Thursday, February 12, 2026
Home Blog Page 49

Safe Views: Annie Stauffer on mental & emotional dangers

This guest column is a part of our Safe Views series, where Transy students share their views on how they feel safe, and unsafe, on Transy’s campus. Student writers responded to the question, “Do you feel safe on Transy’s campus?” and they approached that question from a variety of perspectives and viewpoints. This guest column is written by first-year Annie Stauffer. (Disclosure: Ms. Stauffer also writes for The Rambler as a staff contributor). 


Safety on college campuses is something every student wants, but often doubts is realistic. For most students, it is their first time living on their own. Moving away from home and being placed into a new setting can make one feel anxious and scared. These emotions are heightened because of the risks of danger so commonly seen taking place on college campuses across the country. However, Transy offers something very unique in the way of safety–a tight-knit community where everyone knows everyone. With this community oriented environment, Transy creates a more comforting approach to on-campus safety and slightly diminishes the stereotypical college experience.

Safety on college campuses, especially for women, is a very large concern. Statistics say that one in five women are sexually assaulted on college campuses. This ratio is quite disturbing and leaves many women feeling on edge just walking to classes or walking to their cars. In a way, it strips people of their independence, which is highly unjust. Since Transy is a smaller university, there is a better chance of knowing the person that is walking behind you or living across the hall from you. Although I believe this level of comfort contributes to Transy’s safety, I do not believe it fixes the looming problem of feeling unsafe. This trusting, comfortable environment Transy provides makes it tempting to not pay attention to your surroundings and to get stuck in a dangerous situation you never dreamed you would be in.

Along with physical danger being a concern, there is also emotional endangerment that appears on college campuses. Being surrounded by your peers twenty-four/seven can be exhausting, especially for introverted people. It can also narrow your scope and shape your mind into processing thought in only one way–the process all your peers have. Smaller campuses often create an atmosphere so united that people get stuck in the status-quo even if it goes against their beliefs or wants. This can cause severe emotional damage and loss of identity. Transy’s academics offer the platform for a variety of students to share their differing opinions on important topics in the world. However, does this approach and encouragement of diversity spread itself throughout student’s social interactions on campus as well?

Mental danger is a growing concern on campuses too. Being bogged down with homework assignments involving presentations, essays, worksheets, and assigned readings along with extracurricular activities, having a healthy social life, and going through the difficulties of living on your own for the first time is a lot for one person to handle. This amount of stress does not give students a fair shot to succeed highly in each realm. When you have a single toe dipped in each of these categories, the likelihood of being extraordinary in each one is very slim. This creates the mindset in many students that they are failing when they are simply human beings trying to do the best they can.

Transy does create a unified on-campus experience that allows students to feel a bit safer in a culture where danger on collegiate campuses is a normal fear. However, this unity does not cancel out the stifling fact that many students feel they are in physical, emotional, and mental danger on college campuses. Transy does its best to provide a safe, comforting environment for all students, but it is still a university that is prone to these dangers just like any other campus. Although I consider Transy my new home filled with many people I care about, I cannot help but to still feel this quiet sense of worry I must carry around with me everyday because I am on a college campus.

Safe Views: Alexa Valarezo on microaggressions

This guest column is a part of our Safe Views series, where Transy students share their views on how they feel safe, and unsafe, on Transy’s campus. Student writers responded to the question, “Do you feel safe on Transy’s campus?” and they approached that question from a variety of perspectives and viewpoints. This guest column is written by sophomore Alexa Valarezo. 


It’s my sophomore year here, and I can’t really tell you that I feel safe here. Maybe I’m in the wrong. Yes, we have a new crosswalk and signs up on how to conquer it, but me not getting hit by a car doesn’t take into account the emotional weight that comes with being at Transy. The world around us is full of violence and hatred and we may be in the Transy bubble, but this bubble is full of pain. I want to be very clear, however, that there is a lot of good here and a lot of bad that isn’t malicious.

