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The Death of Dining

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A cold drink numbing your fingers.
A small brown to-go box in your arms.
The moonlight paves the way back to your dorm
as the smell of the food in your hands wafts into your nose with each step.

A good night’s meal and a convenient option
lay dead at the corner of the Campus Center.
Beloved and reliable enough,
now gone.

We mourn.

Oh where have the nights gone?
The nights where a late night hankering could be so easily squashed.
The nights where the fluorescent lights buzzed above the line of hungry students.
The nights where Back Circle was full of people
with boxes of food and hands frozen by soda,
enjoying their dinner or snack with friends at picnic tables after a long day of classes.

The death of dinner.
The death of community and convenience.

The ghost of Raf haunts more than just Old Mo.
How many times must he die?
And how many times must the students be cursed by his passing.
Does he really need three tombs?





A snack before class,
A sandwich for lunch.
Hungry students on campus
Aren’t asking for much.

Dollars for dining,
Gone in a flash.
A croissant should never
Waste all my cash.

Options for food
are slim to none,
Most of them closed
While we still see the sun.

Your students are hungry,
Hear our pleas.
We’ve spent all our money!
We need food and ease!

Dogs and Cats: The Headley Whitney Museum’s Fall Art Exhibition is a Must See

At the Headley Whitney Museum, the never-ending question of “dogs or cats?” is on full display, though there’s no need to choose. Open Fridays-Sundays until November 24th, with an extra weekend November 30th and December 1st, DOGS & CATS: An Exhibition works to create an accessible art world through more than 120 mixed media works including paintings, sculptures, photographs, and antique dog collars. As you enter the museum, two 10-foot topiary sculptures of George Headley’s pet dachshund, Ernie, and pet cat, Kitty White Sox, greet you on the front lawn.

Curator Christina Bell works often to incorporate and celebrate local Kentuckians in her exhibitions, bringing in over thirty different notable artists and their stories. “Many of the paintings share through curatorial notes stories about that pet or how the artist came to create the piece for the owner who loved their pet,” says Bell. Artists like Ellen Skidmore and her illustrations from her new book How Dogs Make Me Feel fill the galleries with their love of pets.

Artist Ellen Skidmore during a book signing at the Headley Whitney for her alphabet book “How Dogs Make Me Feel,” available in the museum’s giftshop.

An especially exciting part of the exhibition is the addition of 25 works from Jamie Wyeth’s personal collection from his book Dog Days. If you’re familiar, you may recognize the Wyeth name; Jamie’s father, Andrew Wyeth, and grandfather, N.C. Wyeth are known for their famous paintings and illustrations. Jamie’s path in the art world is definitely his own, however, painting presidential portraits and Christmas cards at only 21 years old, with a painting of Andy Warhol and his dachshund, Archie, displayed in this exhibition along side many of his other works. 

On loan from the National Sporting Library & Museum (NSLM) in Middleburg, VA, is a collection of vintage and antique dog collars. This collection takes you through the 16th to the 20th century of over 50 Dutch, British, French, German, Indian, and American collars. Titled “Identity & Restraint: Art of the Dog Collar,” the gallery takes you through the evolution of the style, history, and purpose of the dog collar, being the favorite of many of those who have visited the exhibition. 

Transylvania art professor Kurt Gohde and son Mason view the National Sporting Library & Museum’s loaned historical dog collar collection.

Set in the heart of the Bluegrass and a quintessential Kentucky scenic drive just ten minutes out Old Frankfort Pike, the Headley Whitney Museum, named after its founder, George W. Headley III, and benefactors, Cornelius Vanderbuilt Whitney and Marylou Whitney, offers a fascinating permanent collection and exhibits the works of notable Kentucky artists as well as presenting regional and international art exhibitions. Four Exhibition Galleries, the Bibelot and Jewel Room featuring Headley’s designs, Whitney Estate Dollhouses, Headley’s Shell Grotto, and the Marylou Whitney Garden create a unique art and cultural experience. Admission is only $10, though students with their student IDs are complimentary.

