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Untitled Frankenstein: A Review of Morlan Gallery’s First Show of the Year

From January 13th to February 21st, Morlan Gallery exhibited Allison Spence’s solo show Untitled Frankenstein. The show’s namesake comes from the iconic gothic and body horror book Frankenstein by Mary Shelley, where Dr. Victor Frankenstein never actually names the being he fashions out of repurposed body parts. Instead, the being’s humanity is forcefully stripped and rejected, bound outside of what is considered human as something unnamed or colloquially fashioned as “Frankenstein’s monster.” Questioning society’s use of moralism and the drive to categorize in order to uphold hierarchy, the show filled the gallery with faux fur, layers of motif, and linen prints. It asked us who the world wants us to see as monstrous and why. 

Thomas Eakins, The Agnew Clinic, oil on canvas, 300 x 214 cm, 1889. Photo sourced from Wikiart.

I had the pleasure of attending Spence’s artist talk on February 20th, where she gave an overview of her creative practice and its influences on her current body of work. Beginning with a historical overview of societal taxonomy from the end of the Enlightenment period to today, Spence cited the importance of surgical history and anatomy in her current practice. Spence analyzed Thomas Eakins’s The Agnew Clinic, an oil painting depicting anatomy theater surgery noticeably without gloves or modern antiseptic procedure to a captivated audience in the 19th century; frequent references were made to body horror from Junji Ito’s Tomie to David Cronenberg’s The Fly. In these two strands of influence, a viewer can see Spence’s fascination and interrogation with how humanity is and has been defined, from surgery as a spectacle to abjection.

Spence’s own medical history also informs her work. She is informed by the conversations around bodies, from which ones are uplifted by society to which ones are demonized, what makes something ‘human’, and how a category’s strict boundaries leave an indeterminate zone both in between and outside. Spence sees these layers of thought and history along with her own fascination with body horror and the meshing of form as reminiscent of a teratoma. Latin for monstrous tumor, teratomas are masses of tissues from around the body and might also develop other ‘human’ structures such as hair or teeth, combining to form a tumor that can be either benign or cancerous. The teratoma fascinates Spence, with her defining her work “within its spectre.” Referencing and learning about teratomas for years throughout her art career, Spence also described her surprise when in 2022 she visited a doctor and found out that she had a teratoma of her own. Thus, the show represents relatively new work given this revelation, informed by her own object of fascination, the teratoma, that had ‘manifested’ in her body only three years before the talk.

Pictured on the left are two pieces from Spence’s mass series, small mass 1 and small mass 2. Created in 2013 and existing as oil on linen, they reflect an earlier part of Spence’s artistic practice and her background as a figurative oil painter. Photo courtesy of Morlan Gallery.

When one views a body as a fixed category, a static mass with no malleability, abjection arises when that form is obscured. That is what Spence embodied in this show, and no better than with the suspended resin pieces. The current body of work is a progression of Spence’s work in grad school, a series of paintings of compressed bodies taken from snapshots of highly compressed wrestling videos. In those snapshots, Spence found an inability to distinguish between the wrestlers, instead seeing a merging of bodies, a point of interest that drew her to continue thinking about the meshing of human form. 

The resin pieces are a physical crushing of the painting reminiscent of these combined human bodies. Made up of several layers calling back to Spence’s own fascination with the teratoma, she crushed images of wrestlers, machine-embroidered text on linen, digital collages of her medical images, and green faux fur while using resin to lock the painting into a sense of suspended animation. I liked how the pieces appeared to be both strained and fluid, giving them an implied movement only possible through the stretching and crushing processes Spence used to create them. 

Clint, Digital textile print on linen, 2016. Photo courtesy of Allison Spence and Morlan Gallery  

The show also discussed the ‘indeterminate’ zone of things that defy categorization. For this Spence pointed towards a series of linen prints depicting various organs in fields of kudzu. This ‘kudzu series’ was created by Spence using plaster sculptures of organs and kudzu clippings, scanned digitally to create a ‘flattened look.’ In her talk, Spence discussed how kudzu was initially introduced to the south to stop soil erosion, but now devours entire landscapes. The tension between kudzu as a threat, an invasive species to be stopped, and a symbol of the south, due to its enmeshment into the landscape, stuck with me. I have memories of going to my grandparents’ house and driving past cornfields and forests overtaken by kudzu. Because of that kudzu has overtaken my own childhood memories as well, becoming an inseparable part of those summers I spent with my grandparents, existing alongside the knowledge of its environmental impact. The organs in these pieces represent those who received an organ transplant, echoing the show’s themes around fears of what makes a body ‘whole.’ Clint Hallam in particular, represented by the piece Clint, analyzes the psychological impact of having a hand transplant. As discussed in the talk, Hallam stopped taking his rejection medicine and had his hand amputated after his body rejected it. For Spence, the transplanting of organs can mimic the inclusion of kudzu, seen as something ‘invasive’ by the body but also representing the breaking of society’s uplifting of a ‘whole’ human. 

