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“AI threatens everything we value in higher education”: Some faculty question Transy’s $120,000 purchase of AI technology

This article, which was co-written by Katie Axon and Becca Orjala, is the first in a series on AI at Transy. In the coming weeks, The Rambler will explore student perspectives, environmental impacts, accessibility, ethics, and other issues.

Disclosure: Katie Axon is a member of the Human Intelligence (Hi!) faculty learning community, a working group taking a critical look at AI in higher education; David Ramsey, the advisor of The Rambler, is the co-founder of the Hi! FLC.

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All Transy students, faculty, and staff found something new when they logged in to their MyTransy portals this fall: links to ChatGPT 5, Google Gemini, and Google NotebookLM. The university spent $120,000 to purchase this suite of “AI” consumer products for everyone on campus this year.

“I think of AI as a tool,” said Amanda Sarratore, the university’s Vice President for infrastructure & chief information officer, who directs IT on campus. “It is just like any other technology tool that we make available to our faculty, staff and students.”

But many on campus have questions and concerns about whether these “tools” undercut the values and mission of a liberal arts education: Do “generative AI” chatbots like ChatGPT enable shortcuts that undermine the learning process? Should an educational institution encourage the use of products prone to misinformation and plagiarism? What about the environmental impacts or broader harms to society and culture?

“A university should be a place that values learning and community more than efficiency, profit, or the next trendy hot topic,” said history professor Hannah Alms. “I feel that higher education as a whole has been too quick to embrace generative AI without protecting core values such as independent thought, individual development, and the exploration of what it means to be human.”

Some professors believe that the consumer products purchased by the university are actively harmful to students and to Transy’s mission.

“I think it was a capitulation to the technocrats, none of whom have our students’ interests at heart,” said Spanish professor and Humanities Division chair Jeremy Paden. Learning can be transformative, he said, but it takes time, practice, and attention.

“AI threatens everything we value in higher education,” English professor Kremena Todorova said. “It’s anti-creative and anti-critical thinking. It’s anti-meaning and anti-learning. It is anti-human. It’s terrible for the environment. Billionaires love it, and love the idea of marketing it to young people, because they want to crush labor costs.”

Health and exercise science professor JJ Wallace has a different perspective, seeing a need to embrace these products. “It’s everywhere, and it’s going to continue to be everywhere, so we can’t keep our head in the sand,” she said. “We need to be able to use it effectively, appropriately, and ethically, because it’s not going to go away. I’m sorry, it’s just not.”

Wallace, the co-director of Transy’s Digital Liberal Arts initiative, said that AI represented an opportunity for faculty to take a leadership role in guiding students on how to (and how not to) use systems like ChatGPT. “I would love to see them actively engaging in how and if this technology is appropriate for what they do in the classroom,” Wallace said.

But not everyone shares her enthusiasm for the chatbots now a click away in every MyTransy portal. “It makes me want to retire,” said physics professor Jamie Day.

J.J. Wallace discusses using AI chatbots as “study buddies” at an Academic Affairs presentation on Jan. 15

How AI came to Transy

“Artificial intelligence” can refer to any computational system that does tasks normally done by human beings. The current hype you’ve probably been reading about refers to “large language models,” or LLMs.

LLMs use vast quantities of data, typically gathered from the Internet, to generate text, images, or other content (often called “generative AI”). It’s a prediction system: If you ask it a question, it will provide an answer by predicting each bit of language that a human being—or a human being with instantaneous Internet searching—might use. If a student asks an LLM chatbot to write an essay or short homework response, it can do a passable job of producing something that sounds at least moderately like student writing. Or it can do the same with solving a complicated physics equation.

During the winter term last year, a Board-level ad-hoc working group began reviewing a “framework” document—general guidelines for AI at Transy. The bulk of the work on this document was done by Sarratore and then-Dean Rebecca Thomas, with all cabinet members providing input.

In addition to Sarratore and Thomas, the working group charged with evaluating the framework included Board members Michael Finley and Prakash Maggan, JJ Wallace (who served at the request of Thomas), and two professors nominated as faculty representatives: history professor Gregg Bocketti and computer science professor Jack Bandy. (Thomas and Bandy have since left Transy for academic jobs elsewhere.)

Bocketti and Bandy, according to a letter sent to the Faculty Concerns Committee last May, were alarmed by the scope of AI implementation that the working group had been planning, including in ways that would impact pedagogy, research, and curriculum:

According to their letter, Bocketti and Bandy were able to convince Thomas and Sarratore to revise the framework in substantive ways that they believed would make it more acceptable to faculty.

However, their concern that the university was moving on an “unnecessarily condensed calendar for the development of such a wide-ranging policy framework” went unaddressed.

While Bocketti and Bandy had input on the framework, they were not involved in the university’s biggest policy decision: Contracting with for-profit companies to purchase access to AI systems for everyone on campus this year.

Sarratore said that determination was made by evaluating existing AI products already in use on campus, reviewing current spending with the university’s controller, and incorporating feedback from an IT survey she conducted. “The Bingham Center for Teaching Excellence also served as a key partner and provided valuable input,” she said.

But the decision was otherwise made without direct faculty input.

Faculty concerns

The $120,000 price tag of the new AI products had not been previously publicly reported when The Rambler learned these figures last semester. Paden said it raised questions about the university’s priorities.

“Ten years ago, we had a cafeteria in the student center, a sandwich and fry shop in the basement of MFA, a coffee shop where Gratz Perk is, and an honest-to-goodness late night food option in Thompson Hall,” Paden said. “Currently, the only real place to get food is the Cafeteria. It is open for dinner only for two hours and the late option closes at 9 pm. The constraints are economic, but we are choosing to spend our money on things like AI rather than food availability.”

Todorova said she was appalled when she learned of the cost of the AI suite from The Rambler.

“There has been little to no input from faculty or students,” she said. “Many of us believe they are antithetical to learning and have no place in the classroom. Why was this decision made without a discussion within the campus community? What about students who aren’t ethically comfortable using AI for legitimate reasons? It seems like we’re rushing in to latch on to the hype without any kind of plan or safeguards in place.”

Julie Perino, co-director of the Bingham Center for Teaching Excellence, said she thought “the school’s response has been pretty measured.”

Transy’s first action, Perino said, was establishing an AI integrity policy in 2022. “We made sure to put that into place pretty quickly. And we’ve been bringing in speakers to talk to faculty about teaching with AI since April of 2022.”

For some faculty, however, the workshops and training offered on AI have appeared to be one-sided, pushing for the implementation of AI in the classroom whether faculty (or students) like it or not.

David Ramsey, an adjunct professor of English and WRC and faculty advisor for The Rambler, said that the AI workshop he attended as part of the training for FYS this fall featured sixty slides on how to implement AI. Just one slide had any information for faculty who wished not to use AI in their classrooms at all, Ramsey said. It was a sample policy statement disallowing AI. The statement itself had been written by AI.

Kurt Gohde, professor of studio and digital arts, said that giving only one side in such trainings was a problem given the number of faculty eager for a very different approach.

“I think we should have equal resources and equal training and equal workshops for people who want to find ways to live without AI as we do for people who want to find ways to use AI,” he said.

Though he never found it useful himself, Gohde previously experimented with assignments that required AI because he thought students would need those skills after they graduated. The idea that students need AI training (or “AI literacy”) to compete in the job market is likely the most common argument advanced by proponents of AI in higher education. But Gohde ultimately concluded that products like ChatGPT were so easy to use that no training was necessary. Gohde said he was confident that someone with a good liberal arts education from Transy would have no trouble figuring out how to use an AI chatbot if a job required it.

For critics of AI in higher education, the problem is not just that products like ChatGPT typically don’t actually require specialized skills, but that reliance on AI may weaken other skills that Transy promises to offer students.

“The argument that we need to teach them to use this tech responsibly is malarkey,” Paden said. At least in the Humanities, he said, “the only way to use it responsibly is to know how to do the very things you are asking it to do.” But students have not yet read or written enough to have that mastery, he said. “Language is a life-long endeavor that changes over time, due to context and use,” he said. “We lose it, if we don’t use it.”

The faculty members most critical of AI said they aren’t avoiding the topic or denying its widespread use; they are actively trying to come up with innovative new approaches in their pedagogy to respond to the problems these products create.

“Of course we know ChatGPT is everywhere,” Todorova said. “That’s not an argument for paying to invite something harmful onto campus.”

“The process is the point”

University leaders said that their aim was not to replace human thinking or judgment, or to undercut deep learning experiences.

“The goal isn’t to take away the human element or creativity,” Sarratore said. “It’s about removing the repetitive, time-consuming tasks so we can focus on the work that really matters.”