Below is listed the museum’s upcoming events, including one with Transy’s own Dr. Ellen Furlong and Professor Emeritus! 

UPCOMING EVENTS 

Sunday, November 10

2:00 pm 

Talk by Author, STEPHEN VEST 

George Graham Vest, Life & Time of Dog’s Best Friend

Moderated by RICHARD TAYLOR, former Kentucky Poet Laureate, 

TU Professor Emeritus Creative Writing 

Sunday, November 17

2:00 pm 

DR. ELLEN FURLONG, Transylvania University

DR. REBECCA SINGER, Berea College

The Truth About Cats & Dogs? 

A Conversation with Animal Cognition Researchers 

Have you ever wondered if your cat really loves you? Why your dog sometimes makes good choices (coexisting with cats) or bad choices (jumping on visitors at the door)? Or what you can do to make sure your pet is living their best life? Drs. Furlong and Singer will share some insights about what their research tells us from their work in the Transy Dog Behavior and Cognition Lab and then open up for your questions. 

Information from Director and Curator Christina Bell

GALLERY: Chili Cook-off Brings the Heat!

Saturday, October 26th, Kappa Alpha Order and Delta Sigma Phi held their Chili Cook-off event once again, and with great success. Proceeds taken from the entrance fees are put towards The Independence Fund and The Nest Lexington, two local causes the fraternities often support.

Judged by Dean Covert, Michelle Thompson, and President Lewis, each team was ranked on a 1-10 scale (10 as the highest score) in different categories such as taste, texture/temp, presentation, originality, and the overall score being ranked out of 40 points total. There were four winners, the overall winner being the “Texas Chicken Chili” team. Each winning group received mini trophies to take home and place in the “Chili Competition Trophy Case” I assume they all own.

According to Sean Gannon, participant, winner, and member of Delta Sigma Phi, “We had more teams than last time, and more people took it seriously. Some people used cool ingredients like brisket meat, homemade sauces, and spice (compared to last year).”

A Letter to those who Ramble – From your Editor in Chief

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A letter to those who ramble,

A few days ago, I wrote up a silly Letter from the Editor in a few minutes that I thought was funny and didn’t really mean much. It was fun and light and everyone agreed it worked because this shouldn’t feel like something heavy or boring, nor should it drone on for paragraph after paragraph about stuff no one cares to read. That being said, I was working on a project for the Rambler tonight and a random thought struck me; Where would I be if I had never joined the Rambler?

I guess I should start this off with a little introduction for those who don’t know me. I’m Katie Axon, the new Editor in Chief of the Rambler since last April; previously the Print Lead. I’m a junior and a Digital Arts and Media major and this may sound dramatic but the Rambler is kinda my life (loser…). I’m sure that sounds silly to those of you who may not know me or what all I’ve done surrounding the Rambler since my Freshman year, but sitting in the Cowgill basement at 11:48pm just now, I realized that this newspaper has paved a lot of paths for me. 

To put it simply without making this too lengthy or sharing too much nonsense about myself, the Rambler helped me find my place and ignite my spark. That’s a bit cheesy, I know, but it’s the best way I can think to put it. This school newspaper has set me up for all the things I consider my current successes and revived my passion for creating. I am full of inspiration and motivation that I lacked before the Rambler fell before me and has allowed me to expand into a much more efficient and creative version of myself I can really be proud of. 

I got into making videos because of the Rambler’s Instagram takeover in November 2023, leading to me creating an award-winning short film and maybe even following that path in my future. I’ve learned so much about design, experimenting with my passions by creating the print copies last year and designing merch, posters, and website stuff. Which, again, could be a path I follow in my future. I’ve learned so much about leadership and being the “boss” of something while organizing stuff and communicating with the people in Old Mo and putting everything together, along with creating connections to people all over campus like President Brien Lewis. I met Nate Brother!… And like Brenna and Lyra and other people too but come on Nate Brother is the GOAT. I may never have connected with so many people without this club. Plus, it was one of the first ways my now-partner Casey and I really interacted. That could have been different or never happened without our interactions at newspaper meetings.

