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Campus and Community Writers Honored at Judy Gaines Young Award Ceremony

On March 5th, members across the Transylvania community gathered for the Judy Gaines Young Award ceremony. Endowed by Dr. Byron Young in honor of his late wife, the annual award is given to a recently published author from the Appalachian region. The award also honors a student each year and highlights their original works. The 2024 winner is George Ella Lyon, a former Kentucky Poet Laureate from Harlan County. Lyon has published over thirty works ranging from poetry to children’s books. Professor Maurice Manning, who hosted the event that night, spoke about the first time he met Lyon at the Appalachian Writers’ Workshop in the 90s. Manning said they played music together in a basement for what felt like hours. On the memory, Manning recounted “It fills you up to be a part of something like that.”

Lyon writes about themes of human connection, heritage, and nature. Lyon pointed out that March is Women’s History Month, and read from poems that touched on topics like beauty standards. She attributed her attendance to the many women writers’ conferences that served as great sources of inspiration and encouraged her writing.

A page out of Which Side Are You On by George Ella Lyon

Lyon also read aloud from her children’s book, “Which Side Are You On? The Story of A Song.” The book tells the story of the conflict between coal miners and mine owners in Harlan County in the 1930s, and the 1931 union folk song by Florence Reece of the same name it inspired. After reading the book, Lyon encouraged the room to sing along to the song

Transy Senior Lily Callahan was honored with the student award, gracing attendees with a reading of her original poems including “Moose” and “The Need of Returning to Young Oak.” Community members chuckled at Callahan’s candor during her poem alluding to the less glamorous aspects of horse farms.  Callahan has been nationally recognized for her equestrian abilities throughout her years on Transy’s Eventing team. She will be graduating with a major in Writing, Rhetoric, and Communications and a minor in Creative Writing this May. 

Callahan felt a mix of emotions about being honored because her poems that earned recognition were “from a very dark point” in her life. While She is still excited about the entire process, she said there were “nuances to that excitement for sure.”

Callahan recounted her interactions with Lyon, saying “George Ella was amazing. She’s what you dream to be when you’re her age. I had dinner with her and learned she’s lived a heck of a life. It was really fun meeting her. I really, really liked her.”

“Good for the Soul, Food for Thought”: Summary of SAB’s Soul Food Dinner with Chef BerNadette West-Fugate

On Thursday, February 22, the Student Activities Board hosted a Soul Food Cooking demonstration and dinner with Chef BerNadette West-Fugate to celebrate Black History Month. BerNadette is a talented chef and the owner of Aunt B’s Catering, which celebrates the flavors and traditions of African American history. Hailing from Chicago, Illinois, her passion for cooking led her to formal training at Sullivan University, graduating in 2006. Her culinary background was a tour of diverse foods, including touring with Cirque du Soleil’s Alegria tour. This diverse culinary background allows her to bring a unique flair to her creations and the events showcasing her food. She shares her expertise and love for food in the “How-To” series at the Louisville Public Library with her communities. Chef BerNadette draws inspiration from her family and loved ones in her in-person classes, cooking shows, and signature “cooking with love” mantra. Her culinary journey is a testament to her belief that food is a heartfelt expression of love and connection, not just nourishment. 

The event began with a short speech by Chef BerNadette’s son who discussed the roots of soul food in African American culture. This culture shaped the food world through vibrant flavors and spices used by enslaved people in the southern United States. This use of spices was due to the resourcefulness and ingenuity of the people, as they were given the meat that white people didn’t want. These meats were often tough, lacked flavor, and were, in the simplest of terms, bad cuts. The heavy use of spices in their rations made them edible and even good to eat. Many of these specific foods are considered part of African, Creole, and French cuisine, among others. 