I found Untitled Frankenstein to be a highly rewarding show to attend. The attention to material and its reflection of biological processes initially piqued my interest, but visiting the gallery and hearing Spence discuss her work in detail showed me just how interdisciplinary the work was. From the kudzu pieces to draped fabric suspended in motion, Untitled Frankenstein told a story advocating against the boxes we are pressured to put ourselves into within capitalist and societal systems. I found the show to interrogate my own relationship to transness and how queer people are perceived at large. From divorcing from the heteronormative nuclear family to forging our own paths that defy the binary structures we live under every day, I found it comforting to see humanity displayed in what is often deemed ‘in-human’ or ‘un-whole.’ Spence herself echoed this when asked about queer theory’s intersections with her work during the Q&A, broadening her answer to also include discussions of disability. While she discussed that queer theory was not at the forefront of her mind when creating her body of work, she beautifully put that there is beauty in indeterminism and that there is so much more to becoming rather than strictly defining. To me that summed up the impact of art, how I could have such a visceral connection to work out of my own personal link to it, and how I could also connect to work through the artist’s own interpretations. These things can all coexist, and they can also mix together, giving each person their own experience. 

Pictured above are several of Allison Spence’s pieces from the Kudzu Series. From left to right: Ally II, Derrick, Ally II, all digital textile print on linen, 2016. Photo courtesy of Morlan Gallery.

You can see and read more about Allison Spence’s work at her website. Thank you to Anthony Mead for feedback on this review and to Morlan Gallery for hosting the exhibition.

Transy Director of Religious Life Sarah Watts: Turning ‘Just For Fun’ into a Career

– Sarah Harcourt Watts, Transylvania Director of Religious Life

Sarah Harcourt Watts is in her first full semester as Director of Religious Life here at Transy. Harcourt Watts graduated in ‘08 with a double major in Elementary Education and Religion. She went on to earn her Master’s Degree in Theological Studies from Harvard Divinity School. 

Sarah decided to double major, like many Transy students, in disciplines that didn’t obviously fit together. She thought she would only study education until taking a “life changing” Intro to Religion course with former professor Dr. Trina Jones. 

“I just had an interest in both of these things. I didn’t come in saying, okay, they intersect in these ways, but what I kept on hearing from my faculty is that you don’t have to choose. I thought religion was the ‘just for fun’ major and that education was the practical major.”

Dr. Jones recognized Sarah’s passion and referred her to a Harvard summer internship called the Pluralism Project. She described it as “a research organization documenting the change in religion in America with immigration over time.” After that experience the summer before senior year, Sarah realized how much she wanted to be in Boston. Following graduation from Transy, she earned a Master’s of Theological Studies at Harvard Divinity School. Her studies at Harvard were through a cultural lens of learning about religion. 

She didn’t utilize her master’s degree in the way she desired right away, though. She began teaching first grade in Nashville after Harvard. Her core values as an educator translated into her current director position: caring for the whole person, empathy, compassion, and curiosity. For Sarah, the reward of leading spiritual and religious life is in building relationships. 

 “It’s the people that I love, you know, the relationships, the helping people through tough things. Those kinds of things just feel comfortable to me in a way that makes me feel like, oh yeah, this is what I’m supposed to be doing.”

 “I’m so glad that I didn’t give up on my “just for fun” study. I mean, until a few years ago, I was still telling people I got this master’s from Harvard in divinity just for kicks, because I enjoyed it so much.”

Talking with someone so invested about this intersection of culture and religion made me want to learn more about them as well. Sarah’s excitement was infectious. 

A common query for those involved in a leadership position in this field is how to discern spirituality and religion. Sarah prefaced by saying there are so many definitions, but she sees religion as more culturally situated and organized, whereas spirituality is less organized. 

Regarding her religious beliefs she said, “for me, there’s some strength in knowing that my ancestors have made sense of the world in similar ways over the years, and that makes me feel a deep connection to these ideas.”

On ways that TU has changed since the aughts, Sarah pointed to a broader acceptance of all students as a positive shift; “That’s been really nice to see. It’s not to say that folks who don’t fit a mold don’t struggle here, but I do think that there is a lot more warmth for being kind of outside the norm than there used to be.”

Speaking about her social life as an undergrad, she said “I was just a really dorky student. I had my own little group of weirdos and misfits and we (just) had our own little best life all the way through.”

It is not uncommon, but it is always sweet to hear that Sarah met her husband at Transy. They had an education class together their first semester of freshman year. She referred to him as her long-term pioneer pair. Sarah and her husband have two children, and eventually moved back to the city where they met.

When I asked Sarah for any advice for students who may be questioning their religious orientation or are just curious, she offered, “College is a really good time to try out some different things and just have different experiences. I would encourage folks to not get too hung up on specifically what they believe, but just have the experience and then kind of go from there.”

There are plenty of student organizations like Interfaith Alliance, Disciples and Friends On Campus, and Muslim Student Association that host events that provide opportunities for such experiences. “I want students to know that they don’t have to figure it all out now – that it’s a lifelong process to think through these things.”

