sargent and Dr. Christopher Gillman from Occidental College in Los Angeles, California, whose notable alumni include former President of the United States Barack Obama and Hollywood actor Ben Affleck.

The presentation given by the two professors from Occidental was more geared towards faculty than students, but it was nevertheless fascinating. It presented ideas to the Transy faculty members on how they can integrate digital media into their classrooms to revitalize interest in the humanities.

Over the two days they were here at Transy, the professors met with faculty members in the digital arts and media and music technology department, faculty in the computer science department, library staff, and the IT department; they also toured spaces on campus and took part in more activities.

They discussed several changes they’ve implemented at Occidental in recent years, such as the renovation of Johnson Hall. It was re-opened in 2013 after undergoing a similar transition/renovation as Haupt Humanities here on campus has. The re-dedication of Johnson Hall came in 2014 when it then became The Mckinnon Center for Global Affairs, (just like Haupt is becoming The Carpenter Center). This renovation included the installation of a media wall that has won several awards in architecture and display technology.

Occidental College created a critical making studio that helps students think about the technology in our world and helps them cultivate creativity with technology such as an audio booth, 3D printer, cameras, and even Occidental’s own student record label.

The digital arts initiative comes from the desire to integrate digital literacy into the liberal arts curriculum in order to make it more contemporary and to maximize the resources we already have to help students get the most value out of their education here at Transy. Dr. Sargent and Dr. Gillman said that we can hook digital arts to our strengths and values as a school, like connecting the library to digital arts and media and re-vamping digital arts  programs like music technology, business technology, and computer science, to name only a few.

While this is just one example, they had many ideas for how we could integrate digital liberal arts into our curriculum as a whole and how it would benefit students in the future, as well as how we can set examples for other schools in the process. This initiative could provide not only students and professors with more creative freedom for collaboration, but it could also benefit the surrounding community.

We looked into accessibility on campus. Here’s what we found.

Housing Selection for the 2018-2019 academic year wrapped up last Thursday. In advance of Housing Selection, Transylvania University disclosed to students that several of the buildings available for upperclassmen were not accessible under the standards set by the Americans with Disabilities Act (ADA). Following this disclosure, The Rambler began an investigation into the state of accessibility on Transy’s campus. Here’s what we found.


Four campus housing options offered for the 2018-19 year and at least one academic building are largely wheelchair inaccessible.

Private colleges and universities, like other public accommodations, fall under Title III of the Americans with Disabilities Act (ADA) and are subject to the ADA Standards for Accessible Design, a set of regulations created by the Justice Department that enforce the ADA. These Standards govern the construction of buildings to ensure that they remain accessible to people with differing physical abilities. If you are interested in making your bathroom accessible you could take a look into ahminstallations.co.uk to find out more.

The Standards require that Title III residential buildings, like the Transylvania dorms, set aside at least some units as fully accessible spaces. This accessibility requirement is laid out in a set of rules governing shower design, handrail placement, kitchen clearance to allow a wheelchair’s full turning radius, countertop height, and so on. Last updated in 2010, the Standards require that a building be brought into compliance whenever a building permit is sought for new construction or major alterations, though there are cost-containment measures that prevent minor renovations from triggering disproportionate costs. Some accessibility measures can be as simple (yet effective) as ADA Signs which are beneficial for those with visual impairments.

Transylvania University is offering four housing options for the 2018-2019 academic year that are non-compliant with the ADA. These are Hazelrigg Hall, the 338 N. Upper Street House, and both buildings of the Fourth Street Apartments.

Any building built after 1990, the year the ADA took effect, is legally required to abide by the Standards. All four of the non-compliant buildings were built prior to 1990, and no renovations have since been completed that triggered the compliance requirement. Although these older buildings do not violate the law, they remain largely inaccessible to wheelchair users and others whose needs are addressed by the ADA.

Fourth Street’s Doubles cannot be accessed except by stairs, so they do not have any rooms that could be entered by a wheelchair user.

The staircases to the Fourth Street Apartments. These staircases are the only route to access the apartments. (Photo by Rebecca Blankenship)

The Fourth Street Singles’ ground floor units each have a step up from the sidewalk.

The Fourth Street Apartments’ lot has no handicap spaces. The Rambler’s best effort to capture in one frame both the front of the Fourth Street Doubles and the nearest handicap spaces, present in an adjacent lot, rendered those handicap spaces barely visible. Traveling from those spaces to the building requires maneuvering across a parking lot, around a grassy area, and then to a building accessible only by stairs.

The Fourth Street parking lot. Handicap spaces are at left, in the background. (Photo by Rebecca Blankenship)

Constructed in 1960, Hazelrigg Hall is a four-story building without an elevator. Under the Standards, buildings three stories or higher require an elevator. The parking zone H, reserved for that building, has only one handicap space and no loading zone.