After this speech, Chef BerNadette began her demonstration by sharing a hot water cornbread recipe. Directions for making the simple, two-ingredient cornbread are listed below. After the demonstration, she shared some of the other events she does, including demonstrations at libraries in both Lexington and Louisville. She included kid-friendly demonstrations so people of all ages can get involved. Through these demos, she has found that one of the best ways to take more interest in food and have a more diverse diet is to be more involved in the cooking process. Chef BerNadette also shared that her catering business, Aunt B’s Catering, works across Kentucky, wherever you want them to be. 

A list of Black-owned businesses was also included in a pamphlet passed out at the event so that the Transylvania community could do more to support them.

Hot Water Cornbread

  • Hot water (recently boiled, does not have to be actively boiling)
  • Cornmeal

*No measurements were provided during the demonstration, but references were given for how the mixture should look when ready.

  • If you are deep frying, preheat your fryer to 375ºF. 
  • Combine your cornmeal and hot water slowly, your finished batter should be about the same consistency as mashed potatoes. Different herbs, spices, and flavoring additives can be added to add more flavor to your cornbread. 
  • Scoop into your fryer, or shape into patties and shallow fry in a pan. Allow to fry for 1-3 minutes based on the heat of your oil. The cornbread should be an even gold color when done.

Lexington is “Happy To Receive” Extraterrestrial Tourists in Recent Marketing Strategy

Hello! We are happy to receive you!

In January 2024, a team of local scientists and scholars sent a similar message into space in the hopes of promoting some interstellar tourism. The team, sponsored by VisitLEX, the Lexington Convention and Visitors Bureau, used a coded bitmap image to advertise Lexington and all its qualities to audiences lightyears away. The concept itself is still relatively new, although rapidly developing technologies are allowing many different groups to take advantage of this marketing strategy. The idea is novel, if a bit flawed. This campaign is akin to throwing out the proverbial message in a bottle; although VisitLEX’s message’s destination is the nearest habitable solar system, it will still take 40 years for the message to reach it and another 40 for us to receive a response. 

However, those involved have full faith in their little message, which spared no detail in its promotion of our city. Those at VisitLEX have said they believe Lexington is the best place on Earth, and their message certainly aims to prove that. The bitmap image showcases all the best parts of Lexington, from its depiction of the rolling hills of bluegrass, to audio recordings of local musicians, and a molecular breakdown of water and bourbon. As the image’s depiction of the dopamine molecule suggests, whether our extraterrestrial friends are here to visit or stay, they’re sure to have a good time. 

And as we begin the long wait to hear back from them, VisitLEX’s campaign has been busy convincing those on Earth to come visit, as well. Aside from the bitmap message, their advertisement also consists of a website that some have been calling “the extraterrestrial’s guide to Lexington.” VisitLEX’s website, which comically explains Lexington’s signature products like an alien might (for example, calling thoroughbreds “four-legged superstars”), has already surpassed millions of views, and website traffic has increased to nearly double what it was in 2023. Many news outlets nationwide have also taken notice of this campaign, bringing even more attention to both it and Lexington itself. While it’s uncertain just how many people have visited Lexington because of VisitLEX’s attempts at interstellar tourism, it’s clear that the company’s efforts have not been in vain. No matter what happens to their message in a bottle, VisitLEX can rest assured that the conversation surrounding that message will more than makeup for any losses.

Even so, it’s nearly impossible to tell whether VisitLEX’s attempts at interstellar tourism will yield any long-term scientific rewards. In the face of the long journey their message will make, any predictions seem pointless. However, this field of communication is still new, and it’s not unlikely that we’ll see similar efforts as technology continues to improve. Who knows? Maybe one day we’ll be on the receiving end of an invitation.

But for now, we’ll keep sending our messages up into the sky, finding excuses to share our love and pride in our communities with someone else.

Triple Threat: Carrick Theatre Hosts the Leo Genovese Jazz Trio

On Sunday, March 17th, Carrick Theater was filled with community members captivated by the jazz stylings of the Leo Genovese Trio. Genovese, a Grammy-winning musician, praised the Grand Falcone piano provided by Transy professor Greg Partain saying “Forget about Europe, Japan, Mars,” it was Lexington that had “the best piano in the world.” 