I’m grateful that Sarah didn’t give up on her “just for fun” major. I find her educational trajectory inspiring. If you want to talk with her, conversation isn’t limited to religion and spiritual life. Sarah hosts intentional listening hours in her office in the student life suite of the Campus Center every Wednesday from 9 am – 11 am. For more student resources, check out the list of student orgs here with your Transy account.

Ramblin’ Worldwide: A Deeper Look Into Transy’s Study Abroad

As international relations become progressively more strained under the new administration, I am increasingly grateful that I had the opportunity to study abroad and travel when I did. In 2024, I stayed in or sojourned through a total of seven different European nations, and my intercontinental journey started in Transylvania’s Office of Global and Intercultural Engagement. As I participate in a global engagements course designed to help returning students process and learn from their time abroad, I find myself reflecting on my experiences and wishing more people could share those experiences. I sat down with Rachel Wilson, Transylvania’s Study Abroad coordinator, and asked her what she’d like the student body to know about studying abroad with Transy.

Wilson says her main goal is simply getting students through the door in Old Morrison. “The vast majority of students would be open to the idea but wouldn’t proactively seek out the opportunity,” she explains. While there are plenty of standard May Term study abroad courses like ‘Lights, Cameras, Anime,” an art-focused class in Japan led by Kurt Gohde and Wei Lin, the Office of Global and Intercultural Engagement helps students tailor a specially crafted experience all their own. The first questions Wilson asks are “What are you hoping to get out of this experience? How can we help you achieve that?”

Transylvania University makes it easy to get abroad. Alongside taking free passport photos for students, there are many scholarships available, and no semester abroad (including airfare) will ever cost more than a semester at Transy. Students still earn academic credit, so it’s easy to work towards a major (or minors!) while abroad.

When asked about the value of studying abroad, Wilson immediately answered “It’s about experiencing the world in a different way. It’s about breaking the bubble. Eighty percent of Transylvania students are native to Kentucky.” She explains how spending time in another country fights against a singular worldview. “You learn to adjust your perspective of ‘normal.’ Sometimes we don’t even consider that things can be done differently.”

Wilson emphasized the idea of travel as education. “You have to trust in the good of others,” she says. To her, studying abroad is all about asking for help, figuring out new routines, and thriving in the unfamiliar, saying, “You never know where each day will take you.” She recounted a story of a Spanish student recognizing the subjunctive form on a street sign. “You don’t get that in Carpenter.” Wilson reiterated that no amount of book learning can fully prepare you for a lived experience.

The transformative aspect of studying abroad cannot be overstated. At the risk of sounding pretentious, I can divide my college experience by pre- and post-Ireland. I had been overseas prior, but I never got the opportunity to put down roots – to experience the place as a resident rather than a tourist. Living in a new city for a whole semester an ocean apart from any familiar faces was daunting, but it really helped me discover myself as an individual. In the words of Isa Slaughter, a senior at Transy who studied abroad her sophomore year, “Yes, I am a different person after studying abroad. A piece of me will always be in London, I think. It was the first time I had ever existed as just myself, no people or places tied to my identity. It was as terrifying as it was liberating. I carved out space for myself in that city and in doing so I carved out space for myself in my own body. I am so much more me now than I was before.” Like Isa, I’ve kept in contact with many of the friends I made abroad, and across time zones and an ocean, a piece of Ireland is always with me.

I encourage everyone to consider taking a semester or even a break abroad. The deadline for Fall 2025 has already passed, but applications for the Winter term of 2026 are accepted until May 15, 2025. The Office of Global and Intercultural Engagement is located on the first floor of Old Morrison and you can email Rachel Wilson directly at rawilson@transy.edu.  Learning more about other ways of life is crucial to personal growth and interpersonal communication. Break out of your comfort zone and ramble wherever your heart may lead you.

Opinion: What Is to Be Done? 

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In the recent State of the Union address, some Democratic congress members protested President Trump’s speech with underwhelming gestures, such as wearing pink or holding small signs with slogans like “Musk Steals.” This is in line with a disappointing and sheepish strategy seemingly proposed by Senate Minority Leader Chuck Schumer of lying down and doing nothing, the idea being that Trump will inevitably fail on his own and people will turn on him. This is a horrible strategy and only guarantees that the opposition party bears no responsibility for or to make any meaningful attempt for change when they are needed most. It’s also precisely this strategy that got us here in the first place: maintaining the status quo, not offering a vision for the future, and providing few material changes to their constituents. 

The Democratic party’s lying-down strategy makes one thing clear: They never really believed that Trump was the evil threat to democracy they campaigned on, or if they did, it does not seem to bother them that much. If they truly believed it, and it was more than a campaign strategy, they would want to do something about it. But instead of acting as any sort of real opposition to the current administration, many Democratic congress members have gone quiet and have even turned to belittling and decrying their constituents. 