Physical Plant Director Darrell Banks stated that the re-paving of the Hazelrigg/Mitchell Fine Arts parking lot that took place this summer was conducted jointly with the City of Lexington and did not trigger the ADA’s requirement to provide additional handicap spaces or spaces with loading zones. No new handicap spaces were added to the Hazelrigg lot during re-paving.

While the Carpenter Academic Center is being completed, Hazelrigg is being used to house faculty offices. Wheelchair users are unable to access the building except from a side door fitted with a ramp, and even then they can access only the first floor.

The first floor houses an adapted “accessible student space” where professors with offices on the second or third floors could meet with wheelchair users.

The Accessible Student Space on the first floor of Hazelrigg. (Photo by Rebecca Blankenship)

Built in 1910, the 338 N. Upper Street House has no handicap spaces and no accessible bathrooms. Its second floor is reachable only by stairs.

When asked for comment on this article, Residence Life Director Kevin Fisher stated that Residence Life is “committed to making buildings accessible to all of our students. As we’ve constructed new facilities on campus, an important factor has been to ensure both rooms and common spaces were accessible. We continue to work on making changes in older campus buildings as we are able to do so.”

When asked whether the University has any specific plan to increase accessibility, Fisher replied that Residence Life was “busily preparing for tonight’s room selection and would be happy to talk more next week.”

We’ll update this story if the university offers further comments.


In a performance art piece designed to illuminate the unique difficulties of life in a wheelchair, student Teddy Salazar (’17) voluntarily had her leg placed in a cast and attempted to navigate campus for a week. Salazar shared her experience with The Rambler.

Salazar wrote of campus academic buildings that the “maintenance of handicap accessible doors” was a serious issue. She related that “for most of the time I was in my wheelchair the automatic door opener [in Shearer] was not working,” and that she had the same problem getting into Old Morrison.

Academic buildings need to be built in a way that ensures that disabled people can enter and exit easily. One of the best ways to do this is via installing automatic doors. You can learn more about automatic doors on this Calgary Automatic Door website.

“If you do have a physical disability or even an injury, the time it takes to navigate campus can be double sometimes just because of how you need to get from one place to the other.”

“One point I want to make clear is that Transy does not have a lot of students with permanent physical disabilities,” Salazar observed. “If a [prospective] student with disabilities comes to campus, it is clear by the way the campus is constructed, and the lack of care that is taken to maintenance the automatic doors (at least in the time I was going to school there) that the school is not making its focus the disabled community.”

Businesses can show their commitment to making their premises’ accessibility more friendly to those with disabilities by also looking into the options available at places like the Industrial Door Company – an automatic door is a simple solution but one that will benefit large parts of the community and show them that you care about their patronage.

Above: A Transylvania University Facebook post highlighting Salazar’s other work around accessibility.

Despite its elevator and rear-exterior ramp, the Mitchell Fine Arts building is not fully accessible. Stairs present in the middle of each level prevent the unimpeded travel of wheelchairs from one side of the building to the other.

First floor even-numbered classrooms and offices are reachable only via the Morlan Gallery ramp, not by elevator. If a wheelchair user wanted to travel from the Rafskeller to an even-numbered first floor classroom, they would need to exit the building via elevator, cross the parking lot, and ascend the ramp.

Second floor even-numbered classrooms and faculty offices, which house Professors Goodman, Strecker, Hauman, and others, are not reachable by wheelchair at all.

These stairs are approximately three feet in height – significant for a wheelchair to clear. Wheelchair users would need to ascend these on one side and descend them on the other, and no ramps are present as alternatives. (Photo by Rebecca Blankenship)

In January of 2018, section 508 of the Rehabilitation Act of 1973 began applying to college websites. It dictates standards for Web content accessibility, such as display of text explanations for users who have opted not to load images, standards of color differentiation from page backgrounds, and full page navigability from a keyboard alone.

Failure to comply with these regulations can carry severe penalties, and complaints are investigated by the U.S. Department of Education’s Office of Civil Rights.

A Rambler investigation found that Transylvania’s website is fully compliant with the Web Content Accessibility Guidelines, and IT Helpdesk stated that they “have not received any complaints” about the web format, even though the regulations just took effect a short time ago.

A Rambler editorial from 1988 raised questions of accessibility on campus thirty years ago. (From The Rambler’s archives. Scan by Rebecca Blankenship)

But changes to the physical campus have proven slow to come. A Rambler editorial printed in January 1988 calls for better accessibility to Mitchell Fine Arts.

At that time, a makeshift ramp had been installed to render part of the first floor accessible from the back stairs. The ramp has been removed, but the problems of accessibility remain.