The pianist was accompanied by upright bassist Francesco Marccoci from Pisa, Italy, and Ohio’s Jeff Williams on drums. The trio played well, with Leo blowing kisses to Williams after particularly unique songs ended. The trio schmoozed audience members with their stylings, eliciting audible reactions of awe. 

One piece was inspired by a Moroccan melody and another incorporated blues. In addition to the live music, there were paintings by Argentinian artist Hector Beas displayed that added to the meaning of each song. 

Genovese ended the performance thanking the audience for attending and praising his fellow musicians saying, “These guys are total masters.” 

The event was presented by the GreenRoom Exchange, a local non-profit organization dedicated to bringing international, cross-cultural experiences to the Lexington community.

Transy Women’s Basketball Clinches Sixth Straight HCAC Tournament Title; Wins 60th Consecutive Game

On Saturday, February 24th, the Transylvania Pioneers Women’s Basketball team clinched the Heartland Collegiate Athletic Conference Tournament title, defeating the Mount St. Joseph University Lions 74-46 in the championship game. The victory marks the sixth year in a row the Pioneers have captured the conference title, with the past three years all being with perfect records. The defending national champion Pioneers now head to the NCAA Tournament riding a 60-game winning streak. 

Transylvania entered the tournament as the number one seed after going undefeated in conference play and consequently earned a first-round bye. The Pioneers faced the number four-seeded Franklin College Grizzlies in the semifinals on Friday the 23rd. The Pioneers, who boast the number one scoring defense in Women’s D3, opened the game on a 23-0 scoring run, with the Grizzlies not scoring a basket until over seven minutes had elapsed in the first quarter. After a dominant 28-4 first quarter, the Pioneers were able to cruise to an 83-52 victory, advancing to the HCAC Tournament Championship for the eighth year in a row. The next day, the Pioneers faced the number three-seeded Lions in the championship. After facing an early deficit halfway through the first quarter, the Pioneers roared to life on offense, holding a 22-point lead at halftime. The eventual 74-46 victory was a joint effort from both sides of the ball, with Fifth Year Guard Kennedi Stacy scoring a career-high 32 points and the Pioneer defense holding the Lions to only 4 points in the third quarter and 18 points for the entire second half. 

The victory marks the sixth consecutive year the Pioneers have captured the HCAC Tournament Title. The Pioneers had previously captured the HCAC Regular Season Crown for the third year in a row and the eleventh time overall. Stacy and Fifth Year Forward Dasia Thornton were named to the All-Tournament team, with Stacy being named tournament MVP. This is in addition to the numerous regular season honors that the Pioneers earned, with Thornton winning HCAC Player of the Year, Stacy being named Defensive Player of the Year, head coach Juli Fulks taking home Coach of the Year honors, Stacy and Thornton being named to the All-Conference First team, and Fifth Year Forward Laken Ball, Senior Forward Sydney Wright, and Junior Point Guard Sadie Wurth being named to the All-Conferene Second team. 

The win improves the Pioneer’s season record to 27-0. This will be the third year in a row that the Pioneers will enter the NCAA Tournament with a perfect record. The Pioneers, having won the 2022-23 National Championship with an undefeated record, currently hold a 60-game winning streak. This streak is tied for the fifth longest in the history of D3 Women’s Basketball and the twelfth longest in the history of all college basketball. 

The Pioneers, who are ranked No. 2 in the nation by D3hoops.com, begin their title defense in the NCAA Tournament on Friday, March 1st in the Beck Center, having earned home-court advantage in the first four rounds of the tournament. Transy will face the Chatham University Cougars in the first round of the tournament on Friday at 8:00 P.M. Should the Pioneers advance to the second round, they would face the winner of an earlier match between the Ohio Wesleyan University Battling Bishops and the Emory University Eagles at 7:30 P.M. on Saturday the 2nd.