But for art professor Grace Ramsey, LLMs are “the worst possible thing for any creative process.”

She expressed frustration with LLM marketing that promises to let students skip the slog and get the product. The value of going through the process is the whole point, she said. Even if the final product doesn’t turn out well, she added, the experience of making it helps the student grow: “The mistakes, the epiphanies, the slog, the hours of labor, the unexpected results, the hard-won revisions—you bring all that forward to the next thing you make and the next thing and the next.”

At a certain point, she said, students find pleasure and meaning in the process—including the parts that are challenging or may feel tedious at first:

The fact that this process can be difficult means that teaching it is difficult, she said. But she believes that labor pays off: “Students need the challenge of doing the thing not just to learn the subject, but most importantly to learn who they are and how they might face future challenges.”

AI in the classroom at Transy

One challenge for students with the advent of products like ChatGPT is that rules and expectations about the use of AI vary widely by professor.

Perino said she was “conflicted” on its use: “I think it is something that should be used sparingly because of the environmental impacts. I tend to think it should really only be used by people who know how to get to the end result they want and understand how to get there.”

Wallace said her approach was to establish “an overall course policy.”

“If you use AI, I have a really robust citation policy about how to treat it as if it is an expert source,” she said. “So when using quotations, if you’re taking it word for word, or if you’re doing paraphrasing—you still cite it, just like you would any other source.”

Wallace also sees the potential for much deeper integration of AI at Transy. In a recent Academic Affairs presentation, she shared research on creating a “custom study buddy with ChatGPT,” expressed an interest in incorporating AI products in the Writing Center, and suggested the possibility of a chatbot programmed to offer the students the virtual experience of communicating with William Shakespeare.

Other professors have experimented with AI-based assignments with limitations on what students are allowed to use it for; some have had students critique content generated by AI.

Alms said that her approach this semester was to involve her students in crafting their own classroom policy.

“From that point, they are accountable to themselves, each other, and to me,” she said. “The responsibility is on students, in those courses, to create their own community guidelines and to hold themselves responsible to them.”

Alms said that she was pleasantly surprised to learn many of her students were quite skeptical of AI and concerned that it would harm their learning experience and ability to think independently.

Other professors have completely shifted the way their classrooms function in part as a response to AI.

After realizing that some of his students’ self-reflection assignments were generated with AI, Gohde decided this semester to have his students handwrite them instead. “The worst thing to steal is the act of self reflection,” Gohde said.

Eventually he decided that all writing assignments in his courses should be handwritten. “I’m going to suffer through reading bad handwriting as a result because I think it’s better for everyone,” Gohde said.

Todorova has taken a similar approach, also initially inspired as a way to avoid generative AI. But it has become key to her teaching philosophy, she said.

“By the time last semester began, I saw these assignments as central to my pedagogy, which stresses learning as embodied, relational, and communal,” she said.

Her students seem to enjoy the change, she said. In one reflection, a student stated, “I barely write on paper anymore because of technology and it was nice to be able to do that again. I would recommend that you keep asking students to do this because I feel like it also leaves less room for distractions.”

Physics professor Mostafa Tanhayi Ahari allows his students to use AI, but he recognized there can be problems in an academic setting. “Mathematically AI is doing a good job, but physically, sometimes it gives you the wrong answers,” he said. Students without the experience to catch those mistakes should avoid using it, Ahari said.

Among professors who do not allow any use of AI, few are punishing students who break the rules or taking disciplinary action.

“I don’t have the interest or bandwidth to play cop,” David Ramsey said. “Even if I did, there’s too much potential for false positives and false negatives.”

If someone appears to have used AI, Ramsey said, he has a conversation with the student.

“These are addictive products that harm society and young people,” Ramsey said. “Students who use so-called AI are responding to societal and institutional pressures and incentives, including the fact that their university provided the products to them. So for me, if someone violates the rules to use AI in my class, it’s an opportunity. I want to know what led them to make that choice, and I want to share with them why I believe that reliance on these products is damaging to their education and their future. And for those willing to try a different approach—or nervous about their ability to do college work themselves—I’m there to help.”

“Appropriate guardrails”

Asked about the concerns from faculty and students about AI on campus, President Brien Lewis responded in a statement compiled for him by key cabinet members: “Those concerns are both valid and shared by the university. Transylvania’s framework begins from the premise that AI is a tool, one that must never replace human judgment, creativity, or the deep learning experiences that define a Transy education.” (For critics of AI, even the word “tool” can be controversial.)

Transy’s leadership does not see the AI products they purchased as something new. Many faculty, staff, and students were already using various AI products, Sarratore said. “Our goal was not to introduce new technology, but to put appropriate guardrails in place to protect institutional and student data,” she said.

These “guardrails” seem to be the university’s primary explanation for the purchase. Instead of the standard AI products, the university acquired custom versions that OpenAI and Google promise will protect users’ data and privacy.

“We were able to make sure that when using the tools, all this safety is in place,” Wallace said. “That ensures that when we are using the tool as a campus, we’re doing so with as many safeguards as we possibly can.”

It’s hard to know precisely how these additional privacy or security measures function, or how reliable they are. But Bocketti and Bandy got a look at two relevant agreements that Transy signed with OpenAI. These documents state that Transy can make a written request, no more than once per year, for OpenAI’s most recent independent audit report regarding privacy and security, as well as summary details of certain other audits or security reports, “upon reasonable request.”

When asked about privacy concerns at one AI workshop last August, Wallace said that Transy could sue if a company like OpenAI didn’t follow the agreement, but acknowledged that the university was ultimately trusting the companies to hold up their end of the deal.

But AI skeptics worry about the long history of tech companies breaking promises about privacy. Companies like Facebook, Youtube, and Google have paid out large settlements and fines for breaking privacy agreements with customers (none of which threatened their business models).

“Given that history, I wouldn’t trust their promises of privacy, even if they offer a third party audit,” Gohde said. “I couldn’t advise students to trust them either.”

David Ramsey said he viewed these promises as a marketing ploy to infiltrate college campuses with a large potential user base. “Even if I trusted these companies,” he added, “why do AI apps get a special deal? Many of our students use TikTok or Instagram or Snapchat or any number of other apps that collect their information.”

Transy’s licenses with OpenAI and Google are purchased on an annual basis, so university officials will have a decision to make on whether or not to renew the current suite of products for next academic year.

Sarratore said that the $120,000 investment in these products didn’t mean the university was pushing AI on campus. “What we’re doing is making it available for those who are interested,” she said. “For people who want to use it, it can be a real benefit.”

What about the students?

Sam Schultz and Alice Beatty present action ideas to the Human Intelligence FLC, Jan. 14.

The workshops provided to faculty have emphasized the need for safeguards for students using AI and careful instruction about how to use it in safe, ethical, and academically appropriate ways. But if the goal is to protect students, what did the university offer to help them navigate these new AI consumer products when they suddenly popped up in their MyTransy portals? Based on The Rambler’s reporting, it seems there was little plan in place to offer guidance on this transition to students last semester, other than relying on faculty to do so in their classrooms.

AI-critical faculty have generally disparaged the resources offered by Transy as unhelpful, but there have been workshops for faculty, and more offerings to come. The Bingham Center for Teaching Excellence and the Digital Liberal Arts Initiative, for example, are both expanding programming for faculty who choose to engage with AI. Last summer, Transy librarians Katrina Salley and Lori Bird created a microcourse that “provides information about what AI is, the capabilities and limitations of AI, and ethical ways to use AI,” Salley said. The microcourse was presented to faculty at a faculty retreat prior to the fall semester, with the hope that they would incorporate some of its lessons into their courses.

The microcourse was designed for a student audience, but fits the pattern of reliance on faculty to deliver the message. The university offered no similar direct outreach for students, but Salley said the library plans to launch a website on the topic for students this summer, which will cover similar ground as the microcourse.

There was also little to no opportunity for students to share their thoughts (or raise concerns or objections) before the AI products suddenly appeared.

According to the statement provided by President Lewis, “the [AI] framework and related investments were developed…with input from…SGA representatives.”

But SGA President Sean Gannon said that during their only meeting on the topic with Sarratore in February of 2025, the dialogue was vague—focusing on what tech they used as students and overall opinions about AI. “We, in general, opposed AI because of ethical and accuracy concerns,” Gannon said. “Nothing else much came of our conversation, and she never followed up about the specific topic.”