Rambler Playlist & Blog April 6th: Music and Arts Edition

Welcome to the week before finals, when everything is shambly and nothing is for certain. We’re hanging on with less than an inch of our sanity. The playlist I have put together for the week reflects our will/drive to power through and stay on the Transy grind. Hopefully it’ll get you pumped up for finals week and ready to finesse all the papers, exams, and projects.

Since this is the Music and Arts Edition, the list of events this week is pretty lengthy but they’re all worth attending!

Art by Moira Hedrick

Don’t forget to come see the TU Choirs and Orchestra concert Friday April 6th at 7:30 PM in Haggin Auditorium presenting Mozart’s Coronation Mass! This concert will feature Transy alumni from choir and professional vocalists as well as instrumentalists alongside current Transy music students. This is one concert you won’t wanna miss! Be there or be square.

Monday April 9th will be the opening of the newest exhibit in Mitchell Fine Arts’ Morlan Gallery, Agnosiophobia: The Fear of Not Knowing which is a Senior Thesis Exhibition by Jessica Chandler, Claire Gardner, Annelisa Hermosilla, Samantha Klintworth and Poppy Liu. Come out and support Transy’s talented art students and appreciate their hard work!

In honor of GSR season, we have another one on April 10th at 12:30 PM in Mitchell Fine Arts’ Carrick Theater. Come support your fellow music students! (PS— I’ll be performing in this GSR so feel free to stop by and say hi).

Art by Moira Hedrick

Another fun music event on campus in the coming week is TU’s Jazz ensembles concert in the Old Morrison Chapel at 7:30 PM! Who doesn’t love some jazz? Be sure to come hear some smooth tunes and as I always say, support your fellow music students! If you don’t know where the chapel is, go up the daunting set of never-ending stairs that sit in front of Old Morrison, walk through the double doors, and you will see the chapel straight ahead. If the doors happen to be locked, try another side door and just go up one of the staircases until you reach the top floor. Walk around until you find the chapel.

An opportunity to expand your musical horizons comes next Wednesday April 11th at 7:30 PM in Mitchell Fine Arts’ Carrick Theater! There will be an event called World Voices Event: George Wakim, Evening of Arabic Music. I couldn’t find much information about this event which makes it that much more intriguing. If you’re looking for something interesting and fun to do, be sure to check out this free event next week.

The last GSR will be next Thursday April 12th at 12:30 PM in Mitchell Fine Arts’ Carrick Theater. If you still haven’t been to one and want to see what it’s all about or (more honestly) need some concert credit, this is your last opportunity!

The final music event of the week is an exciting one next Thursday April 12th at 7:30 PM in Mitchell Fine Arts’ Carrick Theater, with TU’s Opera and Musical Theater Workshop students presenting a show of everything they’ve been working on this semester! It will include some fun costumes and lots of talent so be sure to check it out!

All of these music events are free and open to TU students and the public.

Art by Moira Hedrick

This is why you couldn’t get into the Shearer Art building on Tuesday.

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At approximately 12:30, a construction vehicle hit a gas line on West 4th Street, directly in front of Shearer Art Building. Though the gas line was not connected to any surrounding Transy buildings, the Shearer Art Building was evacuated as a precaution for the safety of students and staff. The building was cleared by the local fire department, and no threat has been posed to the Beck Center or the Mitchell Fine Arts building. Classes in Shearer have been canceled for the rest of the day.

Senior Jessica Chandler was in her Studio Art Senior Seminar class when the gas line broke. “We were moving our art from the student gallery to the Morlan Gallery. We weren’t in danger or anything. They redirected us across the street,” said Chandler. “A construction worker said ‘Hey, you guys aren’t smoking, right?’ He just wanted to make sure we didn’t start a fire or something with gas in the air.”

Columbia Gas of Kentucky is currently repairing the gas line. Risa Richardson, a Communications Specialist at Columbia Gas of Kentucky, commented on behalf of the workers on the scene. “We have a damaged line, our crews are repairing there. They had to shut down the corner of North Broadway to North Upper and North Upper to Main [Street],” said Richardson.

Students who have vehicles parked in the area and need to access them are being directed to a common exit towards North Upper Street. The surrounding roads will be closed until the gas line and road is repaired. However, the time until repairs are completed is unknown.

Update: The T-alert enacted earlier has been canceled. The area is clear for students.

20 Questions: Kevin Fisher, Director of Residence Life


Every Monday, the Rambler will release a 20 Questions Video. This series will feature a different staff member each week and we hope will allow the campus community to learn more about and feel more connected with our unique staff. This week’s video features Director of Residence Life Kevin Fisher.  

Under the Gun: I dreamed last night I dreamed

And in that sleep, the world was burning
under golden flare of paper. Ink ran in shimmering tears,
rivulets of past sorrows melting upwards in soft gray smoke,
rising endlessly into star spangled night sky whose
moon watches mournfully through pockmarked skin.
Shiny metal trumps shiny hardbacks because knowledge is the
true threat here don’t you know that?
I heard you call to me from the other side of the ethereal bonfire
and I heard the distant cries of Seuss and Silverstein and Sexton
and the coughing of trees in the distant as their kin burned
to blackened crisp.
I stop somewhere, waiting for you. Or perhaps this time,
I keep walking.