They complain about the amount of phone calls they receive, which is part of a coordinated effort by activist groups to motivate congress members to do something about this. As citizens heckle congress members in town halls across the country, most of them proceed to ignore them, appearing annoyed or even smirking in the case of House Minority Leader Hakeem Jefferies on a recent children’s book tour in Oregon.

One of the few Congress members who seems to care is the aging Bernie Sanders. Unlike his peers, Sanders has spent the last few weeks traveling the US, holding rallies to listen to people’s frustrations and mobilize groups. Representative Al Green has also taken the time to oppose the administration outspokenly, but his efforts were met with a Congressional censure voted for by 10 members of his own party. This is the kind of action needed in these troubling times. An inspiration, a glimmer, a hope, a vision—anything is better than just lying down and doing nothing if you can even call that a strategy.

This leads me back to the recent “protests” of holding up signs while Trump spoke to Congress. At this point, we should be well aware of the fact that appealing to Donald Trump’s emotions or intellect is not a feasible strategy. What would be of better use to Democrats is to fight back and listen to their voters. The last decade of American politics proves that no amount of moral highroading will get Trump or his voters to change their minds. 

Some centrist political groups even suggest that the party should shift even further to the political center. But how about, instead of doing the same thing over and over, they try something new? Speaking to the concerns of the working class would be a good start. Not down-talking to your base would also help. Not shifting even further right towards center is a bare minimum step.

But alas, this is the opposition we’ve been given so far, which isn’t much of one. If the Democratic party is unwilling to listen or change its approach, then perhaps it is time for a new party to emerge. The political history of the United States has changed a great deal since its beginning. Many historical parties have come and gone after experiencing diminishing national wins in elections. Maybe the story of the Democratic party now will not be one of rebirth and change but of fizzling out. If the leadership continues at this rate, the party might go the way of the Federalists or the Whigs and fade into the dustbin of history. In its absence, maybe something new will come about. Something that will answer the call to oppose the establishment and speak for the people.

The Kentucky Meat Rain: A Strange Tale and An Intriguingly Meaty Festival

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This weekend, my friends and I attended a rather unusual festival about 45 minutes from campus: the first-ever Kentucky Meat Shower festival in Bath County. If you’re unfamiliar with the story of the Kentucky Meat Rain, you are in for quite a rotten treat.

On March 3rd, 1876, in the Olympia Springs region of Bath County, mystery meat began to rain from the sky. Yes, you heard that right; chunks of unidentified meat fell onto unsuspecting Kentuckian farmers, supposedly “enough to fill a wagon” according to the witnesses. To this day, we don’t know much about the incident, and there are many theories ranging from reasonable to completely fictional. One of the most common theories for the meat shower relates to vultures. It’s common for the scavenger birds to eat too much, not knowing when their next meal will be, and they sometimes have to throw it up in order to make themselves lighter for flight. It is entirely possible that a large flock of these creatures could have been flying and multiple of them began vomiting their dinner below. This would explain the different sizes and theorized meats; different people there (for some reason) decided to eat the meat and argued over which animal it was: mutton, deer, bear, horse, etc. If it came from vultures, it could easily be many animals depending on what the birds had eaten. The main witness to the shower, Mrs. Crouch – the wife of the farmer whose land the meat fell on – did mention, however, that the sky was clear while the meat was falling from the sky. So either she had poor eyesight, the vultures were flying very high, or there’s another explanation. 

Kurt Gohde’s Strange Fascination: The Origin

 One man, some of you may know well, considers himself an expert: Professor of the Arts at Transylvania University, Kurt Gohde. Years ago in a time known as 1998, Kurt Gohde was looking through a newspaper that advertised used books while packing up to move to Kentucky for his new job at Transylvania. He would often scour the arts section (of course) and also a section labeled “odd things”. Within this odd section was a book on unusual weather phenomena, which Kurt took interest in and purchased, hoping to find something about his new home in Kentucky. Within this book was the meat rain, and Kurt was hooked for eternity it seems. As Gohde has told me, “the best way to become an expert at something is to become interested in something nobody else is”.

Gohde’s jar of preserved meat-rain found on Transylvania’s campus

Later on in his time at Transy, he was assisting librarian Susan Brown with digitizing portraits in special collections. While searching for portraits to photograph in closets full of old stuff, a small jar that would mean nothing to most people presented itself to him. With Olympia Springs on the label, Kurt knew exactly what this old jar of meat had to be: a remnant of the meat shower. It was truly fate that he would come across that, as he is now traveling around with this jar to answer questions for articles and festivals like this one.

When asked what his favorite theory is, not based on realism or plausibility, Kurt had quite an interesting response, saying he recently decided on a new favorite. “My favorite theory right now is something that was publicized potentially as a joke.” Gohde tells me that this silly theory consists of two Kentuckians and a knife fight. “These two knife fighters are so skilled that they slice each other into bacon strips, and then a whirlwind comes along and picks up the bacon strip slices of knife fighters and puts them back down.” With this rather unusual and unlikely theory, the sky meat would be human and these two hypothetical knife fighters would have had to chop each other up like a butcher. “My assumption is that there’s no one who’s ever been in a knife fight whose goal is to slice off little slabs of the other person and just keep going.” Kurt usually enjoys the odd theories, but until very recently this one wasn’t one he really enjoyed. “I’ve never really loved it because it seems so ridiculous, but now that’s why I love it.”