Last semester, Gohde and David Ramsey founded a faculty learning community (FLC), Human Intelligence (Hi!) in part to try to fill the gap on resources for AI-free pedagogy, resources for students who want to pursue AI-free education, and opportunities for students to express their opinions about AI at Transy. The group chose its name because, although most members are staunchly “anti-AI,” they wanted to emphasize promoting the liberal arts values they believe are under threat. Gohde and Ramsey said they wanted to start small (the FLC includes seven faculty members and eight students), but have been inspired to see students taking the initiative on plans to expand Human Intelligence to a campus-wide effort in the coming weeks.

During the FLC’s preliminary discussions, students have expressed frustration that the $120,000 purchase was made without regard for their input even though the products are in large part for their own use.

For her part, Wallace maintains that giving students these programs help them with “critical thinking and thinking about the ability to identify misinformation and the ability to verify information. If we can still continue to teach these foundational skills, we can apply that to anything, including AI.”

What about students who want no part of AI in their education? Ramsey said that anti-AI sentiment—including some more radical in their opposition than professors—was common among his students. One student in Ramsey’s current FYRS class made this comment in a recent assignment:

According to Perino, such students have options. “I know very few [professors] who are like, you have to use AI to do this,” she said.

If a student is uncomfortable with an assignment that does require AI, she said, they can opt out by communicating their concerns with their professor. At that point, she said, the professor should offer an alternative assignment..

But students should think carefully about opting out, Perino said. “Faculty who use AI in an assignment aren’t just doing it as an exercise. There’s some deeper goal there. So I’d ask the student to think about the goals of the assignment and make sure they’re not missing out on anything by skipping the assignment or by asking to do it in a different way.”

But there is no official university policy guaranteeing this option, Perino acknowledged. In practice, it’s hard to believe students would feel comfortable telling a professor they are refusing to do an assignment on principle.

While the debate over AI on campus continues at Transy, students in the Hi! FLC have begun planning workshops and activities to promote human intelligence and embodied learning, including a series of “Hi! DIY” events teaching handmade skills such as embroidery.

Students in the FLC said they are also planning to start a petition asking the university to end its investment in the suite of AI products next year and reinvest those funds in human-centered education.

What to know if Trump’s ICE surge comes to Lexington

Since taking office, President Trump has mobilized U.S. Immigration and Customs Enforcement (ICE) and Customs and Border Protection (CBP) to carry out an unprecedented mass deportation agenda, so far removing 230,000 people from the country. Countless others have been detained and incarcerated by ICE while awaiting the adjudication of their cases.

A heavy ICE presence in cities where many residents don’t want them has also led to tense clashes in the streets. On January 7, an ICE officer fatally shot U.S. citizen Renee Nicole Good in Minneapolis.

Immigrant families across the country have been living in a state of fear and high alert. The Rambler spoke with a number of immigrants in the Lexington community who asked to remain anonymous for fear of reprisal from federal immigration authorities.

One local green card holder said that it had become clear that nothing can guarantee safety, not even American citizenship. “Do we comply or not comply if ICE questions us, detains us, harasses us?” they asked. “What does complying even mean?” Another said they have stopped speaking Spanish in public and are now afraid to go to work.

Transy President Brien Lewis said that his administration is monitoring the situation closely and will “share updates with the campus community as appropriate.”  

The university, he said, “complies with all applicable federal and state laws and is committed to protecting the privacy of our community.” 

After the Good shooting, hundreds of anti-ICE protests took place nationwide, including in downtown Lexington. Immigration advocates in the city and members of the Transy community are now scrambling to answer the question: What’s next? Could the chaos in Minneapolis and other communities come here?

Tracking ICE 

For immigrant families in Lexington, one of the most challenging aspects of Trump’s ICE surge is the uncertainty: It’s next to impossible to predict just when and where ICE agents might show up. 

As with communities across the country, individuals and advocacy groups periodically post warnings on social media about the presence of ICE in certain neighborhoods or surrounding cities. In some cities, DIY social media accounts or new grassroots activists have led highly effective responses, and at times have been more nimble or deeply plugged into information on the ground than established immigrant-rights institutions. 

But many of the social media warnings are unverified, and may turn out to be false. People desperate for answers are sometimes confronted with rabbit holes of potential misinformation, furthering anxieties.

“Sharing unconfirmed ICE sightings creates fear and causes real harm to people who miss work, school, medical appointments, and even appointments because of unconfirmed activity,” said Executive Director of Neighbors Immigration Clinic, Mizari Suárez. She said that the only two ICE hotlines that people should trust are Louisville SURJ (Showing Up for Racial Justice) and Neighbors Immigration Clinic. “We are actively sending trained volunteers to verify and respond,” she said.

Adding to the confusion, even the data about past ICE activities is extremely difficult for the average citizen to understand. ICE has field offices in Louisville and Bowling Green, so there is nothing unusual about the presence of ICE officers in Kentucky. Since Trump took office, their activities have increased: According to the Kentucky Center for Economic Policy, ICE has made 1,950 arrests between Jan. 20, 2025 to Oct. 15, 2025. In the same time frame in 2024, 1,475 arrests were made. But the concern now is an all-out surge of the kind imposed on Minneapolis, where around 2,000 agents suddenly arrived in a single city. 

Kentucky represents a potentially attractive option for temporary ICE detainees. So far, 22 law enforcement agencies in the state (with more in process) have entered into special arrangements, known as Section 287(g) agreements, with federal immigration authorities. The terms of these arrangements vary. The most expansive version, known as the “task force model” and used by 18 agencies in the state, essentially deputizes state or local law enforcement agencies to make immigration arrests during routine policing. The Lexington Police Department is not currently participating in any 287(g) arrangement with ICE, but agencies in nearby cities like Georgetown, Stanton, and Winchester are.  

Fear in local communities 

“ICE has been in Elizabethtown, Paducah, and the South End of Louisville,” one local immigrant told us, adding that they feared a surge of agents would be in Lexington soon. Around two months ago, they said, ICE picked up and detained five people in the Cardinal Valley area in Lexington. These activities were not widely known, they said; very little information can be found about them online.

The panic in local communities has been palpable, regardless of immigration status. One naturalized citizen told us they now carry all their documentation every time they leave the house.

“My dad has his green card and had done the process, but he’s scared,” a U.S.-born citizen told us. “My parents are trying so hard to not seem worried but I can see it.”

“We have our daughter’s phone number written on our arms, just in case,” a recently naturalized mother told us.

As rumors abound, Suárez and the Neighbors Immigration Clinic work to sort between fact and fiction, responding immediately to investigate any reports, including sending volunteers to physically survey the area.

Concerned citizens can reach out to the clinic to verify whether or not a claim is true, as well as learning about rights and resources available to help keep them safe. 

The clinic also has recommended guidelines for what to report if people do spot ICE in their communities, based on the acronym SALUTE (Size, Actions/Activity, Location/Direction, Uniform/Clothes, Time and Date of Observation, Equipment and Weapons). See below for a hypothetical example. 

What if an ICE surge comes to Lexington?

Asked about enforcement activity in the region, a spokesperson from the ICE field office in Chicago—responsible for overseeing activities in Kentucky and five other states—replied by email: “ICE does not share mission information for security reasons.” (Prior to receiving the email response, The Rambler had also attempted to reach the field office by telephone dozens of times; each time, the line was busy.)

Sergeant Bige Towery said the Lexington Police Department was not aware of any specific ongoing or future ICE operations in Lexington. 

And if an ICE surge does arrive in Lexington? “When requested, the Lexington Police Department assists all federal enforcement partners to ensure the safety of all those involved,” Towery said. “The Lexington Police Department enforces state and local laws. Any federal laws are the jurisdiction of federal agencies.”

President Lewis focused on protecting the privacy rights of campus community members when possible under the law: 

DPS Chief Steven Herold was unable to comment in detail before press time, but said the department has contacted Transy’s Justice and Safety Cabinet for clarification. 

Because Transy is a private institution, ICE would be required to obtain a signed judicial warrant to enter the campus center or any academic or residential buildings. But nothing is stopping ICE from approaching people in public spaces. Outdoor spaces, even on Transy’s private property, may not necessarily offer constitutional protection from warrantless searches—there would typically not be a legal expectation of privacy on campus green spaces. If ICE agents are spotted on campus, advocates suggest that anyone concerned should stay inside a university building. 

Legal advocates also emphasize that the important thing people can do to prepare is to know their constitutionally protected rights. Here are the basics from the American Civil Liberties Union (ACLU), all of which apply to citizens and non-citizens residing in the U.S. alike: 

I Might Cheat On My Partner: How “The L Word” Shaped My Pubescent Lesbian Brain

My sex education consisted of my mom silently leaving The Care and Keeping of You 2: The Body Book for Older Girls on my bed one random Tuesday, a singular line from “Parks and Rec” from the fictitious pornstar Brandi Maxxx about “penis in vagina,” an online health course in 9th grade, and the iconic 2000s television show “The L Word.”