Reviving a dying medium/decaying club on your university’s campus is no easy feat, but I have nothing but feelings of pride and excitement when I think about all I’ve done so far (emphasis on so far). I hope that all the work the Rambler team puts out there brings everyone just as much excitement and joy, and that this silly little club flourishes even when I’m long gone. It’s been 109 years of news so far and I refuse to let that die. 

Stay tuned for many more creative endeavors from the Rambler in the near future, and support us by grabbing a print copy, reading the articles on our website, and telling your friends to do the same. Or support us by writing an article, making a podcast, designing a poster, or like… I don’t know… joining the Rambler?! But even if you can’t “join,” articles can be submitted by any student and ideas are always welcome! Reach out to me (keaxon26@transy.edu) if you have questions, ideas, or just wanna chat about the newspaper! LONG LIVE THE RAMBLER. PRINT IS NOT DEAD (not on my watch).

Your Beloved “Editor-in-Chimp,”

Katie Axon


BONUS (the original nonsense Letter from the Editor)

Dear Rambler’s,

Since I joined the Rambler, Fetty Wap has been my inspiration. The moment I first heard the words “seventeen thirty-eight” I knew what I had to do. He once told me, “Youthful Zeal, Lifelong Wisdom” which really stuck with me. Now I’ve got the soda. 

It all started on March 19th. That’s when Marge Simpson was born. Then, years later on that same fateful day I was born. Marge once said “Well, I have some tic-tacs in my purse” which was crazy! She’s sooo crazy. I was like her once, full of joy and tic-tacs. Now, I’m on top of the world and also the Rambler! Oh yeah the Rambler. 

Once upon a time I joined the school newspaper. I left the first meeting thinking “eh, it’s alright I guess,” and then immediately got struck by lightning. Now I know the truth: the Rambler is the best club ever and I have to make it even better. It is my life’s goal to spread the news through print copies and other various newspaper media. 

Okay no but forreal, Rambler is back and better than it’s ever been and I’m so excited to watch us evolve even further. Keep an eye out for our new ramblings all year…

#RambleOn #PrintsNotDead

Your Editor in Chimp, 

Katherine Elizabeth Axon 

O’ Ketchup! My Ketchup!

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Replaced, by the week.

Ketchup, my love, stay with me.

Do not be taken away.

The caf, the ketchup.

Bright metal, standing proudly.

A flavor obelisk.

No longer hoarded.

No longer empty, all day.

No longer, I cry.

Ketchup, joy to all.

Never empty, always fixed.

Just a press away.

Black granite, white wall.

Frames it perfectly, ketchup.

The best part of caf.

The Moors: A “Femininomenon” Enchants Little Theater in Latest Production

I’m ashamed to admit that before last night, I had never stepped foot into Transylvania’s Lucille Little Theater. Upon my inaugural entrance, I was greeted by a lovely crew of student workers and ushered to my seat towards the front of the spacious black box theater. Soon, a hush took over the music of Chappell Roan and the house lights dwindled as the cast took their places on the stage platform adorning a candle-lit Victorian Gothic dwelling.

This fall, the Transylvania Theater Program presents The Moors by Jen Silverman, directed by theater program director Tosha Fowler. The 19th-century pastiche follows the lives of polar opposite sisters Agatha and Huldey, played by Sophia Ricketts ‘25 and Lily Jasper ‘27 respectively. As they attempt to make sense of their shaken-up lives in the barren, unforgiving moors of England, the arrival of Emilie, the governess (played by Mary Clark ‘25), completely shifts the rigid order of their household. Marjory, the maid, brought to us by Samantha Farr ‘26, takes this opportunity to orchestrate some trickery of her own. Meanwhile, the family’s dog, a large Mastiff played by Kiah Oney ‘27, can’t find what he’s looking for in the home and frequently visits with a Moor-Hen (Macie Moore ‘26) that he takes an obsessive liking to. 