The First Annual Kentucky Meat Shower festival

Transylvania Students and Gohde pose with the jar of meat-rain as if they had waited their whole lives to see it

The festival had a few key stops for visitors. The doors to enter the courthouse-turned-museum still include the bullet holes where a shootout happened sometime in the 1800s. Walking around you can find newspapers, pictures, and relics from Bath County past. At the tail end of the room was where Kurt’s informational table sat, partnered with his jar of meat. Outside were vendors featuring crafts, shirts, and homemade items, which my friends and I gladly passed the time spending money on. A few food trucks were available with a wide variety of snacks and meals to choose from, drawing you in with their alluring smell of fried goods. Even outside of the festival itself, the place has the charm of a very small town, overlooking hillsides and farms that roll on forever. 

There was one thing, though, that stood out from the activities list we knew we had to do: the meat contests. At 2 o’clock sharp, the event organizer Ian Corbin stood in the middle of the street with his megaphone and announced the three meat-related contests that would take place: the Bologna Throw, the Hotdog Eating Contest, and the Meatball Toss. 

I went first in the Bologna Throw, a line of people waiting their turn behind me. I stood in the center of the street and reared back the slimy slice of meat as if it were a frisbee. I made it a little over halfway down the stretch, the bologna slapping against the side of a food truck. I only held my lead for about two more contestants before I was dethroned, as a much stronger, older man beat us and the kids who participated for a twenty-dollar cash prize. His bologna went all the way to the intersection, past the food trucks and vendor tables. There was only one “injury” of the event aside from my pride: Kurt Gohde’s own mother being slapped in the face by a wild bologna throw. 

Kurt Gohde (left) and Casey Casey (right) race to finish their hotdogs during the competition

Next up was the Hotdog Eating Contest, in which our friend Casey Casey and Kurt Gohde himself participated. The goal was to be the first of the total seven contestants to finish eating two hotdogs. Neither of the two we knew won the contest (with a forty-dollar cash prize might I add), but at least they got two free hotdogs for lunch. I requested they both continue eating their ‘dogs to see who could beat who between the two of them, and Gohde beat Casey by one bite – in case you were wondering who’s the better hotdog eater.

To end our evening at the Meat Festival, my friends and I participated in the Meatball Toss, which was basically like your usual egg toss, where the objective is to not drop it when tossing to your partner. As sad as it is to say as a previous softball player, my throwing partner and I were out on the second toss. The competition was quick, two locals winning the twenty-dollar prize.

Competition Winners pose with their cash prizes

Future Events: 150th Anniversary

This year was the first year of Bath County’s Kentucky Meat Shower festival, put together by local Radio Host Ian Corbin. This year served as a test run for Ian, hoping for it to be bigger and bolder next year for the 150th anniversary. Gohde became involved when he was in town with his jar of meat a few months prior. Ian reached out to him with hopes that the meat itself could attend the festival and Kurt would be able to answer questions for visitors. Little did Ian know Gohde has been planning his own Meat Rain event for the 150th year for decades now. After the smaller success of this event, Ian and Kurt are now able to work together to put on a bigger and crazier festival in 2026. 

Gohde poses happily in front of the Bath County CourtHouse/Museum

Kurt Gohde has already been working on his big idea: creating a rain of 1,876 pieces of meat on March 3rd, in the same field where the meat initially rained down. You may think him to be a madman, and you would probably be right. However, it is going to happen, crazy or not. Ian Corbin will have his festival the weekend before the anniversary date, similar to this year, while Kurt will host his shower the following Tuesday on the exact 150th anniversary. These events will be separate, but the two are working to help each other in different ways, such as Corbin helping work out how to transport people to the farm property. 

Gohde hopes that his meat rain recreation can be a big public event and wants to encourage people to attend by having certain pieces of meat come with prizes. “Maybe somebody wants to sponsor it by saying: I would like to attach to a piece of meat that somebody finds that they can win a day with my dog, or whatever crazy thing so that the people have all sorts of incentive to go out and get the meat,” said Gohde. Like a golden ticket with meat rather than chocolate, Professor Kurt Gohde is sort of like Meat Willy Wonka. 

I can tell you now I will definitely be attending the next festival in 2026, and will be gaining as many meat-prizes as I can collect. I hope to see some of you there as well, so mark your calendars and count down the days until the Olympia Springs’ sky rains meat once again for the first time in 150 years.

If you would be interested in sponsoring a meat-rain prize, whether it be cash, a coupon to your business, or the old VCR you’ve been trying to get rid of, or if you just want to learn more about this strange phenomenon, contact Kurt Gohde at kgohde@transy.edu.