Over the past five years, I’ve asked nearly every Gen-Z sapphic I know if they’ve seen “The L Word.” Out of probably at least fifty people, only like three said yes.

“The L Word,” created by Ilene Chaken, aired on Showtime from 2004 to 2009 (there’s also a reboot that we don’t talk about), depicting a group of lesbians in L.A. The show had a profound impact on queer culture and made huge strides in lesbian representation, especially in the early 2000s. As far as I know, there has never been a piece of media before or after “The L Word” that has as much concentrated lesbianism as this one, to my intense chagrin. I’ve heard rumors of dykes gathering in bars when it was on the air to watch with bated breath if Dana would die or mass-sigh with disappointment when Shane left Carmen at the altar (I imagine it was something like the scene in Midsommar when the girls are all crying in unison).

I found out about this show when I started heavily questioning my sexuality, which was during quarantine. I was 14 or 15 or 16. I was spending a lot of time living like the main character in a coming-of-age movie. I remember lots of long, contemplative walks and bike rides where I would listen to “Lights Up” by Harry Styles on repeat.

Being in quarantine also meant I had a lot of time to sit on the internet and learn about gay people. “The L Word” came up pretty soon into my research, and I began watching it on Hulu before I knew what I was. I would lay in bed and watch with the volume as low as possible in case my family could somehow hear the salacious noises of people doing things to each other that I didn’t really understand. I had to avert my eyes at times, as well as delete the show from my watch history after every session. The possible embarrassment was too much to bear.

I was very grateful I could hide under a blanket and watch it on a portable device instead of rapidly switching the channel on a living room TV like the millennial lesbians had to do. Sometimes I wonder what would have happened if I was born earlier. Would I have remained the self-sheltered “straight” girl who gave kids dirty looks for cursing in middle school? Or would I have entered my “rebellious” phase earlier than twenty years old?

~

There aren’t a lot of shows about a group of gays navigating life and love. “The L Word” is the only one I knew about, at least. That made it my field book for social expectations for queer people. These expectations came most of all from a fan-favorite character, Shane McCutcheon. She is the only main character who is left-of-femme, as well as the resident “cool girl.” She’s also white and very thin (for as progressive as the show was, it hasn’t aged well: mostly white and femme and thin characters, very little—and at times offensive—bisexual and transgender representation, and other cringe-inducing aspects make up a good portion of the show).

A lot of sapphics, including myself, want to be her, be with her, or both. A lot of us look up to her. She also canonically has a body count of over 900 (with no STDs!), poor communication skills, and is a serial cheater (actually, all of the characters on this show are serial cheaters). In the pilot, a protagonist named Bette says, “Have you noticed that every time Shane walks into a room, someone leaves crying?” If this was said about a male character, we’d probably hate him. But Shane wasn’t a male. We wanna make girls cry, too, even if we can’t fully admit it.

Now, how do we think this affected impressionable 15-year-old Scarlett, the same Scarlett who wasn’t even gay yet, the same Scarlett who had gotten all of her social cues from TV and the preppy girls at her childhood dance studio? It turns out, pretty poorly. 

This show taught me that to be a cool gay, you have to dress differently than the straight girls, be really skinny, and fuck as many girls as you possibly can (there was no such thing as protection in that show, by the way).

In high school, I wore sweatpants every day and had exclusively unrequited crushes. I was also recovering from an eating disorder, so being really skinny was out of the picture for me for the sake of my health and happiness and my relationships with my family or whatever. 

My senior year, I walked into my dance studio and read the cast list for our “Beauty in the Beast” Recital, wondering what role I was going to get for my final year, a question I’ve been asking myself since I was four years old. I scanned the list for my name. My gaze lowered until I found out: I was the dog/footstool.

~

Going to college, I knew this could change. It took a lot of bumbling around, though. My style was not fully formed my freshman year, unlike these aliens from Fashion Planet that call themselves the class of 2029. Nor were my social skills, which took manymanymanymany failed conversations and two years of putting in effort on the dating apps like I do my schoolwork—I have a 4.0 GPA—to get anywhere. I also didn’t drink or do drugs my first year. (Which I don’t regret! Be sober children! And adults!)

Things finally changed in October of my sophomore year, when a girl with mutual friends asked me out at a party. Earlier that week, the first time I’d ever met her, she showed off her skimpy bra in front of me and a couple friends when explaining some anecdote about accidentally flashing a frat brother. At the party, she was drunk off Pink Whitney and wearing white face paint and goth makeup. Not my normal type, but they were too intriguing and too gay to say no. This experienced queer—who was also a stripper and college dropout—was nervous to talk to me?

The next morning, we went to a coffee shop and talked for four hours. On our second date, let’s just say Scarlett had a lot of firsts that night. On our third date, I threw up next to her car in a parking lot.

She answered my texts quickly, called me “pretty girl,” and told me I reminded her of a song called “Jackie Onassis.” Before we could go on a fourth date, I found out she was racist. Like shockingly racist. Like even my frat boy brother who just recently called my friends “insufferable libs” agreed it was way past problematic. I was reliably told that at a late Waffle House run, she told the waitress: “Calm down, Rosa Parks.” I stopped seeing her after that. 

~

A few weeks later, I hung out with this other girl a few times. Those times also lined up with my first experiences binge-drinking. She introduced me to Lauryn Hill, which is really ironic, because she’s the exact type of person Hill warns about in “Doo Wop (That Thing).” She just wanted to show off her voice. Don’t be a hard rock when you really are a gem. Well, she didn’t seem to listen to the song. (We may have randomly celebrated our “anniversary” this past  October. Frankly, no regrets.)

Nearly a year and many painful anecdotes later, I’m a little more like Shane, but I don’t really have the control and power and charisma she seems to have. Deep down, she must feel pretty out of control, since she can’t commit to a relationship. 

I’d like to think I could. I’d like to think I’d do great. I’d save my money to buy her flowers and learn how to write poems for her. I’d make her a playlist and learn her favorite color and tell her good morning and good night. I’d pay for her food even though I don’t have a job. I’d trace hearts on her hand with my thumb. I’d pay attention to the stuff she wanted but didn’t buy at Target and get it for her later. We’d have a shared Pinterest board. I’d introduce her to my family, maybe even come out to my aunts and uncles.

But in my lower moments I feel afraid sometimes. Afraid that I’ll never stop feeling like the dog-slash-footstool I’ve always been. 

Or if we’re in a really dark timeline, there’s a different movie I see playing out. First, I  meet someone off the apps. Or better yet, organically. Something corny and amazing like I drop my books and she picks them up, or we happen to have the same coffee order. Maybe she has princess blonde hair or Aubrey Plaza dark brown hair; I don’t really care. She asks for my number. We start texting (and she texts me back quickly!), then that turns to meeting. Then that turns into meeting multiple times. Then one day she hands me a bouquet of flowers similar to one I’ve saved on Pinterest (she’s stalked my account, of course). On the tag, it says “Will you be my girlfriend?” I say “Yes!” and we embrace and then it starts raining and we recreate the one scene from “The Notebook.” A month or so passes and it’s going great. I have a partner! I’m living my dream. Sixteen-year-old me would be so happy. 

Then a familiar feeling creeps into my stomach and scurries to my brain. I suddenly hate myself for no reason. I feel out of control and insecure. So I smoke and drink in my room. Then I walk to a bar by myself in the dark and drink more. I buy a drink for a girl there. A different girl. Maybe she has the same hair as my partner, maybe completely different; I don’t really care. I pretend I’m nice. I pretend I’m a good, secure person. Jackie Onassis. We go back to her place. And in a few moments I’ll have started something that inflicts unimaginable pain onto the  partner I love.

Over the summer, I watched “The L Word” with this girl on a first date in her apartment. She was 21 or 22 and watching the series for the first time. She was a baker. She drank Soju. She rented her own apartment in downtown Louisville. She wore these colorful waist beads she believed would fall off when the universe needed them to (and made her Snaps more memorable). Anyway, we picked up at the episode she was on. Lo and behold, it was the episode where Dana Fairbanks fucking dies from breast cancer. I’ve actually always purposely avoided this episode, since I haven’t wanted to watch something so sad. But I thought it would be cool to share the experience with someone else, especially a cute girl whose head was in my lap. It was a pretty good episode.