The dark comedy presents the audience with endless laughs, as well as some enchanting vocal performances from Jasper and Clark. However charming these moments may have been, though, they were subtly tainted by a haunting air that kept me on the edge of my seat. From the moment the show begins, it’s clear that something isn’t quite right, and the surreal nature of The Moors lasts until the final moment of the show. The cast does a phenomenal job balancing humor and horror as they present the audience with hard-hitting questions about growth, identity, romance, sexuality, femininity, and much more.
Don’t make the same mistake as me and miss out on another Transy Theater production. You can, and should, watch The Moors in Lucille Little Theater tomorrow at 7:30 pm or catch the Sunday show at 5:00 pm. Note the content warnings for violence, blood and gore, sexual content, strobe lights and fog, and a splash warning for those in the first two rows.

Preview video of “The Moors” by Katie Axon

GALLERY: Lighting up Campus with the Asian Student Alliance’s Lantern Festival

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On October 18th, the Asian Student Alliance hosted a Lantern Festival event outside the campus center. Inspired by the Japanese Tsukimi festival, the event served as a way to provide both an educational experience and to have a fun and engaging activity for students to enjoy, along with snacks and drinks. Photographed by Katie Axon, the event was a success and brought many students together through the cute crafts and learning experience!

20th Century Catch Up: Bond 1

Co-written by Samuel F. Schultz and Dylan J. Howell

Bond Film 1: Dr. No (1962)

a collaborative movie review

Viewed:

as part of the Bond Blu-Ray collection from Wal-Mart

Where to Watch:

Check your local library for DVD copies or rent online from Amazon Prime or Apple TV

Motion Picture Association rating: PG

Overview (Sam)

Neither of our parents were born yet, JFK was president, and Churchill was still alive. 1962 saw the momentous release of the genre defining Dr. No, in which James Bond stops some german-chinese guy with robot hands from blowing up the moon or something. James Bond first existed in a series of novels by Ian Fleming based on his cousin’s exploits as a spy in World War II, but due to the film adaptations’ superior notoriety, most know Bond as a movie character.

Even though Dr. No was not the first Bond novel written, it was chosen as the first film adaptation due to the relatively low budget required to produce it (it could mostly be filmed in one place). Other novels’ legal rights were also tied up in existing contracts or negotiations. Despite adapting a later book, Dr. No is a fantastic introduction to the film version of James Bond. Immediately suave and innately badass, Sean Connery’s portrayal of the superspy commands respect and admiration. As time goes on, his character morphs under the direction of various filmmakers and he is depicted by different actors, but in Dr. No he’s about as James Bond as you can get.

Sam’s part:

I’ve seen the first six Bond films, but it’s been a long time since I’ve seen Dr. No. I had forgotten how damn good it is as a standalone movie, adventurous and pulpy while eschewing campiness. From his very first line, Bond is, like, the coolest guy ever, but he’s still human.

Bond gets beaten and battered. His knuckles raw from fighting, by the end of the movie he’s covered in his own and other’s blood. While he does a lot of real espionage, constantly monitoring every room for bugs and clocking points of ingress and egress, he doesn’t feel as untouchable as he does in later movies. Even the final battle against the titular evil Dr. No is anticlimactic. Bond scrambles for his life and barely avoids being boiled alive in a nuclear pool. No’s mechanical hands, which once demonstrated his biological superiority over common man, become his demise, unable to grip the lifesaving ladder his enemy escapes on.

Dr. No is the essence of Bond. You gotta see it.