Laura Daley


This piece is part of Under the Gun, a Rambler feature series on gun control & gun culture in the wake of mass shootings and the March for Our Lives. Read the other parts of the series here.

Under the Gun: Here’s what I think about when I think about guns.

I remember the first time I thought I was going to be shot. I had come to school late that day, so I didn’t hear the announcement over the intercom. I didn’t realize that it was just another one of the seemingly endless drills we always did at the start of the school year. Fire drills, earthquake drills, for some reason tornado drills, and drills for when someone might burst into the classroom and shoot us while we hid in cupboards and closets. I was prepared—for what, I don’t know. I was only thirteen, so a vision of jumping up and tackling the gunman, playing the hero, flashed briefly through my head. I think I knew, though, that all I’d do was huddle under a desk and wait to die.

Most Scouts learn at least the basics of rifle shooting. (Photo courtesy of Wikimedia Commons)

I remember the first time I shot a gun. I was eight years old, at a Cub Scout camp. We—the kids—got a choice between rowing out onto the lake or learning how to shoot a BB gun. We even got to use an airsoft mask for safety. Naturally, all of us boys immediately decided that we were never going to row crew.

I remember the Scout master making a big deal of holding the rifle correctly as it was the most powerful pellet gun. The kick was apparently very dangerous—if we weren’t careful, the butt of the rifle could pop up and break our nose. But I remember shooting for the first time and how easy it was. Hold the barrel steady, line up the tiny iron sights, exhale, and pull the trigger. I didn’t even have to wait for the satisfying hole in the paper target to appear. I could be really good at this, I thought, in the way that eight-year-olds think they can be good at anything.

None of my friends have ever been shot. I’ve never had to hold someone in my arms as they bled out onto the sidewalk. Nobody has ever pointed a gun at me and squeezed the trigger. I’ve never been rushed to the hospital with a breath mask on my face and a tourniquet holding my leg on as blood spills onto the floor of an ambulance.

People like me, who went to good middle class schools and lived in pleasant enough suburbs and have had ordinary, unremarkable lives—most of our experiences with guns are either through a video game or from something like a Scout camp. We get to be the ones shooting, tallying up our skill and precision and our feelings of power by counting the holes we put in a paper target.

The other side of our experiences is easier for us to push away. It’s pictures on the TV or posts online. Most of the time they don’t even show what the aftermath of a shooting looks like; it gets sanitized. The news shows pictures of sobbing survivors and closed caskets, and it’s easy to think that it’s not a real problem. It’s just the news; it happens to other people.

My grandparents’ generation practiced hiding under their desks in the event of a nuclear war. In my generation, over 150,000 kids have actually been exposed to a school shooting since Columbine. (Photo courtesy of Wikimedia Commons)

In other ways, though, we’re all under the gun. Young people, my generation, have spent the last twenty years practicing for when someone will burst into their classroom and try to kill them. We’ve seen video after video of police, the so-called good guys with guns, use them to execute innocent black men and women. And children. We know, we’ve known since we could remember, that any one of us could be shot; some of us have practically expected it to happen to one of us, sooner or later.

We pretend that it’s something we can control or fight back against. We maintain for ourselves the illusion that we’re in control of the violence or that it doesn’t really affect us. We play video games where we can customize our light machine guns and kill our friends’ avatars over and over across dozens of digital battlefields. It doesn’t matter; it’s just a game. And we can control it. This game of control, of maintaining the illusion that real life is as consequence-free as a game, is ridiculous when it’s explicit. And yet it saturates our young lives as surely as the real danger of getting shot.

Some of us take the illusion even further. Some of us tell ourselves that the weekend training course in self defense, and the little pistol we carry in our handbag, is enough to protect us. Some of us believe that. Ignore the statistics, the ones that tell you you’re the likeliest to get shot with your own gun. After all, you’re safe, you’re careful. Not like those other people, those stupid people, who got themselves shot. That won’t happen to you.

It probably won’t. Most of us are never going to be shot or even be shot at. But all of us know, deep down, we could be. And we know there’s not a damn thing any of us can do to stop it. Except, maybe, march. Except, maybe, call your Congressman, he’ll listen to you. Except, maybe, if you campaign, and protest, and vote. Maybe if we create some political danger of our own, we can do something about the endless looming danger of the barrel and the bullet. We’ve lived under the gun for long enough.


This piece is part of Under the Gun, a Rambler feature series on gun control & gun culture in the wake of mass shootings and the March for Our Lives. Read the other parts of the series here.

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