Transy Theatre Presents: The Children’s Hour

It’s February 2024, and Transy’s campus is back in full swing. Spring break is approaching, athletes are preparing for a busy season, and while many students have spent the month counting candy hearts, the theater department here at Transy is preparing for its upcoming production of The Children’s Hour. Recently, I had the pleasure of speaking with Sofia Ricketts (’25), who serves as the show’s assistant director, assistant stage manager, and dramaturg. Our discussion focused on her thoughts on the production and its themes.

Lillian Hellman’s The Children’s Hour (1934) is a three-act tragedy originally performed for audiences in America and London. The story takes place in rural northeast America during the 1930s at a boarding school for girls. It begins with a petty rumor started by one of the students that rapidly spirals out of control, forever changing the characters’ lives. It was widely criticized during its original run due to its portrayal of homosexuality, which, at the time, was still prohibited in most public productions. Despite this, the play was acclaimed for its literary merit and overall quality and has since been revived several times.

Photography by Caroline Host

During our conversation, Ricketts and I discussed the comparative impact of performing The Children’s Hour in its original year of release versus performing it today. In 1934, Children’s Hour was identifiable by its blatant and sympathetic portrayal of homosexuality at a time when such an opinion was unpopular. While homosexuality is still a point of contention, Ricketts conceded that the original focus of the show has less effect on today’s audiences and Transy’s student body, specifically due to its diverse nature. I asked Ricketts what a modern takeaway from our production would be, and she suggested Hellman’s focus on truth and lies. In a world dominated by social media and fake news, it’s easier than ever to be taken in by rumors. The Children’s Hour demonstrates the danger of this. As Ricketts pointed out, “The tragedy in this show is caused by rumors, so I think the message is to do your own research. Don’t just believe whatever you hear.” 

In the end, she said, “That’s what it comes down to; not a warning, but a dramatized lesson. Like any tragedy is.”

Transylvania’s production of The Children’s Hour is being directed by Tosha Fowler, our current head of the Theater Department. Fowler has previously directed several other productions at Transy, the most recent being Angels in America in Winter 2023. Rehearsals will continue until production, scheduled from February 28 through March 3. Tickets are available for reservation now through @transytheater on Instagram.

50 years at Transy: An Interview with Dr. Don Dugi

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Many rumors had been circulating about the upcoming retirement of one of Transy’s longest-serving Professors, Dr. Don Dugi. Dugi has made a name for himself as one of the most well-known and respected professors on campus (or most feared, depending on who you’re asking). After hearing about his pending retirement, I wanted to sit down with Dugi to ask him a few questions about his experience here at Transylvania. The following section contains the interview where he gave insight into his life and his time at the university:

Cam: How long have you been teaching at Transy, and what have you learned from your experience here?

Dr. Dugi: I started teaching here in the fall of 1975. So, next year will be my 50th and final year. As for valuable experiences, my goal as a professor has always been to empower people. One of the things I’ve always done is keep a garden because when it comes to teaching, you can’t take credit for the success of others. But when you garden, with a little luck, you can take some credit for the produce you get from the garden. So whether or not one fully achieves the goal of empowering others is obviously somewhat problematic, but you keep trying. Perhaps a bit like Sisyphus sometimes. 

I think one of the great things that has happened here is we still get a fair amount of first-generation college students. And I think one of the problems that first-generation college students have is a lack of cultural capital. I know that there have been a number of faculty members, and I hope I could include myself there, who have helped people who are first-generation develop some cultural capital that will hold them in good stead in whatever occupation they choose after they leave us.

Pride is not a concept I abide by. I always do the right thing because it’s the right thing to do. Not because I have any desire to enhance my reputation or anything else. In fact, I think my reputation here has not always been great among faculty in particular, but perhaps even with the students. I think they have the misguided idea that I’m hard. Well, to some extent, that is true, but I am harder on myself than I am on anybody else. I don’t think you achieve excellence without some demands. If you simply leave things as they are, there’s no improvement. So you have to ask for excellence.