P.S. James Bond’s title credits are some of the most impressive special effects you’ll find from their release window. One of my favorite websites recently has been Art of the Title, which delves into the nitty gritty of the oft-overlooked title card. Here’s Dr. No’s page: https://www.artofthetitle.com/title/dr-no/

Dylan’s part:

My experience with James Bond prior to opening this bottle of Catch-Up was mostly inspired by Bond or Paul McCartney’s Bond theme, Live and Let Die. Having my first experience with 007 being the first film was more surprising than I expected. I know the pop culture pillar that has become James Bond in the 69 years since Ian Fleming published CasinoRoyale, which has Bond as a womanizing, risk-taking, badass action hero who can never die and can’t bleed. While most of those attributes are still present in Connery’s first mission, they have yet to be flanderized into the character that Sterling Archer and Austin Powers parody. Bond in Dr. No is simply a secret agent; after all, his status is 007, meaning that there are six agents in MI6 who are better and more capable than James Bond. Throughout the film, we see Bond use espionage tactics or simple, clever things that show just how smart he is and that he deserves to be a part of MI6 at all. The start of the Film with Bonds’ interaction with the director of MI6 shows Bond as not being viewed highly in the organization and that he is stuck in his ways, not wanting to progress as the rest of the organization does. Bond is more of an everyman in Dr. No than the mythic hero of the film that he will become. Dr. No is an enjoyable surface-level film that doesn’t need anything underneath. It’s a simple and fun spy thriller with the iconic Bond flare—7 bottles of Ketchup out of 10.

20th Century Catch Up WEEK 0: THE BIG LEBOWSKI

Co-written by Samuel F. Schultz and Dylan J. Howell

How many movies are in your streaming queue? How many “classics” sit unwatched on your shelf? It’s literally impossible to watch every movie ever made, so which are even worth your time?

Dylan and I have “to watch” lists a proverbial mile long, and we decided it’s high time we do something about it: sit on our collective asses and melt into the couch. We’ll be doing our damnedest to catch up on the hundreds of movies we missed from the century before we were born, watching one movie a week representing each year from Taft to Y2K and posting reviews on the Rambler’s website.

We also have side missions: One Bond movie a month and a special Relished Films category to pick familiar favorites outside of the chronology. New movies that interest us may also be added to the mix, helping us stay “hip” to the “current scene.” Expect reviews of Catch-Up films and Bond movies regularly, but don’t hold your breath waiting for the others.

Butter that popcorn and pull up a chair as we step out of the Matrix and take A Trip to the Moon.

Catch Up Film 0: The Big Lebowski (1998)

Viewed:

As part of the Kentucky Theatre’s Summer Classics series on Wednesday, September 4th

Where to watch:

Free with Amazon Prime or rent from Apple TV

Motion Picture Association rating: R

Pervasive strong language, drug content, sexuality, brief violence

Overview (Sam)

Where better to start than the end? At the outset of our foray into twentieth-century film, The Big Lebowski (1998) acts both as an extended allusion to the classic noir/crime film The Big Sleep (1946) and a perfect reflection on the end of the twentieth century. Set in a reconstructed 1991 Los Angeles, with the Gulf War as an allegorical backdrop, Jeffrey Lebowski, known as The Dude, is a man perfect for his time. In a decade of seeming moral relativism, everyone is prescribed an ethos except for The Dude, whose particularism clashes with the stark generalism of many around him. After his rug is micturated upon by an intruder in a case of mistaken identity, The Dude is plunged into the quagmire of an ever-more-complicated kidnapping plot as he gets further and further from his original goal: to get his rug back.

(After this week, we are going back to the 1900s. Trust the process.)