I am a Latina woman. The way in which I interact on Transy’s campus is through my identity, and before Transy I never realized how alone I felt. Yesterday, while I was at a diversity and inclusion training focused around microaggressions, I thought of all the things I’d experienced in life that weren’t meant to be aggressive and damaging, but were. A lot of those things happened before life at Transy, but one of the worst happened here. One that was detrimental to the enjoyment of my first year here, one that changed my comfort on campus, one that I won’t ever forget.

It was during Taste of Lexington my freshman year and there was a taco truck outside the campus center, and, as most people are, I was on the hunt for the best tacos in Lexington. The man taking my order had been speaking Spanish to the cook behind him, so I decided to speak to him in Spanish. I rarely get the opportunity to speak in Spanish, because I live away from my family. The second I turned around to get some beignets from the doodles truck another member of my graduating class who I was friends with spoke at me, “Gosh, speak some English would ya.” I’d be lying if I said that I felt hurt at the time, because I didn’t. I was furious, and yet I said nothing and brushed it off. I didn’t officially report. It did end up turning into a disciplinary case because of mandatory reporting, but I sat through the whole case hearing my own character get slaughtered for what felt like eternity. The consequences for the perpetrator was attending some type of specific class/training, and I was to receive no contact.

I’m not really sure what kind of consequences this person deserved, but I know that nothing would have felt like enough. It changed my habits on campus. Even now, I still feel slightly uncomfortable speaking in Spanish around campus. The dust has settled, but I definitely haven’t fully healed. I don’t really know if I ever will. Because of that experience I can’t say I feel safe on campus, because the feelings I have towards it now are just pain because in trying to express myself I was demeaned. Safety, is the privilege to be yourself. I don’t feel like I’ve been able to do that here.

I hope that with the many efforts around campus to improve diversity and inclusion that these feelings will have gone away. To some extent they have. What people need to realize is that it isn’t just what is said to your face that creates these feelings of marginalization, but it’s the seemingly positive comments, the microaggressions, the looks or stares, and even the ‘innocent’ questions. It’s the resentment and pain of not having agency to speak up or feeling like no one is listening to your experience that contributes to not feeling safe here.

Here’s This Thing: Bob Roberts

Bob Roberts isn’t interested in debating you. The film, a vicious satire of the aw-shucks, just-like-you conservative movement of the 1980’s to the early 2000’s, marks out a clear target early and often. It tells you that the bad guys are the politicians who pretend to be simple folks from the heartland, but who are actually financiers whose oligarchical class loyalty supersedes any cultural affiliation they perform for voters. It paints a picture of a conservative movement in thrall to a shadowy donor class and a menacing series of war criminals and imperial schemers. It’s a cartoonish, over-the-top portrait of a political movement utterly devoid of any sort of morality or sense of responsibility. Bob Roberts, as a film, sits somewhere between biting satire and furious polemical, borne out of an ardently sincere leftism.

Naturally, it was mostly ignored or panned when it came out. The film was like something out of a parody of late-period Spike Lee, too ridiculous to even comment on reality. Sure, politicians like George Bush lied, but so do all politicians. Cheney seemed like a creepy guy, but he was more or less a solid Vice President, right? It was the paranoid hippies, the ones scared of “The Man” just mouthing off again.

But now we know that the film was far more accurate than parodic. Bob Roberts is a film for the age of Trump, and for a GOP more devoted to white nationalism than any sense of personal or political responsibility. When the Republican-controlled Congress has passed a massive tax cut for the oligarch class while trying to cut welfare payments, and when new foreign adventurism is more popular than responsibly ending the decades-long imperial wars in which the US is already engaged, a satire that is clear about the emptiness at the heart of conservatism reads more like prophecy than parody.

Still, when most of us look back on popular culture of the past few decades, we tend to overlook films like Bob Roberts—the mainstream consensus of the time has ossified around these films as forgettable products of the leftist fringe. Michael Moore, shrill propagandist though he might be, has proven a more insightful prognosticator than the entire CNN lineup of pundits, who thought that the GOP would act responsibly in 2016… and 2017, and 2018. And Bob Roberts, with a title character who arguably fakes his own assassination attempt, had a better sense of the importance of the grift to the conservative project than ‘serious’ commentators like Bill Kristol.