Transy Women’s Basketball Wins Seventh Straight HCAC Championship; Prepares for NCAA Tournament

On Saturday, March 1st, the Transylvania Pioneers Women’s Basketball team clinched the Heartland Collegiate Athletic Conference Tournament title by defeating the Mount St. Joseph University Lions 69-62. The championship title marks the seventh year in a row that the Pioneers have won the tournament title, clinching an automatic bid to the NCAA tournament in the process. The Pioneers, led by first-year coach Hannah Varel, now head to the NCAA Tournament riding a sixteen-game winning streak. 

Despite some struggles early in the season, with the Pioneers holding a 6-5 record through the first eleven games of the season, the Pioneers won the HCAC regular season title by multiple games; the Pioneers have not lost a game so far in the year 2025. With a 16-1 record in HCAC play, the Pioneers earned the number one seed in the conference tournament, and the right to host the tournament in the Beck Center, for the fourth consecutive year. With this year’s HCAC Tournament expanding to eight teams, the Pioneers began tournament play on Saturday, February 22nd against the eight-seeded Blufton University Beavers. After a back and forth first quarter, the Pioneers began to expand their lead in the second quarter with timely three-point shots, holding a twelve point lead at the half. However, the Beavers continued to fight back, slowly chipping away at the Pioneer lead throughout the second half, with the Pioneers leading by five points halfway through the fourth quarter. Late free throws helped the Pioneers hold on for a 58-52 victory. Advancing to the semifinals, the Pioneers faced the number four-seeded Anderson University Ravens on Friday, February 28th. Things started looking quite grim for the Pioneers, with the Pioneers trailing by eight after the first quarter. The Pioneers slowly worked their way back through the next two quarters, trailing by one as the fourth quarter began. However, a dominant fourth quarter, with the Pioneers scoring twenty-four points while shooting sixty percent from the field, holding the Ravens to only four points scored on only thirteen percent shooting, would erase the memories of the tight first three quarters. The Pioneers won 70-51 and advanced to the championship game against the two-seeded Mount St. Joseph the next day. 

This is the second consecutive year that the Pioneers have faced the Lions in the HCAC Championship game, with last year’s championship quickly devolving into a twenty-eight point rout in favor of the Pioneers. Things would not be so easy for the Pioneers this time around, as the first three quarters would be a constant back and forth. The Pioneers led by one point after three quarters. Transylvania and Mount St. Joseph would trade one-possession leads through most of the fourth quarter, with a jumper by junior guard Makya Grinter tying the game at 59-59 with a little over three minutes to go. The game would ultimately be decided in the final two minutes when the Pioneers scored three-pointers on back-to-back possessions, courtesy of senior guard Sadie Wurth and sophomore guard Riley Flinn respectively. This created a deficit that the Lions could not overcome, and after some free-throws for good measures, the Pioneers secured a 69-62 win.

This win continues the Pioneer’s dominant run through the Heartland Collegiate Athletic Conference, with it representing their seventh-consecutive tournament championship. The Pioneers previously earned their fourth consecutive HCAC regular season title, and twelfth overall. Wurth, who scored fifty-seven points across the Pioneer’s three tournament games and scored one of the decisive shots of the championship game, was named tournament MVP, as well as being named to the All-Tournament team alongside junior guard Sierra Kemelgor. This was in addition to the numerous regular season honors earned by the Pioneers, with Kemelgor being named HCAC Defensive Player of the Year, first-year head coach Hannah Varel winning HCAC Coach of the Year, and Wurth and Kemelgor being named to the First and Second All-Conference Teams respectively.

With the win, the Pioneers also secure their fourth-consecutive automatic bid to the NCAA Tournament. The Pioneers will travel to Bloomington, Illinois to kick off the NCAA Tournament. There, they will face the Trine University Thunder on Friday, March 7th at 6:00 P.M.. Should the Pioneers advance to the second round, they would face off against the winner of a match between the home-team Illinois Wesleyan Titans and the Centre College Colonels on Saturday, March 8th at 8:30 P.M..

Guidance for Students Facing Fears of ICE

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Before reading this article, I ask you to please be mindful and respectful towards the subject. We as students should focus on building a community rather than making others feel unsafe or silenced. I suggest reading with the intention of understanding and learning. 

There can be a lot of fear and anxiety arising from current events happening in our country. There are various faculty, staff, and students who are here to offer you support. The information that will be discussed in this article is for anyone who finds it helpful. The purpose of this composition is to inform you on what your rights are, what to do in certain situations, and resources that are available to you. Transylvania is considered private property, meaning in order for ICE to set foot on campus, they would need a valid and signed judicial warrant. Without a warrant, they are unable to enter any buildings, both academic and residential ones. However, this does mean that public places are not protected in the same way private places are. If they do end up on campus and ask questions to students or faculty, all students, faculty, and staff have the legal right to stay silent and withhold any information about anyone on campus, including your colleagues and friends. Regardless of where you are, the first precaution you can take is carrying an official government-issued form of identification or at least copies of it. This includes driver’s licenses and state IDs, but stronger forms of identification include your passport, birth certificate, and any documentation proving your legal residence. If you feel uncomfortable carrying these kinds of documentation, you may also keep pictures of it on your phone, though it is not guaranteed to be taken as valid in this form. If approached by an ICE agent, do not run away and try your best to remain calm. Having someone with you may also ease this anxiety and fear. Know that you have the option to stay silent if asked any questions and can explicitly state “I choose to remain silent.” For legal support, there are resources available such as the Kentucky Refugee Ministries in Lexington. They provide services such as assisting in filling out or filing forms, representation before the Immigration Court, and disclosing additional information on your rights.