I wanted to share more moments like this with her, but deep down I knew I wouldn’t. Deep down, I knew she was going to ghost me a week later. I would give her the benefit of the doubt. I would say, “she just lost her job.” But then I would see Snapchat stories of her having fun at the bar. Deep down, as we lay down together and watched the clock on screen count down to Dana’s death, I knew this moment would crumble into dust so rapidly it was like there was no point in watching this episode with her altogether. 

For most of my life up to this point, my heart has been whole—not broken, not fractured—but buried beneath a pile of dust such as that. Dust made of first and last dates. Of texting me until you get tired of pretending that you’re interested in me. Of postulating our own definitions of queerness never to explore what they look like in tandem. Of explaining why I love “Community” and you pretending to be a nerd about something, too to hide the fact that you’re going to be a bitch to me. Of saying that we’re “meant to be” on Hinge but not asking me out. Of “forgetting” we had plans. Of sharing why we go to therapy five minutes into meeting each other and never seeing each other again. Of me paying for my own Lyfts home. Of pathetically waiting for you to finish your round of Fortnite before we talk. Of sending me a long paragraph of why I’m special, then not realizing you weren’t stable enough to pursue me until our second kiss, followed by a cinematically teary-eyed Uber home in the night. Of taking another melatonin gummy due to the heart-racing anxiety of fearing I’m going to be flaked on again. Of texting me asking to read over your three-page poem of why you wanna fuck your shitty cowboy Kroger boss that you would play Apple Arcade Games with while I was in bed, right before asking me if we can just be friends. Of constantly annoying my friends about this stuff. Of telling me what songs I remind you of and then giving she/they strippers a bad name at Waffle House. Of teaching another girl why they’re “not ready to date me.” Of being told by the girls that say yes at first that I “deserve better.” Including the ones who asked me out on a Crumbl Cookie box and almost taught me what love was. Of redownloading Tinder. Of giving my energy, my time, my charm, my body, myself, unappreciated.

Can someone please blow all this dust off and give my heart a hug? A hug that lasts? A hug they’ll bury us in?

~

This semester, my “Jane Austen and Film” professor told us, “Remember, literature and film are representations of life, not models of them.” Everyone chuckled, but I knew I sincerely needed that advice. I am learning and relearning that through my English major. When I write notes about Shakespeare or Jane Austen, I am not just marking anaphora or acute characterization, but also—with a 5-subject notebook, a sprained wrist, and a blue pen—breaking and rebuilding my ideas of what life, relationships, and queerness entail. 

Then I go home and brush my teeth and see a picture of Shane taped on my mirror with a sticky note that reads “U R HER.”

Jerry Craft’s “New Kid” – This YA Graphic Novel is an Essential Read

Jerry Craft’s New Kid offers a fresh perspective that speaks to Transylvania’s campus culture and to the values of a liberal arts education. The graphic novel is emotionally sharp, introspective, and fun. 

New Kid follows Jordan Banks, an artistic and thoughtful seventh grader, as he navigates being a Black student at a new, mostly white private school. Jordan faces microaggressions, assumptions, and social hierarchies that may seem distant from college life. That is, until you realise that the “Transy Bubble” can feel like you’re in grade school again. Everyone knows everyone. There is inevitable gossip. We give each other unfounded labels. Many students, especially those from marginalized backgrounds, carry a kind of burden that makes them feel different from the get-go. Reading New Kid asks us to reflect: What do we assume about others before we actually talk with them? Who might feel left out of our community and why?

The cover of “New Kid” by Jerry Craft

The talent of a graphic novel is that it can touch on serious topics without feeling heavy. New Kid is a breath of fresh air compared to the academic reading that saturates our day-to-day life. Craft’s illustrations create a rich sensory experience where humor lands more quickly, awkward moments are more awkward, and Jordan’s emotional journey is visible. This format serves as a reminder that we don’t have to read dense, four-hundred-page novels to gain meaning. The protagonist’s love for art through sketching, along with Craft’s award-winning illustration, makes this book a prime example of creative expression. As a college that values interdisciplinary thinking, New Kid exemplifies how storytelling, art, and social consciousness can become an impactful, action-guiding narrative.  

Transylvania’s mission statement highlights independent thinking, open-mindedness, lifelong learning, and social responsibility in a diverse world. New Kid embodies these values as Jordan takes charge of his new life at Riverdale Academy Day School, stands up to the school bully, makes unlikely friendships, and confides in his parents his desire to attend art school.

The initial culture shock Jordan feels upon transitioning to a private school resembles what many students experience when being on their own in the college environment for the first time. We are exploring our interests through student organizations and social groups. We are finding and making a home away from home. Jordan’s journey is similar to what many Transylvania students experience every school year. New Kid is about finding community.

If we want to maintain a welcoming, self-aware, and value-aligned student body, this book is essential. Everyone at Transylvania should check it out, and return to the library as soon as you finish so the next person can pick it up!

Character.ai: A Retrospective

I think now is a good time to remind you all of character.ai. I’m not going to generalize the demographic of Transy, but I have a sneaking suspicion most of you used c.ai at some point, likely during quarantine. It was an infectious disease; I knew many different people who used c.ai, including myself. 

Now that the smoke has cleared, we need to look back on what c.ai actually was and how it, along with other AI chatbot sites, impacted our culture. 

Firstly, if you aren’t sure what c.ai is, it’s an AI chatbot website that lets you create and speak with chatbots modeled after whoever or whatever you want. It can be a fictional character, a real person, your OC, or the entire Wikipedia website. Some of these bots are somewhat questionable and usually steer roleplays toward a more romantic direction, despite user input advising against it. Also, a lot of people tried to get freaky with the chatbots, to the point that c.ai has banned anyone under 18 from using the site; they’re implementing ID checks as well, or so I’ve heard.

The early 2020s were a time when AI was lagging behind. It was hardly the powerhouse it is today; the things it generated were sloppy, scary, and overall terrible. Yet in the midst of ChatGPT and DALL-E was c.ai, sitting there all by its lonesome, skating by. C.ai, along with Chai, dominated the chatbot industry; everywhere you turned on TikTok, someone was posting a video of some conversation they were having with Bakugo from My Hero Academia. Sexuality started to become commonplace like never before; coinciding with the rise of “BookTok” and erotica, we began to see an influx of people seeking to break the filter, or not to have a filter at all. At the time, this was seen as normal, because why wouldn’t it be? What else was there to do?

Even now, c.ai still lives and breathes. The general consensus against AI is negative, yet we still see numerous people forgetting that, yes, the AI ZeroTwo chatbot is using up water, too. Not only that, but c.ai has summoned hundreds of copycats, all promising the same thing: “Talk to your favorite characters with no filter and a good memory.” Going into any of these websites, you’re met with an endless feedback loop of AI images and eroticism. Big-breasted “MILF” types and bad boy roleplays fill the homepages of websites like Janitor AI, where the filter is nonexistent. On character.ai, it’s not much different: My Hero Academia roleplays, Ghost from Call of Duty is your boyfriend, go on a date with Elvis Presley, let’s date the entirety of Stray Kids. The list is endless, and the deeper you go down the rabbit hole, the more bizarre stuff you’ll find.

Of course, you also can’t forget the amount of lolicon and incestuous fetish content present on these sites. The issue with no filter is that so many things can slip through the cracks; no filter, no judgment, no questions, as long as it’s appropriately tagged. It’s like the AO3 of AI; anything goes. The consequence of this is chatbots encouraging you to sexualize a child character, or have sexual relations with your roleplay family members, or even, in some cases, get erotic with animals. It’s absolutely horrendous, and because of this, perhaps it’s a good thing that c.ai has child-locked their site—except that many worse sites haven’t. Many no-filter chatbot apps allow anyone through their doors, potentially exposing children to this kind of content. It should go without saying that exposing children to websites with pornographic material is dangerous, even if the material is in a more written form. You wouldn’t let your child read Fifty Shades of Grey; why would you let them on an app where the chatbots they’re talking to are, for the most part, actively encourage erotic roleplay?

Even putting this aside, the idea of chatbots can be detrimental to someone’s ability to form relationships. I have personally witnessed several people report feeling agonized by their AI chatbot partner leaving them, and others say that c.ai killed their relationships with friends, family, or partners. It’s easy to form unhealthy attachments to these chatbots in the same way you’d form attachments to the characters in general; this time, however, it’s easier to believe that they’re actually talking to you. When you’re reading an X Reader fanfiction on Wattpad, Tumblr, or AO3, it’s easy to feel disconnected from the portrayal of “Y/N” due to it having to be written for a more generalized, unspecified audience. With AI chatbots, however, they’re personal to you; they go along with you, they say they’re in love with you, they use your name, and they mention specific details about you. All of it makes it much easier to believe that you’re actually in some sort of relationship with this chatbot, especially if you are someone who has previously struggled with relationships in the past. Take Satoru Gojo, for example. His saying, “Y/N… I love you…” feels a lot different than him saying, “Lucid… I love you…” doesn’t it? Not to say your name is Lucid, obviously, but my name is Lucid, and hearing him say that would feel a lot more personal and meaningful. Of course, this is assuming I care enough about Gojo, but you get the idea.