Cam: What would you say has made you the happiest as a professor, whether at Transy specifically or in the general teaching profession?

Dr Dugi: I always said I have a limited range of occupational choices. I couldn’t sell anything because I don’t buy anything, and that limited it severely. I always said I’d rather be helping people escape their ignorance than be a bartender and help them drown their sorrows. I hope that escaping ignorance has been achieved to some extent. 

One of the things that I’ve been happy to see is the success of a lot of our former students. By now, as you might guess, some of them are already nearing retirement age. So, hopefully, they’ve had fruitful careers. At any rate, I tend to be a person of duty. I do think, like I said, I do the right thing because it’s the right thing to do. And the idea of happiness or pleasure, the only happiness I would probably consider I have about this, is more in the classical Greek sense, Eudemonia rather than satisfaction. I think that’s probably it, you know.

Cam: Could you explain more what you mean by that? Eudemonia?

Dr. Dugi: Well, it’s a great concept of happiness being fulfilling one’s humanity and making the most of things. Let me give you a formal definition: It has no one-word translation in English, but it’s a combination of well-being, happiness, and flourishing, the ultimate goal of a human being. So, it’s more about fulfilling one’s humanity and one’s purpose in life.

Cam: What has kept you here at Transy rather than somewhere else?

Dr Dugi: Well, there have been a number of factors. Early on, it was the fact that we had moved a few times, and I felt that stability was important for my family. As time went on, there were offers from other places, but things were going well here, and you know, students would sometimes say, “Why aren’t you at Harvard or someplace like that?” And I’d say, because I’m here, my goal was to make this place the best that it could be. 

As to personal or academic goals of, you know, enriched reputation or something like that, I just frankly didn’t care. Mostly, over the years, it’s been family. I know I’ve turned down an offer for an honors program at a place that was pretty cold, and my wife doesn’t like cold places. So, those sorts of considerations largely kept me here, I suppose. And when I hit 45 years here, I decided, well, why not make it 50 and then call it a day?

Cam: Do you have any advice for students? How to succeed?

Dr. Dugi: Well, clearly, I think working hard is a good thing. I don’t have a problem with students playing hard, but I think it’s a good idea to work hard first. You can work at play, but you should not play at work.

Cam: As a final, more fun question, who are your favorite artists or favorite bands?

Dr. Dugi: Oh God, I have a lot. I’m an omnivore about music across lots of genres. I mean, I like Vivaldi and others in classical music. One of my favorites always was Leonard Cohen. I still resent the fact that Dylan got a Nobel Prize when Cohen is a better poet and songwriter in general. He actually did literature. Oh, then I always liked Johnny Cash. So, the list is pretty long.

Transylvania University Hosts Kentucky Court of Appeals

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The Kentucky Court of Appeals heard three cases in Carrick Theater on February 6th. I had the opportunity to attend the third case of the afternoon, which began at about 2:45 PM. I was a bit worried considering the subject matter, but I thought it was an engaging and interesting hearing.

In the case I heard, the appellant, the Kentucky State University Foundation (KSUF), an organization that operates in conjunction with the Kentucky State University, sought to overturn a lower court’s decision that the KSUF was a public agency as was, therefore, subject to Kentucky open records legislation. Each side was given fifteen minutes, with the appellant having to split their time between an opening statement and a rebuttal to the defendant. The Defendant, Frankfort Newsmedia LLC, wanted access to KSUF financial information.

The judge would occasionally interrupt proceedings to explain procedures and other rules to the audience, which, as someone who is not entirely familiar with them, was greatly appreciated. It was also entertaining when he would stop one of the parties and ask them to clarify what they were saying, with a tone somewhere between dumbfounded and fed-up. The most entertaining part was, towards the end, when he told the audience that this whole case was based on financial records regarding a birthday party held by KSUF employees, a revelation met with bewildered laughter among the audience.