 In addition to that, Transy has offices that are available to provide support, assistance, and guidance. This includes the Spirituality and Religious Life office, Counseling Services, and Student Wellbeing Office.  It can be difficult as part of an underrepresented community on campus to open up to faculty or staff. The intention of this article is to bring support to not just these communities, but for the overall community of Transylvania University. There is a need to support those around us and to ensure voices are heard. Various individuals around the campus have your benefit and wellbeing in mind and strive to bring you this support. If you find yourself overwhelmed with worries and anxiety, reach out to someone. It may be easier said than done, but expressing yourself to potential like-minded and unprejudiced people can bring light to the situation. Remember, you are resilient, you are loved, you are supported, and you are not alone. 

-ReVo

What’s going on at Main and Broadway?

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While walking through downtown Lexington, you may have noticed that the empty building on the corner of Main and Broadway looks different. Some of the windows are boarded up and entrances are blocked up with chain link fencing. 

On one of the windows, a banner has a logo and URL. This website was not extremely helpful, having only two sentences of platitudes about a new “dining, shopping, and gathering” concept for the space. The side also includes a rendering of the renovated building, showing the brick facade painted white and new windows without the green tint that exists now. The render also shows example businesses that could populate the building, all of which seem to be bars or higher end retail. Do we need more bars in downtown Lexington? We already have so many of them. The retail might be promising. But given how the Square is faring across the street, I’m not entirely convinced this project will be successful. I’m just glad that it’s not just being turned into more parking or something (as Cincinnati is planning on doing to some riverfront property near downtown).The project website (https://www.325westmain.com/) claims that the building will be open by fall of 2025, around when Gatton Park a couple blocks away will be open to the public.

This story may be updated as more information becomes available.

Greg Woolf, Ancient Urbanism, and “The Environmental Sustainability of Ancient Cities.”

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On Thursday, February 20th, Transylvania University hosted Greg Woolf, a renowned ancient historian and archeologist who was recently appointed the director of the NYU Institute for the Study of the Ancient World. On Thursday night, Dr. Woolf gave the 2025 Collis lecture to a crowd in Carrick Theater, titled “The Environmental Sustainability of Ancient Cities.”

Woolf received his Bachelor of Arts from the University of Oxford in 1985 and graduated from the University of Cambridge with a Doctor of Philosophy in classical studies in 1990. Woolf taught ancient history at many institutions, such as Oxford, the University of St. Andrews, the University of London, and UCLA before assuming his current position at NYU in January 2025. In his scholarship, Woolf has examined material culture, urbanization, and religion, as well as looking at how all three interact with imperial systems, especially the Romans. When introducing Dr. Woolf prior to the lecture, Transylvania professor Dr. Frank Russell emphasized how Woolf’s 1997 article “Beyond Romans and Natives” was an inflection point in the classics discipline, helping shift discussion of Roman imperialism from the shadow of modern debates on colonialism to a more nuanced discussion of cultural exchange. Both Russell and Woolf added that the content of the lecture was related to topics explored in Woolf’s recent book, The Life and Death of Ancient Cities: A Natural History.

Woolf opened by explaining his main goal behind the research that led up to the lecture. His goal was to contextualize Roman cities in historic debates over naturalness versus unnaturalness in environmental sustainability. The works of ancient writers like Juvenal and Galen have cast Roman cities in a negative light, with Woolf comparing them to the works of more modern writers like William Blake who criticized urban life during the Industrial Revolution. And while the pollution and industrialism of the nineteenth century that angered authors like Blake existed in the Roman period – evidence of high lead emissions during the imperial period can be found in Greenland’s ice caps – this resulted from the industrial-scale mining that largely occurred in rural areas of the empire. As for urban areas of the empire, Woolf argued that Roman cities were far closer to sustainable ‘green cities’ than the polluted dystopias that they are often portrayed as in literature.

This is an argument that makes quite a bit of sense when considering the limitations of the ancient world. Roman urbanism reached its height around 200 CE, with hundreds of small cities forming around the empire, along with a handful of megacities. The limitations of transportation meant the materials for building Roman cities were usually locally sourced, both from nearby forests and quarries. Roman cities were also circular economies, with archeology showing that older structures were consistently harvested for materials in newer structures. As for supporting the needs of the citizens of megacities, Woolf turned to their surrounding rural areas, or what he refers to as their hinterlands. Woolf argues that rather than Roman megacities creating the ancient equivalent of suburbs, megacities only formed in areas with rural hinterlands that could serve as breadbasets for their citizens such as the Italian peninsula and the Nile and Orontes river valleys. 