This has been true for decades—the hippies who called Nixon a traitor have been proven to be nearer to the mark than the responsible broadcasters like Cronkite or Murrow were willing to admit. (Nixon, of course, sabotaged the 1968 US-North Vietnam peace talks to improve his election chances.) Reagan’s administration sold arms to Iran and funded the Contras in Nicaragua (the colonel who went to jail as a consequence of the investigation into the Iran-Contra affair, Oliver North, is currently the head of the NRA). Bob Roberts is a film that’s clear-eyed about these issues—Alan Rickman plays a character who’s halfway between North and Cheney.

Somehow, though, the fact that the hippie fringe has historically been more clear-eyed about the nature of the conservative movement hasn’t penetrated much of the mainstream discourse. That should change, especially as the current government—not just Trump—makes it clear that Bob Roberts has a better grasp of the right than Brian Williams or Chuck Todd has ever demonstrated.

Profile: Regan MacNay, Director of Choral Programs

Transylvania University has hired Dr. Regan MacNay as an Assistant Professor of Music and Choral Director.

Because she had lived in Canada for the majority of her life, the idea of a liberal arts college was new to her, since these do not exist in Canada. After learning about all a “liberal arts education” entails, she was so excited to be a part of it.

At thirty-two years old, MacNay decided to change her life completely, or as she says, to “throw it into chaos.” She and her friends took a thirteen day road trip from Ontario all the way to California, where she received her Masters of Music in choral conducting from California State University. She later studied at the University of Kentucky and received her Doctor of Musical Arts in choral conducting. MacNay lived in Lexington for two years before coming to work at Transy.

Transy’s new choral instructor hard at work. Photo by Gabby Crooks

Transy has two student choirs, one coed and the other an all-women choir, both audition only. MacNay was surprised to find out that no members of either choir are music majors, but she says the groups are incredibly diverse in their majors and interests.

MacNay’s days are packed with planning for and conducting both of Transy’s choirs. Although she is busy, she enjoys every second of it. “The days are lovely, and I have great students.”

Dr. MacNay believes everyone needs a creative outlet, and she loves seeing what they do with it. “There’s nothing between us, no instruments, no computers. It’s just us, doing what we love.”

One of MacNay’s goals for her students is to expose them to every sort of musical style she can. “My job is to open up their musical experience.” One of the choirs is even working on an Estonian song, to learn how to perform in different languages and styles.

MacNay hopes that in a few years, with a lot of training and practice, the choirs will be ready to perform on a national level. She wants to show the world that “we are Transy, and this what we can do.” After every practice, she wants each student to leave happier and proud of what they can accomplish.

Transy welcomed on a new member to their faculty this year. Photo by Gabby Crooks

She also hopes to establish more singing groups on campus. She recounted how there used to be many more than the current two. MacNay would love to form an all male choir, an acapella group, and a choir sans auditions.

MacNay says she is so thankful for the support and flexibility of the choirs working with a new conductor. She talked about how hard it is to adjust to the new style of conducting and said she is so pleased by students’ response. She loves hearing their feedback and ideas. The students even helped choose the songs they are going to sing for their first performance on family weekend.

One of Dr. MacNay’s students in the mixed choir said, “she really did listen to our input, we went through our music and picked the ones we wanted to sing! She is amazing to work with, and is she is such a great person”.


The first major choral concert will be held on November 11 in the Carrick Theater.

Weekly Playlist & Blog: November 2nd

Hey Y’all!

It’s that time of the week again, where I bring you the best vibes on Transy’s campus! This week’s playlist consists of a mixture of indie tunes from bands like Beach House, The Neighbourhood, and The Dead South! Don’t forget, you can always email me suggestions of songs you’d like to see make next week’s playlist at tmahlinger20@transy.edu!

As for arts events this week, we have opening week of both the play, Stupid F—ing Bird and the new Morlan Gallery exhibit, Something Pretty, as well as a talk by Susan Weinstein!