I think, inherently, chatbots have made people more lax towards AI. Many of these chatbot sites—c.ai, most notably—have AI-generating software built into them. Bots can generate any image you want, and people have been surprisingly content with this, using it to make… things. Along with this, many have abandoned fanfiction writers in favor of c.ai for the reasons I mentioned above. Some people are even using generative AI software to create their own fanfiction. People are strangely comfortable with utilizing AI, despite the immense backlash it has received.

So, what’s the move now? Simple: no more AI chatbots. Whether it’s c.ai, Chai, Janitor AI, ChatGPT, or anything at all, it needs to end, and it needs to end now. Hopefully, for all our sakes, the AI bubble pops soon. When it pops, I hope it takes c.ai with it.

All About the Bee: The Magic of The 25th Annual Putnam County Spelling Bee Musical

First things first, The 25th Annual Putnam County Spelling Bee (Spelling Bee) is not your average play. It is a whimsical, chaos-infused, borderline-fever-dream production that will leave you with jaunty tunes and incredible memories.

I warn you not to write off Spelling Bee as some cheesy play. Beyond the fast-paced comedy, Spelling Bee is ultimately a commentary on the impact of home life on students, academic pressure, rebellion against the unfair and mundane, ethics, young love, and freedom of choice, all presented in a light yet meaningful way. From upbeat “Pandemonium” and “Magic Foot” to heartfelt “I’m Not That Smart” and “The I Love You Song,” the soundtrack of Spelling Bee explores these deep themes in an accessible way as we, the audience, get to know the contestants and their stories. You won’t want to miss a beat as characters confront nuances of their relationships with friends and family (and members of the audience) as well as the struggles of academia.

The cast gathers on stage for mic checks in full costume

Spelling Bee follows the story of six middle schoolers from Putnam County, and three others called from the audience. Competition is steep as these students spell their hearts out for the first-place prize. While only one will take home the trophy, each competitor walks away with a greater sense of self (in addition to a consolation juice box). From the moment the lights go down until the final bow, The 25th Annual Putnam County Spelling Bee will have you giggling, chuckling, and laughing out loud.

As an audience member, it was energizing to witness how the actors brought the stage to life through these spunky spellers. From the artistry of the set to that of the costumes, all of Little Theatre came together to embody the mix of creativity and chaos that makes Spelling Bee the show that it is, not to mention the incredible vocal performances and choreographies that illustrated the story of the Spelling Bee

From the perspective of the stage, senior Samantha Farr, who plays the character of Olive Ostrovsky, discusses how this play “shows how human these little kids are and how much reality is held within these little people.” She shares how heartfelt interactions between characters are and lets the audience know to be ready for “a lot of singing, a lot of dancing, a lot of spelling. There is also a lot of improv involved with the audience.” Ultimately, Farr describes Spelling Bee as “a culmination of people who love what they’re doing,” and from the audience, we can absolutely see their efforts come together in this heartfelt show. 

The trophy for the Spelling Bee winner displayed on stage

As for behind the scenes, freshman Savannah Soeder, who takes up the role of Assistant Stage Manager, shares her experience working on her first show at Transylvania: “It made me step out of my comfort zone,” and “It was super fun. I loved every minute of it.”  Soeder says that she is excited to see “the overall child look of the show” come to life through the Spelling Bee and for the audience to be looking forward to “little inside jokes and the reactions of the spellers on stage.”

I want to give a shout-out to the amazing actors and actresses, on-set musicians, and tech crew! They produced a ‘very nice, very nice, very very very nice show’ which is sure to bring you smiles and a good time. 

Alongside our production of Spelling Bee, Transy Theatre Guild hosted The Mighty Pigeons Drama Club Bake Sale, starting before each production and continuing through intermission. For sale was an array of brownies, cupcakes, cookies, and muffins in allusion to Chip’s post-intermission song. Proceeds will go towards this year’s student-led Mayterm production to help cover the costs of costumes, sets, and other expenses. 

Be sure to keep an eye out for more amazing productions and events from our Theater Department!

Greek Confidential: An inside look at Halloweekend at the frats

The writer of this article wishes to remain anonymous in order to be candid about the happenings she witnessed.

It was raining. Not pouring but coming down hard enough to ruin the buzz my friends had been building before setting out for our destinations. For our single-girls night out, the pregame was necessary for planning our night. We had four stops to make and wanted to be in bed by 1:30. My drink of choice was a mini Cherry Slush Alani and a sparkling water to-go. I was sober (I had to keep my wits about me for this article). 

The first stop was Sig. The building was deemed historically significant by the Blue Grass Trust, but to those walking up its pot-hole driveway, the house was most famous for its social significance. The place looks like it might just topple over if someone hit the brick hard enough. 

We walked through the wooden gate into the back yard and were welcomed with a candy bowl of snack-pack Haribos and Starbursts. Instant hospitality. After grabbing a treat, we went in the back door to the kitchen. 

I found my friend who dates a guy in the frat and then a few other familiar faces. People seem to really enjoy hugging when they’re drunk. As we were chatting about our cold-and-rainy four-minute trek, a guy I hadn’t met before came up to us. He was pretty out-of-the-way. Slurred words, slow (but fast?) movements, deadpan zoning out mid-sentence. All in a long black hair wig. I think he was Slash from Guns N’ Roses?

He seemed nice enough but it was only 10:45. In my experience, these parties don’t start to die down until 2 in the morning. Slash had quite a night ahead of him. Was someone gonna stop him from grabbing another drink?

My friends wanted drinks and I wanted to find more characters. Here’s the lay of the land: the basement—drinks and dancing, first floor—kitchen and pong, second floor—bathroom and peace, third  floor—balcony and “the green room” (IYKYK). The basement was really a cave. The door from there to the backyard stayed open to vent all the body heat from the dance floor. It was packed tighter than the spandex pants I was wearing. (Sorry, can’t tell you what my costume was or else this wouldn’t be anonymous.)

Later I heard about a near-fight between a couple brothers. Some minor choking, totally unprovoked. It was broken up pretty quickly. Word on the street is the guy who started it was suspended until further notice. I’m glad we left Sig before things got too real.

On the way to the PIKE house, we passed a trio of short-skirted, corseted blondes who gave us a “have a good night guys” as we split into single file on the sidewalk behind the old soccer field. I wondered if they were just getting started. It was almost midnight.

Shivering, my friends and I questioned whether this was worth the cold-to-come.

“I mean, it’s part of the experience. Right?”

The minutes spent at PIKE were like our walk there—not short enough to complain about but long enough to be uncomfortable. Going into the house to dance, we were met with immediate heat. It radiated from the spray-sparkled, barely covered bodies wiggling around on the dancefloor. The floor was covered in the mud everyone had to trudge through to get there. With no welcome mat to wipe my shoes on, I felt sorry for contributing to it before filtering in. 

I thought, I wonder what this would be like without music. And laughed out loud, to myself. 

The line for the bathroom was unbearably long for those who had already “broken the seal.” I bet I could have walked back to my own dorm 300 yards away, relieved myself, and walked back before it was my turn. Deciding to do just that, we headed out. They weren’t playing bangers anyway. 

A sticky-note-drawing by the author depicting Phi Tau’s house that night

Replenished by a clean, sanitary bathroom break at the dorms, we decided to go to the remaining two frats. It was 12:30. The rain had let up and we decided to hit Phi Tau next. I think Phi Tau gets a bad rap for having mid parties but, what can they do? Their close proximity to campus means they’re an easy target for campus police, so they can only get so wild. And is there any such thing as a “good” frat party? Hold that thought.

Getting down to the dance floor was the safety hazard of the century. Access to the basement was a literal hole in the floor, opened by a cellar-type door. If you misstep on the macbook-wide stairs, you’re done. It wasn’t very busy down there, maybe because people didn’t want to hassle with the whole life-flashing-before-your-eyes bit. After exploring the living room, sans furniture, my friend and I looked at each other.

“We came, we saw, we left?”

“Yeah.”

The finale of the night was KA. We were let in another wooden fence gate after the guys gauged us to be fellow students. We made our way to the half-converted garage known as “The Chapel.” The mucky walkway of stepping stones scattered about—in no particular order—was made worse by the darkness. My friends and I mourned our heels but reminded each other, again, it was part of the experience.