While a decision was not made on campus on any of these cases, this hearing was a fascinating look into the Kentucky court system that one would otherwise have to travel to Frankfort to witness. And how many college students have the gas money or time for that?

Celnisha Dangerfield Named Newest WRC Program Professor; Weeks of Candidacy Come to a Close

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This article was co-written by Josie Grant and Jack Thomas

In the beginning weeks of the Winter 2024 semester, students in the WRC (Writing, Rhetoric, and Communication) program had the opportunity to sit in on lectures and informal conversations with three potential program candidates visiting the university. These candidates gave students a glimpse at potential new faculty members, sitting down with them during program lunches and giving mock lectures to Gary Deaton’s Persuasion class. Each candidate brought something unique to the table, making the two-week candidacy period worth everyone’s time.

Celnisha Dangerfield presented her research titled “Writing/Righting the Wrongs of Place: Hannah/Bond/Crafts’ Search for Sanctuary,” on Friday, January 12th. Dangerfield completed her undergraduate degree at Clark Atlanta University and is working towards her Ph.D. at the University of Memphis. As she presented her thesis work she offered a refreshing interest in communications and its intersection with racial and cultural studies. She reassured the handful of students dining with her that being at a predominantly white university did not scare her, but instead presented an additional motivator. In her practice lecture, students connected with Dangerfield’s personable and fun attitude, and found her straightforward teaching style easy to follow and engage with.

Recently, the professors of the WRC program announced with excitement that Professor Dangerfield was selected as the newest addition to the Transy family. Her drive, expertise, and enthusiasm are sure to bring a plethora of positivity to the program as she begins her work this summer, offering courses that are soon to be announced. For more questions, contact program director Scott Whiddon.

Morlan Gallery: Tropiciele/Pathfinders Exhibit

The Morlan Gallery’s exhibit Tropiciele/Pathfinders displays faculty work from the Academy of Fine Art in Krakow, Poland. The works are composed on paper, using a variety of techniques varying from contemporary takes on traditional mediums to the use of technologies such as robotic drawing machines. This exhibit title is a reference to the thematic exploration of art presented in the works. It explores the freedom of artistic expression and the wide variety of ‘paths’ it can take. The works are not necessarily connected visually but through the theme of finding one’s way in the world through artistic expression. 

The exhibit contains the work of 14-20 faculty members from the Academy. The pieces were created using printmaking techniques such as intaglio, linocut, serigraphy, lithography, digital prints and ink, spray paint, and graphite on paper. These processes often involve engraving or using machinery. 

No Title I by Marlena Biczak

No Title I by Marlena Biczak is a printmaking piece created through intaglio. I found its use of color and motion compelling. The piece is almost divided on the right, as the lighting and image slightly differ from the rest of the work. However, this division appears to be more an indicator of motion than a separate element of the composition. The harsh tones of yellow washing over the gray and black structure in the painting create a unique feeling, resembling light reflecting off metal. This painting may represent the fast-paced nature of life and the theme of finding a path in the world. 

Siedzimy-czekamy by Stefan Kaczmarek

Siedzimy-czekamy by Stefan Kaczmarek is a work of serigraphy. The title translates to “We sit and wait,” reflecting the kneeling figures displayed. The artist creates an abstract depiction of the human body that appears realistic in some elements and distorted in others. The shading causes the skin to appear almost like a black-and-white photograph, as well as the natural curving of the bodies. The figures appear realistic until you notice they are closed off around the shoulders. They seem to be piling on top of one another to form a solidified group. This may allude to the idea of complacency within society and reflect the notion that group mentalities prevent some from thinking for themselves. It may connect with the theme of trying to find your path in society and avoiding conformity.

I had a great time exploring the artistic side of Transy’s campus. It was interesting to see artwork created at another university displayed here at Transy. If you want to check out this exhibit, it will be on display in the Morlan Gallery until February 23rd

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