Sam’s part:

My favorite aspect of The Big Lebowski is its point of view: throughout the film, we only see things from The Dude’s perspective. As he’s inundated with stances and judgments, The Dude can hardly get a word in edgewise. Only in a moment of post-coital clarity is the veil lifted and we, along with The Dude, are granted some understanding – new shit comes to light. This, of course, is a subversion of the classic noir style where the detective silently stalks through the story gathering information and playing enemies against each other. In The Big Lebowski, The Dude is totally oblivious to most of the goings on around him, yet is still seen by some characters as a talented sleuth.

This idea of mistaken identity is more than one isolated narrative instance. The Dude is not even the titular “Big Lebowski,” but in fact little more than a bum in the grand scheme of the supporting casts’ lives. That is, except for his two best friends, Walter (John Goodman) and Donny (Steve Buscemi), who act as the angels on his shoulders throughout the film. Donny’s role is comically underplayed while Walter, a manic, rule-obsessed veteran, is the driving force behind The Dude’s decision to step out of passive “Duddhism” and try to get his rug back in the first place. Even still, as he is routinely threatened with bodily harm, drugged, and generally derided, The Dude remains passive. He has little to no control over what happens to him, but in the end, he doesn’t really mind. He’s content to simply abide.

If you are philosophically and/or analytically inclined, I highly recommend checking out The Big Lebowski and Philosophy, a collection of essays edited by our very own Dr. Peter S Fosl which can be found in Transylvania University’s library and in many fine book retailers.

Endlessly quotable and visually stunning, The Big Lebowski is a must-watch. This was my third viewing and it gets better every time.

Dylan’s part:

There comes a time once a decade or even once a century in which a film is needed. A film that ties all those years together. Seemingly without trying, The Big Lebowski defines the 90s, if not the 20th century, entirely. That’s partially why we are beginning our venture into cinema over one of the most technologically progressive and culturally diverse centuries in human history with the film. The Big Lebowski shows how much Ethan and Joel Coen make films for themselves more than anyone else. The attention to detail is fascinating in how they can pay attention to seemingly every movement and object within a single frame of their films. The character work is some of the best I’ve seen in film, with John Goodman, who plays Walter, saying it’s his favorite role. Walter’s moment of vulnerability near the end of the film demonstrates the Coen brothers’ exceptional use of repetition. The character of Donnie is one of the most interesting to me. He is ignored for most of the film and only interacts with Walter, besides one scene with The Dude. But The Dude certainly has a place in the canon of popular culture. I would argue this film is an homage to several genres that defined the twentieth century: noir, adventure, buddy-cop, and a few more, all of them blending together to make a film plot that you have to just abide by. It ends by comforting the viewer by showing that no matter who steals your rug, you can always go bowling. – 9.5 bottles of Ketchup

Colloquium: An Interview with Professor John Svarlien

In Lumine illo Tradimus Lumen. These Latin words hang above everyone here on Transy. It means, “In That Light, We Pass On the Light.” If any professor exemplifies that expression, it is Professor John Svarlien. I was graciously granted an audience with Svarlien for an interview where he answered questions about himself, questions from students, the future of the Classics and Latin departments, and more in this exclusive interview:

Grant: Many people wonder when exactly you are retiring. Is there any particular reason why?

Svarlien: Okay, well, the first answer is pretty straightforward. This is my last academic year, and the last class will be Latin II in the winter term. And why am I retiring? There is a right time for everything, and I’ve been teaching for at least 40 years, so there are several reasons for retiring. There are so many young faculty out there in the job market, and old faculty make room for young faculty.

Grant: What brought you to Transylvania University in the first place?

Svarlien: I came to Kentucky as a graduate student from the University of Texas at Austin, and while I was finishing up my dissertation, I had just received a job offer from Centre College and ended up staying for six years, but the reason I came to Transylvania was because it was an excellent opportunity for me. It was being able to start a Classics program; there wasn’t any Latin when I first joined. So it started off with adding Latin and teaching first-year seminar courses, and then I gradually built up other classes in addition to Latin, like ancient history taught by Frank Russell, and brought in more faculty like Professor Kaufman, teaching ancient philosophy. It’s been very much a team effort, and my colleagues have been wonderful.