The lack of visibility somehow got worse once we got inside. The black lights made everyone’s teeth glow and their eyes look like they belonged to a mythical creature. Is that who I think it is? 

My friends were at least findable in the crowd since their costumes were partly white. I was wearing all black.

The spray painted banner that read “CHAPEL” was hung behind the makeshift DJ post, reminding you where you were. A group of four guys were on some kind of stage beside the speaker, singing along and doing their frat flicks. They were living for the attention. And there I was, giving it.

Same as every house we visited, it was sweltering: the heat was blasting to combat the outside cold and the body-to-body crowd only made it worse. KA had the best music, I can’t lie. While my friends and I danced to fan favorites by Pitbull, Waka Flocka Flame, and, yes, Taylor Swift, we found other girls we had seen at previous houses. We mouthed the lyrics to each other—“You’ll be the prince and I’ll be the princess / It’s a love story baby just say yes”—as if we would never get to hear the song again. 

But there was something about our final stop that made my stomach turn, and I hadn’t had a drop of alcohol.

Waiting for the bathroom in another concert-level line, overhearing intoxicated conversations—it just made me sad. After seeing about five girls stumble out of the bathroom, slurring their apologies for taking so long, I thought back to the guy from Sig. How is he doing right now? 

I checked the time, it was 1:30. After the bathroom, I had to use my elbows as if I was moshing to get through the crowd. It was uncomfortable and frustrating and sort of gross. I wasn’t having fun anymore. I was ready to go home.

On the way back to my friends, I kept catching flash-scenes of people: Do they really think this is as good as it gets? Wouldn’t the couples who “really love each other” prefer to show their affection behind closed doors? Is that girl okay? Does she know the guy she’s hanging off of right now?

My own past party experiences reminded me of how familiar these feelings were. To make me feel better, I made a mental rundown of the costumes I’d seen: Walter White from “Breaking Bad,” Megamind, Jinu from KPop Demon Hunters, Dallas Cowboys Cheerleader, Dale Gribble from “King of the Hill,” assorted Spongebobs.

I did have fun singing to Taylor Swift with the girlies. But I had serious pause when I considered dancing like nobody was watching. Is that just because I am a woman who has been objectified before? Is that because I myself had been judging some girls for their costumes being too revealing? Am I just not woke enough? HELP. 

I get why people drink at parties; they are nearly unbearable when you’re sober. People yelling in your ear and you still don’t hear all they say. Uncomfortable moments of couples being too heavy with PDA. Would these people act like this if they weren’t wasted? Most of them probably wouldn’t. So, it’s weird. The only thing to do at a party is get a drink. But then the drinking is what makes the party horrible at the same time. It’s a sick, sick cycle.

This isn’t a diss on fraternities but, yeah, it’s a surefire diss on party culture. It encourages excessive drinking, which presents sincere safety concerns. If the only place your classmates talk to you is at a party–-while you’re under the influence–-are those relationships worthwhile?

When you are out with friends make sure they actually are friends. People who you can trust. People who make smart decisions about alcohol intake. People that will be there for you if something goes wrong. 

Be safe out there. For real.

The Misunderstood Instrument: An Interview with Allen Fletcher and an Organ to Save

Rumors have been circling around Transylvania University surrounding the possible replacement of the Mitchell Fine Arts’ beloved organ. Many fine arts students oppose the idea, as the organ holds much history near and dear to Transy. In efforts to gather a professional opinion before the organ’s supersession, I reached out to Dr. Allen Fletcher. 

Fletcher is a Transy alum who majored in history and music, mainly focusing on organ performance. During his rising senior year of 2017, Fletcher was interviewed by The Rambler on his never-ending knowledge of organ playing. Upon the scare looming over current organ protectors, I conducted a follow-up interview with Fletcher, who has since graduated and works with not only the Kentucky Historical Society, but also as a piano accompanist at Transy.

As Fletcher identified his origins as a Transylvania student, he reflected, “I started as a piano student. I was on a piano scholarship and took lessons with Dr. Greg Partain, and he went on sabbatical- I think it was my second semester here. So, I thought I’d try organ for a change. The organ teacher at the time was Richard Dwyer, and I had a really good experience with him. I enjoyed taking organ lessons so much that I thought, why not make it a second major? To my knowledge, I was the first organ performance major in more than a decade.” When prompted with a question regarding the possibility of majoring in organ performance today, Fletcher provided, “I think that you could potentially make it work as a music performance major, but so few people play it that they don’t come around that often.” Such analysis is crucial to Transy’s current situation, as the university is one of the only in the state to still hold an organ program.

Haggin Theater at Transylvania University, which houses the organ

Fletcher continued to elaborate on the intricacies of the organ: “It’s a complex and misunderstood instrument, I think. A lot of people associate organs with churches, which makes complete sense, because that’s where most of the organs are these days. But, they can also serve another purpose. Of course, we have the MFA organ here in Haggin, so some auditoriums and concert halls will still maintain their organs.” With the diminishing presence of organs outside of religious situations, treasuring our organ at Transy is crucial to preserving the instrument’s identity and versatility.

As our conversation ensued, I asked Fletcher if organ lessons are still offered at Transy, as his experience with organ instruction inspired his college direction. He explained, “I think Angela Eaton now offers organ lessons. At least, I’ve seen organ lessons in the course catalog each semester. Whether that means they’re being actively offered, I don’t know.” As a professional organist himself, the uncertainty behind Fletcher’s knowledge of organ lessons at Transy was telling as to how the instrument’s value in instruction has been overlooked throughout the past eight years.

At this point in the interview, I decided to ask Fletcher if he would advocate for the refurbishment or replacement of the organ, considering his expertise in the field: “Well, that’s the million-dollar question, because organs are notoriously expensive to maintain. You can see just the size of this organ- it has over 2,000 pipes, and each one of those has to be individually tuned, so they’re expensive to tune. Especially if you get a lot of moisture, mold can grow in the pipes, so all that to say that it would cost tens of thousands, if not hundreds of thousands of dollars to fix the organ. And, it would also cost hundreds of thousands of dollars to get a new organ! Either way, it’s going to be expensive, and what we’re seeing in the organ at Transy is actually happening to a lot of organs at other schools across the country that are sort of falling into disrepair, and they’re not used all that much. So, it’s really hard for a lot of schools to justify spending so much money to maintain these really expensive instruments… Either option would be expensive, but at this juncture, it would probably make more financial sense to fix what we already have.” Fletcher’s response aligned with many Transy students, as the potential replacement of the organ has been frowned upon within the student body. However, the suggestion to fix the current organ is, in no way, an easy task. From various viewpoints, addressing the organ is going to be a daunting ordeal. 

Fletcher went on to elaborate on his care and regard for the organ: “I continue to advocate for the organ, not only in the church- I mean, I am a church organist. But it serves other purposes too. If you’ve ever been to the Kentucky Theatre downtown, they have an old, 1920s theatre organ that they’ve been refurbishing. I think once a week or once a month, they have silent films where they’ll have an organist come in and play before the film, and then actually play during the film. So, that’s one way that I think organs can become more visible.” By addressing the organ as a flexible and relevant instrument, Fletcher provides opposition to the argument that organs are oriented towards a single genre. 

Anna Lapwood at the organ for the Sydney Symphony Orchestra

The organist continued to describe others who share his love of organ playing: “Especially today in the age of social media being everywhere, there are some people who have become real ‘organ advocates, as I call them. There’s a lady named Anna Lapwood- she’s British and is about 30, and she has become known as the “TikTok organist” because she’s got an account and is reaching millions of people this way. She’s really trying to push the boundaries of organ music away from classical music and church music, so she goes around the world playing famous organs, and really does a lot with film scores, for example.” By highlighting Anna Lapwood’s work in preserving the art of organ playing, Fletcher established himself as both an ally and an advocate for expanding the organ into other musical contexts.

Throughout our interview, I began to ponder the mortality of organs. Upon asking Fletcher if he worries about organs fading into history, he replied, “I worry about it, but not a whole lot, just because there still is a pretty well-established tradition of organs in churches, and there are some people who are really clinging to the traditional ways, where you have a formal church service that has an organ. This was true eight years ago when I did my first interview, and it’s true now, that fewer and fewer churches are using organs, but I don’t think they’re in danger of extinction any time soon.” While Fletcher held slight concern for organs being played less, he remained realistic and positive that the instrument would not lose its prevalence in the near future.