Friday, November 2nd @7:30pm, Saturday, November 3rd @ 7:30pm, Sunday November 4th @2pm, Little Theater

Join Transylvania Theater for their production of Stupid F—ing Bird by Aaron Posner, directed by Tosha Fowler. The play will run this weekend and next, so be sure to get your free tickets before they sell out here.

Something Pretty, October 29th-November 19th

Morlan Gallery’s latest exhibit, Something Pretty, curated by Dr. Emily Goodman, is officially open! This exhibit features work by artists Tiffany Calvert, Justin Favela, Angela Dufresne, Stephen Rolfe Powell, and HuiMeng Wang. The gallery is open from noon-5pm on weekdays!

Thursday, November 8th @4:30pm, Cowgill 102

Transy will be hosting a lecture by Susan Weinstein, who is a well-known author and scholar and will be talking about the unheard voices of the youth and spoken word art!

Stay chill,

Taylor


Transy Volleyball captures #1 seed going into Conference Tournament

Transylvania Volleyball leads the way in conference play this season as they host the HCAC tournament tomorrow here at the Beck Center. They are the regular season conference champions due to their impressive 8-1 conference record this year.

Our Pioneers had an especially difficult out of conference schedule this season: they  have faced five different top 25 teams throughout the course of this season. Those teams being #10 Washington (Mo.), #25 Berry, #8 Emory, #3 Wittenberg, and Thomas More twice.

Junior Hadley Trenaman spoke about about their rigorous out of conference schedule and how that has prepared them for postseason play. “Playing some of the top teams in the nation at the beginning of the season was extremely challenging. I think our team has learned a lot through this process and really grown together to become a unit. This style of playing has prepared us to play to a higher level when facing our opponents in conference. We know what is out there and are ready to do big things this post season.”

The Pioneers are led by two-time offensive conference player of the week, junior Jordan Horne, who is third in kills per set. Sophomore Ellie Stigger who was HCAC Rookie of the year and also achieved HCAC offensive player of the week honors is third in the conference in blocks per set and junior Addy Tonn is fifth in the conference in that department. Also, reigning HCAC Offensive Player of the Year, junior Hannah Talkers is fourth in the conference in assists per set.

The Pioneers have proven to be a deep team this year by doing a great job of rotating a number of players each game to keep fresh legs on the court. They are standing at an impressive record of 14-10 going into the conference tournament. They have built some momentum going into this tournament with victories over Mt. St. Joseph’s and Manchester in straight sets, and Transylvania has won eight out of their last nine games.

Saturday starts the conference tournament with our Pioneers taking on Bluffton at 2pm. They defeated Bluffton 3-1 earlier in the year when they played against them. If they take down Bluffton, they will face the winner of Rose-Hulman vs. Earlham on Sunday to determine the winner of the tournament. The winner of this tournament will automatically qualify for the NCAA tournament.

Be sure to cheer on your Pioneers at the Beck Center tomorrow at 2:00PM as they take on the Bluffton Beavers going into post season play!

Photo Gallery: PumpkinMania!

Photo by Gabby Crooks
Photo by Gabby Crooks
Photo by Gabby Crooks

Review: “Something Pretty” at the Morlan Gallery

Walking into Transylvania’s Morlan Gallery to see “Something Pretty” is reminiscent of happening upon a field of wildflowers. Suddenly, the atmosphere becomes ethereal, suspending a surreal glow over scatterings of pieces by Tiffany Calvert, Angela Dufresne, Justin Favela, Stephen Rolfe Powell, and HuiMeng Wang.

“Aloof Whispering Cyclone” by Stephen Rolfe Powell. Photo by Gabby Crooks

In the words of curator Dr. Emily Goodman, “this exhibition seeks to complicate what it means to be pretty, by bringing together several different artists whose work engages with the aesthetics of prettiness, while simultaneously undercutting the diminutive and dismissive connotations of the label.”