Woolf brought up many other points to support his argument for Roman sustainable urbanism, such as the trend of more green spaces appearing in Roman cities over time, the distinction between the biological waster of cities and the chemical waste of mining activity, the Mediterranean brushwood that served as a quick growing source of fuel for cities, and the – albeit traditionally undesirable – biodiversity that came with urban growth in the form of fungi and rats. In a Q&A session after the lecture, Woolf conceded that this Roman urbanism relied on the imperial system surrounding it, the same one that undertook the extreme pollution-causing mining and based much of its economy on human slavery. Overall, Dr. Greg Woolf gave a fascinating lecture that brought to light the initially surprising, but in hindsight clear environmental advantages of urbanism in the ancient world.

Transy Theater Ardently Shines in Pride and Prejudice

Transylvania Theater has done it again! Transylvania Theater’s latest mainstage production is a for-the-stage adaptation of the classic novel by Jane Austen, Pride and Prejudice, adapted by Kate Hamill. This is the second play by Hamill, who was named Playwright of the Year in 2017 by the Wall Street Journal and is known for innovative adaptations of literary classics that Transy Theater has produced in recent years, as Little Theater hosted performances of Kate Hamill’s Little Women in October of 2022. Many of the actors who starred in Little Women return for this production, including Vanessa Rivera (‘25) and Mary Clark (‘25), who play the leading roles of Elizabeth Bennet and Mr. Darcy respectively. Pride and Prejudice opened to audiences in Lucille Little Theater on Wednesday, February 26th, and will continue its run through Sunday, March 2nd. I was lucky enough to be in attendance for the opening performance of Pride and Prejudice on the 26th.

An important note before I begin this review. I have not read the novel Pride and Prejudice. I have not seen any film or television adaptation of Pride and Prejudice, including the lauded 2005 film adaptation directed by Joe Wright. Other than a vague knowledge of the names of characters like Lizzy Bennett and Mr. Darcy, I have unintentionally avoided Pride and Prejudice related media for most of my life, with this production being the first time I was exposed to the story as a whole. Because of this lack of knowledge of the source material, I will be judging the Transy Theater production on its own merits as a contained story, not as an adaptation of the novel or film. If you are a die-hard Jane Austen fan who wants to know whether Kate Hamill and Transy Theater deliver a faithful adaptation of the 1813 original, you will just have to attend the show and find out.

Similar to the Hamill adaptation of Little Women, which trimmed down its source material to focus on the relationships between the titular women of the March family, this adaptation by Hamill focuses heavily on the relationship between the women of the Bennet family and close friend Charlotte Lucas, how they each confront the pressures of the patriarchal system they are living in, and how they resist the tendency of those forces to tear the women and their families apart. The adaptation confronts the contradictions of the need to find a partner one loves, signified by the ever-present ringing of bells throughout the show, and the importance of finding a “perfect match,” with the show’s characters split on if such a thing even exists. The show lays the absurdities of these competing social pressures bare, with moments of slapstick-laden comedic chaos contrasted with moments of genuine tragedy. This is perhaps best signified by the literal game of blind man’s bluff that serves as the play’s cold open. Lizzie later describes the pursuit of marriage and love as a game, and this cold open shows the anxieties many of the characters hold about losing that game and being left out in the cold.

Hamill’s vision for the Pride and Prejudice story relies heavily on the individual eccentricities of each character, and those shined through in the performances of the Transy Theater cast. The absurdity of the social game played by the Bennet family shines through Katelynn Humphries’ (‘26) hysterical Mrs. Bennet, her younger mirror in Addie Regnier’s (‘25) Lydia Bennet, and Sam Goss’ (‘27) jaded straight-man performance of Mr. Bennet. Luke Aguilar (‘27) performed excellently in two wildly different roles in Mr. Bingley and Anne de Bourgh. Lumi Kaono (‘27) brings a justified exasperation to Hamill’s comically tragic interpretation of Mary Bennet. The absurdity of the show shines through the most in Will Johnson’s (‘28) Mr. Collins, who puts his slapstick skills to the use in his surreal take on the character, who is tremendously funny at times and tremendously disturbing at others. In particular, a scene between Mr. Collins and Lizzy near the end of the first act feels as if it was lifted straight from the climax of a horror film, rather than a nineteenth-century novel. However, the absurdity of the show only works when balanced by the emotional core of the show in the relationship between Rivera’s Lizzy Bennet and Clark’s Mr. Darcy, as well as Samantha Farr’s (‘26) Jane Bennet. Pride and Prejudice is a wonderful romp through the perils of nineteenth century British high society that adeptly balances the hilarious with the heartfelt. And the story is brought to life through the tremendous work of the actors, technicians, artists, and everyone else working in Transylvania Theater. Pride and Prejudice runs through Sunday, March 2nd in the Little Theater, so if you have access to tickets, be sure not to miss it!

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