Grant: Some of the students are asking if you are going to remain in touch with students on campus. What do you have to say about that?

Svarlien: Oh, I definitely want to remain in touch, I mean this when I say it but the greatest thing about my job is the students. That is, getting to know them, having face-to-face conversations, learning about them, having discussions about what is being taught in class, and they find it interesting to them, which is a great joy to have, and I am going to miss that experience. I will miss the classroom and the dynamics between presentation and debate; it is very stimulating to me and hopefully to the students as well. I don’t think I’ll be doing any more teaching but I will certainly not be absent from campus.

Grant: What are your hopes for the Latin and Classics department and the next professor to take up your mantle?

Svarlien: Well, the next professor we will hire at the end of this year will be teaching next fall, and will be a Latinist and will be teaching Latin along with other courses I have taught, but also different specialties. That person might teach gender and sexuality which I taught, they might teach history or philosophy. The great thing about classics is that it is so multi-faceted, and multi-disciplinary. So what I am most excited about is Medical Humanities, building up that program with Kaufman and Belina Sly and others from different programs like biology and classics. I think that it’s exciting to not just do one thing in classics like read ancient poetry, but to see all the connections and tie that all together in contemporary culture. I’m totally confident in leaving, the program is in very good hands and I will enjoy watching that grow in new directions.

Grant: How do you feel about the current state of affairs on campus? What would you like to see changed?

Svarlien: I’d like to see the student population grow. It’s difficult, and there are all kinds of reasons why that’s complicated, but it would be nice to get a slightly larger student population, and it would be nice to have more in-state and out-of-state students with different backgrounds. I have always been a strong advocate for campus culture, and that could be gathering outside for debates or programming in the arts and [bringing in] public speakers. I just think that’s important for the undergraduate experience, just as much as what is going on in the classroom. I think we have a strong student community here, and that’s one of the central points of a good college is to have that student culture and interact. I want students and faculty to interact more outside of classrooms.

Grant: What are your plans for retirement? Any vacation destinations in mind?

Svarlien: Well, the great thing about being a classicist is that there is always a reason to go to the Mediterranean. This last summer, my wife and I were in Greece, one of the many trips we have made, and then this coming summer, we are planning to go to France. Travel has always been an important part of my life, and I really push that for students. Everybody is different, but travel is a great learning experience because when you travel to a new country, you experience something new all the time. When you are an undergraduate or before you get into a professional school or when you have less time, you have less time to explore. This is a great time to do things like travel if you can do it. 

My two kids went into a program in Spain called the Auxiliares (Auxiliares de Conversación), where they taught in public schools at the elementary level. You don’t have to speak Spanish or have any other special qualifications; it’s just when the window is open for applications in January, you just need to get your application in as soon as possible. You get a nice stipend to teach, and the schedule is easy to work with, my children loved it, and my son came back with money in his pocket. I had that experience as an undergraduate, and it meant so much to me, and so I enthusiastically encourage students to travel if they can.

Grant: Is there any advice you would like to give readers? It doesn’t have to involve Latin or academics; it could be life advice.

Svarlien: Get the most out of life. It is a simple thing to say, but one thing is that you have to be deliberate about it. You have to seek it out; don’t be passive, but be active in how you live life. Learn to know yourself; that is one thing these four years are for is getting to know who you are, what your interests are, and what you really enjoy doing. Find a job that you are engaged with, affirm your fulfillment with it, and do not settle for anything less! If you are in a job you hate, then I can’t think of a worse recipe for a good life or a happy one. Decide in your mind what a good life is to you and pursue it with energy and purpose.

Weather

Lexington
few clouds
67.2 ° F
68.1 °
64.9 °
82 %
1.3mph
20 %
Fri
83 °
Sat
76 °
Sun
75 °
Mon
76 °
Tue
69 °