Each artist’s unique style is able to exist individually, but integrates into a cohesive message. The most dynamic pieces are those of Stephen Rolfe Powell, a renowned glass artist. “Aloof Whispering Cyclone” is indeed a tornado of color. It recalls abstract expressionism, a swirl of complementary shades that kisses its base like a raindrop meeting a puddle. His work is layered, making it visually delicious upon closer inspection.

Justin Favela’s piñata pieces are also layered, but in a different sense. Up close, they are nothing but brightly colored strips of paper adhered to cardboard, but given space, they become mosaics. Favela’s work addresses myths surrounding the idealization of Mexico “as a pastoral idyll.”

An oil piece done by Tiffany Calvert. Photo by Gabby Crooks

Similarly, some of Tiffany Calvert’s work utilizes non-traditional medium, including foam insulation board. One such piece is “Untitled #297,” whose clunky, fragmented brushstrokes give the impression that the image is falling apart, or possibly, coming together. She also explores the relationship between traditional and digital media in “Untitled #286” and “Untitled #305.” Using oil on a digitally printed canvas, she creates “unseeable” images, meaning that viewers cannot determine “whether they are looking at a photograph or an abstraction.”

Angela Dufresne also uses thickly applied brushstrokes in her oil paintings, creating a textural energy. “Listen To Me You Idiot” depicts a grotesque yet endearing figure emerging from painterly strokes, complicating ideas about beauty and humanness. She also explores gender and sexuality in “Jan,” an oil painting of a masculine figure who seems to be rejoicing amidst Dufresne’s muddied application of paint.

The show’s film component takes shape in “You Are Beautiful You Should Be Seen,” by HuiMeng Wang. For three minutes and 34 seconds, scenes of a beach expedition to uncover tree trunks that were supposed to have been shipwrecks fill the screen. Why? It is a rumination on uncertainty and beauty. These pieces are the individual flowers of a larger bouquet offered to the viewer. It is up to to us to either accept or reject their meaning.


“Cracking Frenetic Glare” by Stephen Rolfe Powell. Photo by Gabby Crooks

As a woman living in the Digital Age, I am well acquainted with expectations and conceptions of beauty. Each work featured in “Something Pretty” speaks to a different aspect of what it means to be “pretty” and how “pretty” things are treated.

Powell’s glasswork meets the viewer at the door, establishing the undeniable prettiness of what is delicate, yet I also find beauty in its boldness and intricacy. The political and social commentary that Favela’s piñata paintings provide are a different conversation entirely. “Valle de México desde el Río de los Morales, After Jose Maria Velasco” may essentially take the form of a commercialized traditional Hispanic craft, but this is what makes it appealing. Favela refuses to allow his culture to be romanticized by turning an instrument of that romanticization into art. Here, the beauty lies in the message.

Assorted artwork by Angela Dufresne. Photo by Gabby Crooks

Dufresne’s pieces from her “Muses and Monsters” series spark a similar conversation. They feature anthropomorphic creatures that are not pretty in the traditional sense. Yet they possess undeniable feminine characteristics. I found myself sympathetic to their plight, their inability to ascend to true beauty.

The simplicity of Calvert’s non-digital pieces wore off the longer I looked at them. “Untitled #267” evoked uncomfortableness, as if she was hurriedly trying to cover what was on the canvas with slashes of black and gray. The larger paintings, in which she combines oil and digital prints, appear to be glitched, as if she was interrupted mid-brushstroke. “Untitled #305” features flowers, a conventionally pretty still life component, yet their status is elevated to beautiful because of Calvert’s unique interpretation.

Prettiness is best described by “You Are Beautiful You Should Be Seen,” in which the dazzlingly white tree trunks are lost in sand, unable to be restored to their former state. The dreamlike quality of the film casts a serenity over the show, reminding viewers to revel in what is there before it disappears.

Come see Morlan Gallery’s newest exhibit, it really is Something Pretty. Photo by Gabby Crooks

“Something Pretty” should be seen by anyone interested in aesthetic standards and the connotations of prettiness. If we are to deem something pretty, is it better that we not say anything at all? Viewers should walk away knowing whether or not they are comfortable with being assigned and assigning the term.