At the end of our interview, I asked Dr. Fletcher if we could go to the organ in Haggin and experience the different mechanisms; unfortunately, the instrument was blocked off with “DO NOT ENTER” signs. With respect for MFA, we refrained from investigating the organ and its current condition. Such realization led Fletcher to exclaim, “It really is, for lack of a better word, a heck of an instrument, that people see when they come into Haggin, but they don’t always get to experience what it can really do. So, I do hope that they’ll find a way to keep it going.”

Like Dr. Fletcher identified, the organ is truly a misunderstood instrument. It requires extreme efforts to learn and maintain the historic set of pipes, but the challenge and difficulty provided by the organ combine to make beautiful and fulfilling sounds. While Transy might not fully comprehend the organ’s capabilities, the university holds the responsibility of nurturing its beloved instrument.

GALLERY: Artists and Entrepreneurs get into the Festive Spirit at the Annual Makers Market

On December 5th, faculty member Anthony Mead – Director of the Morlan Gallery and Adjunct Instructor of Art – once again put together the Annual Makers Market here at Transy. Just in time for holiday shopping, students, alumni, and Transy associates of many crafts spend months putting together a stock of products and goods to sell at the event. Held in the Pio Rooms decorated with Christmas trees and string lights and holiday music playing through the speakers, anyone is welcome to wander into the space and take a look at the plethora of booths. You’ll find stickers, jewelry, clothes, cookies, live drawings, made-on-the-spot keychains, and just about anything these ambitious artists can imagine and create! The Makers Market is a great time to showcase the talent here at Transy and, as always, it will leave you with a bag of goodies and thoroughly impressed. Keep an eye out next December for the Annual Makers Market.

The Life and Death of a Showgirl

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Going from “Now you hang from my lips like the Gardens of Babylon” to “Did you girl-boss too close to the sun?”, fans of Taylor Swift have been dancing with their hands tied, grappling with their relationship with the singer-songwriter.

Listeners of all ages, genders, and ethnicities have indulged in a parasocial relationship with Taylor Swift for nearly a decade. I, myself, identify as a “Swiftie” and share my love of Taylor with millions of other fans. Her wide discography, possessing songs of all circumstances, genres, and melodies, has fostered a cult-like following with music-lovers across the globe; tattooed lyrics, themed parties, and friendship bracelets are just the tip of the iceberg. But, Taylor’s dancey tunes of “Foolish One” and the melancholy notes of “Peter” aren’t what leave listeners with a one-sided connection. Rather, the musician’s lyrics are the factor that has accumulated a historic fandom unlike any other.

Taylor has showcased her hidden English teacher from a young age of 18 with the release of her second album, Fearless. The golden record possesses a song by the name of “White Horse” that is one of Taylor’s initial examples of avid storytelling: “I’m not a princess, this ain’t a fairytale. I’m not the one you’ll sweep off her feet, lead her up the stairwell. This ain’t Hollywood, this is a small town. I was a dreamer before you went and let me down. Now it’s too late for you and your white horse to come around.” Such lyrics encapsulate a moment within a breakup when a wrongdoer tries to rekindle their tarnished relationship. Taylor uses the metaphor of a princess and a prince, claiming that, unlike the movies, she will not give in to a desperate performance or allow herself to be “saved” by the man who hurt her. Later on in the shift from country to pop, the album Red holds a song called “Nothing New.” The “From the Vault” track is telling of Taylor’s descriptive lyricism: “And my cheeks are growing tired from turning red and faking smiles. Are we only biding time ’til I lose your attention? And someone else lights up the room? People love an ingenue.” The lyrics describe the struggles endured by women in the music industry; they are prioritized and exploited until someone younger, prettier, and more profitable comes around. Moving on to the 2019 album Lover, the song “False God” incorporates metaphors and biblical allusions: “But we might just get away with it. Religion’s in your lips, even if it’s a false god. We might just get away with it. The altar is my hips, even if it’s a false god. We’d still worship this love.” Through references to Christianity, Taylor conveys a sense of uncertainty and sacrifice. Her and her partner’s devotion to each other may not accurately represent love, but they will overcome the obstacles in their dedication to one another.

Young Taylor Swift in a gold dress playing a red guitar on stage. Image credits: Pinterest

Taylor also experiments with storylines that haven’t happened to her directly. In Folklore, Taylor writes a song by the name of “Seven”: “And I’ve been meaning to tell you, I think your house is haunted. Your dad is always mad and that must be why. And I think you should come live with me, and we can be pirates. Then you won’t have to cry, or hide in the closet. And just like a folk song, our love will be passed on.” Swift puts herself in the shoes of a young girl whose best friend lives in an abusive household. By adopting a childlike innocence, Taylor can portray her character through immature terminology and fantasy. Moving to my favorite album, Evermore, “cowboy like me” incites feelings of yearning and grief: “Now you hang from my lips like the Gardens of Babylon. With your boots beneath my bed, forever is the sweetest con. I’ve had some tricks up my sleeve. Takes one to know one, you’re a cowboy like me, and I’m never gonna love again.” Once again, Taylor uses figurative language, this time a simile. By comparing her past lover to the Gardens of Babylon, the lost wonder of the world, Taylor asserts that there is no proof of their relationship. Only they hold the memories of their love, and such remembrance will never fade away, lasting forever in bittersweet agony.

Now, upon reading these in-depth lyrics, one can see Taylor’s growth in storytelling throughout the years. So, as we look at her most recent album, The Life of a Showgirl, the dismay and confusion that flooded through Swifties is understandable. The marketing of the album prior to its release left fans on the edge of their seats, excited for a burlesque-like, glamorous record. And, the first couple of tracks did not disappoint. The opening tracks, “The Fate of Ophelia” and “Elizabeth Taylor,” hold chords of power and lyrics of cheeky flair. However, track five, “Eldest Daughter”, left listeners cringing and expecting a “SIKE!” from the songwriter: “Every joke’s just trolling and memes, sad as it seems, apathy is hot.

Taylor Swift in an orange sparkly dress laying on a couch and looking into the camera. Image credits: Pinterest

Everybody’s cutthroat in the comments, every single hot take is cold as ice.” In analyzing the rest of the song, Taylor’s intention of criticizing internet culture, along with establishing the pressures and misunderstandings experienced by older siblings, is clear. But, listeners felt as though the song fell flat in keeping a consistent theme and describing such experiences in a serious, non-embarrassing way. 

Later on in the album, “Wi$h Li$t” resulted in listeners feeling out of touch with their once relatable role model: “They want that yacht life under chopper blades. They want those bright lights and Balenci shades, and a fat a** with a baby face…I just want you. Have a couple kids, got the whole block looking like you.” Taylor generalizes the rest of the world as wanting luxurious products and having materialistic priorities; she counters everyone by claiming to want to settle down and have a family. Upon listening, many felt as though Taylor had broken the unspoken rule: acknowledging her wealth. Obviously, Taylor doesn’t know or relate to listeners, as she is a billionaire superstar, and we aren’t. However, “Wi$t Li$t” seemed to rub such a discrepancy in listeners’ faces, provoking discontent around the album. Moving to “CANCELLED!”, Taylor truly establishes her millennial identity in odd lyrics: “Did you girl-boss too close to the sun? Did they catch you having too much fun? Come with me, when they see us, they’ll run. Something wicked this way comes.” This combination of chronically online references and dramatic imagery was the breaking point for listeners. It seemed as though there was no use in defending the album any longer

Now, I must admit, I enjoy a couple of songs from the controversial record. “Actually Romantic” and “Wood” have been played during several solo car rides home. But The Life of a Showgirl comes nowhere close to Evermore or The Tortured Poets Department in terms of critical lyricism. However, I don’t feel as though the lack of lyrical intricacy was the main issue with Taylor’s 12th studio album; I mean, 1989 was the epitome of light-hearted, poppy choruses. Instead, it was the singer’s explicit descriptions of wealth. Swift has been increasingly criticized as she has obtained billionaire status. Many fans have urged her to use her prosperity and fame to speak out on major issues. While she did endorse Kamala Harris during the 2024 presidential election, Swift has failed to acknowledge the genocide in Gaza, along with the deportations involving ICE in America.

Image of Taylor Swift playing a small piano. Image credits: Pinterest

Despite the dislike revolving around Taylor’s recent album, I will always call myself a Swiftie. Swift’s complex songs helped me through heartbreak and academic struggles, and contributed to too many dance parties. Many listeners feel differently, though, and The Life of a Showgirl has unfortunately contributed to an increasing disconnect between artists and fans. Time will only tell if the previous affinity can be rekindled. As Taylor asks herself, “Is it over now?”

(inspired by my friend, Meghan, whose Swiftie identity has recently perished.)

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