In exposing ourselves to the work of the featured artists, we become part of a larger conversation surrounding beauty. The undeniable feminist qualities of the exhibit present the opportunity for rumination not just for members of specific niches, but for everyone. It is often assumed that art appreciation is reserved only for the elitist and educated, but appreciation is not actually a requirement. Everyone should feel welcome and included in the discussions “Something Pretty” sparks, because if that is not the case, there is no use in having a discussion at all.

Though the exhibit deconstructs traditional prettiness, there is nothing traditional about the artwork featured. Taking what has been marginalized and making it the focus of an exhibition may not be a universally appealing concept. But it challenges the fundamental lenses through which we understand art. Even if we think art is just “something pretty,” we are participating in the discussion.

The election is a week away. Read candidates’ responses to survey questions.

2

Kentuckians for the Commonwealth (KFTC) has released their annual voter guide, with questions and answers from candidates for local and state offices.

The statewide grassroots progressive group, which also endorses candidates through its affiliated PAC, New Power, does not include the endorsements in its voter guide, which presents only the unedited, written candidates’ responses to a survey mailed out a few months before the general election.

Another voter guide, focusing especially on issues of land use and development, has been published by the Fayette Alliance.

Surveyed Fayette County candidates for office include the candidates for City Council for all districts, candidates for at-large City Council seats (representing all of Fayette County), candidates for mayor, Congressional candidates, and many others. Because KFTC is a statewide organization, other areas of the state have been surveyed as well.

A voter’s polling place determines their City Council and state legislative districts. You can find out what races are being held in your polling place—and where your polling place is—on govoteky.org, a website sponsored by the Kentucky Secretary of State.

Students registered at 300 North Broadway will choose between incumbent Councilman James Brown and his challenger, Anita Rowe Franklin, for District 1’s City Council seat.

“I value the voter guide because it provides comprehensive information about every candidate’s policies and principles,” KFTC member Mary Landrum wrote in an email. “I really appreciate that KFTC does so much research, and that they compile it such a user-friendly format.”

The 2018 election will be held on November 6. Polls will be open from 6:00 AM to 6:00 PM EDT.


Disclosure statement: Rebecca Blankenship’s partner is KFTC’s organizer for Madison County.

The Carpenter Academic Center developed leaks. Here’s what happened.

The most recently renovated building on campus, the Carpenter Academic Center, suffered water damage in three rooms from leaks that started just weeks after its renovations were finished.

The leaks were found in three rooms of the Carpenter Academic Center in early October. Rooms 106, 302, and the lower level men’s restroom were affected.

Dr. Melissa McEuen, whose office was room 106 before the leak was found, declined to comment for this story.

The source of the leaks was determined to be the downspouts. A downspout is a pipe on the side of the building that connects to the rain gutter and carries the water away from the building. Two downspouts had a tear in the back side, which allowed water to leak into rooms 106 and 302. This caused members of the academy to go to site in order to get a professional in to help with the issue.

Darrell Banks, the director of Facilities Management and the University Construction Manager, thought at first that the water leak in room 106 could possibly be a result of the extensive renovations Carpenter underwent last year, which concluded in April 2018. But after investigating further, Banks does not believe any of the leaks were related to remodeling.

The damaged downspout has been replaced, along with the downspout on the northeast corner of Carpenter, which Banks said contributed to the leak found in the men’s room. The downspouts were holdovers from Haupt, as Carpenter was previously known, and were not a part of the Carpenter remodel.

Banks and his team will be replacing all of the downspouts in Carpenter as a precautionary measure, while closely monitoring the water infiltration problem and perhaps installing gutter guards as seen on sites like www.mastershieldatl.com, so gutter maintenance won’t have to be conducted as often and damages can be reduced. Banks said that once he is certain the problem has been solved, Physical Plant will begin to repair the damage to the interior.

Weather

Lexington
clear sky
26.5 ° F
28.9 °
24.9 °
74 %
1.4mph
4 %
Thu
44 °
Fri
47 °
Sat
49 °
Sun
44 °
Mon
43 °